“Lifeless in appearance, sluggishdazed spring approaches-They enter the new world naked,cold, uncertain of allsave that they enter. All about themthe cold, familiar wind-Now the grass, tomorrowthe stiff curl of wildcarrot leafOne by one objects are defined-It quickens: clarity, outline of leafBut now the stark dignity ofentrance-Still, the profound changehas come upon them: rooted, theygrip down and begin to awaken”

“And yet one arrives somehow, finds himself loosening the hooks of her dress in a strange bedroom-- feels the autumn dropping its silk and linen leaves about her ankles. The tawdry veined body emerges twisted upon itself like a winter wind.”

“Writing is not a searching about in the daily experience for apt similes and pretty thoughts and images… It is not a conscious recording of the day’s experiences ‘freshly and with the appearance of reality’… The writer of imagination would find himself released from observing things for the purpose of writing them down later. He would be there to enjoy, to taste, to engage the free world, not a world which he carries like a bag of food, always fearful lest he drop something or someone get more than he.”

“This is Just to Say I have eatenthe plumsthat were inthe iceboxand whichyou were probablysavingfor breakfastForgive methey were deliciousso sweetand so cold”

“It is almost impossible to state what one in fact believes, because it is almost impossible to hold a belief and to define it at the same time.”

“My surface is myself.Under whichto witness, youth isburied. Roots?Everybody has roots.”

“There is no thing that with a twist of the imagination cannot be something else. Porpoises risen in a green sea, the wind at nightfall bending the rose- red grasses and you- in your apron hurrying to catch- say it seems to you to be your son. How ridiculous! You will pass up into a cloud and look back at me, not count the scribbling foolish that put wings at your heels, at your knees.”