“How do our lives ravel out into the no-wind, no-sound,the weary gestures wearily recapitulant:echoes of old compulsions with no-hand on no-string:in sunset we fall into furious attitudes,dead gestures of dolls.”

“If you could just ravel out into time. That would be nice. It would be nice if you could just ravel out into time”

“A man will talk about how he’d like to escape from living folks. but it’s the dead folks that do him the damage. It’s the dead ones that lay quiet in one place and don’t try to hold him, that he cant escape from”

“any live man is better than any dead man but no live or dead man is very much better than any other live or dead man”

“I could just remember how my father used to say that the reason for living was to get ready to stay dead a long time.”

“...only the peak feels so sound and stable that the beginning of the falling is hidden for a little while...”

“It's just incredible. It just does not explain. Or perhaps that's it: they don't explain and we are not supposed to know. We have a few old mouth-to-mouth tales, we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable - Yes, Judith, Bon, Henry, Sutpen: all of them. They are there, yet something is missing; they are like a chemical formula exhumed along with the letters from that forgotten chest, carefully, the paper old and faded and falling to pieces, the writing faded, almost indecipherable, yet meaningful, familiar in shape and sense, the name and presence of volatile and sentient forces; you bring them together in the proportions called for, but nothing happens; you re-read, tedious and intent, poring, making sure that you have forgotten nothing, made no miscalculation; you bring them together again and again nothing happens: just the words, the symbols, the shapes themselves, shadowy inscrutable and serene, against that turgid background of a horrible and bloody mischancing of human affairs.”