“I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")”
In this excerpt from William Faulkner's "A Bear Hunt," the speaker reflects on the unpredictable nature of humor and the unintended consequences that can arise from one’s actions. The quote delves into the complexities of human interaction and the broader forces at play when a joke is made.
The phrase "I be dog if hit don't look like sometimes that when a fellow sets out to play a joke" captures the playful intention behind humor, yet it immediately introduces a deeper layer of meaning. The speaker suggests that there is an inherent risk involved in joking; the act is not merely between two individuals but also engages a larger, almost cosmic power or force. This notion of "a kind of big power laying still somewhere in the dark" indicates that there are unknown variables outside of an individual's control that can influence the outcome of their actions.
Furthermore, the idea that "it all depends on whether that ere power is in the notion to take a joke or not" emphasizes the unpredictability of human experiences. Jokes are inherently subjective; what one person finds funny, another may perceive as offensive or inappropriate. This duality points to how the context and the audience shape the reception of humor.
The concluding reflection that a prank can "blow up right in his face" acts as a cautionary note. It serves as a reminder that humor can backfire, leading to unforeseen consequences that may hurt or embarrass the joker. This touch of irony encapsulates the essence of the quote, where the act of jesting is portrayed not just as a light-hearted endeavor but also as a complex interplay of intentions, perceptions, and cosmic indifference.
In summary, Faulkner’s words evoke a rich tapestry of themes surrounding humor, agency, and the unpredictable nature of human relationships, marking the delicate balance between intent and impact in our social interactions.
William Faulkner’s reflection in “A Bear Hunt” speaks to a profound truth about the nature of human actions and the unforeseen consequences they can have. In today’s world, this sentiment resonates deeply as individuals navigate the complexities of social interactions, humor, and the unpredictable responses of society, technology, and other powerful forces.
Faulkner suggests that when one endeavors to play a joke or manipulate a situation, they may inadvertently engage with a larger, unseen force. This can be likened to the dynamics in contemporary life, where actions—especially those that aim to elicit laughter or provoke thought—can lead to unexpected outcomes.
For instance, in the age of social media, a seemingly harmless joke can quickly spiral out of control, affecting not just the jokester but also numerous individuals and institutions. The power of viral trends, public opinion, and online backlash illustrate how our attempts at humor or satire can resonate differently than intended, echoing Faulkner's insight about the unpredictable nature of the forces we seek to engage.
Moreover, the notion that humor must be navigated carefully due to the potential for serious repercussions highlights the delicate balance between creativity and responsibility in modern discourse. As individuals and communities become more aware of social sensitivities, the importance of context and intent becomes paramount, underscoring the timeless relevance of Faulkner's contemplations on the interplay between individual agency and collective power.
William Faulkner's quote from "A Bear Hunt" presents a thought-provoking idea about the nature of humor and the consequences of our actions. It suggests a deeper exploration of intention, power dynamics, and the unpredictability of life's outcomes. Here are some reflection questions to consider:
Power Dynamics: How does Faulkner's idea that a "big power" is involved in the joke alter your understanding of humor and its effects?
Intent vs. Outcome: Reflect on a time you intended to play a joke on someone. How did the outcome differ from your intentions?
Responsibility for Actions: To what extent do you believe individuals are responsible for the consequences of their actions, especially when humor is involved?
Understanding Humor: What role do you think understanding and context play in the appreciation of a joke? Does this relate to the concept of the "big power"?
Personal Reflection: Have you ever been on the receiving end of a joke that backfired? How did it make you feel, and what did you learn from the experience?
Philosophical Inquiry: Do you believe that humor can serve as a tool for social commentary or critique, and if so, how does Faulkner's quote relate to this idea?
Emotional Reactions: How do different emotional states influence your perception of humor? Can the same joke be humorous at one moment and offensive at another?
Cultural Context: How might cultural differences affect what is considered humorous or offensive? Can the "big power" Faulkner refers to vary across cultures?
By reflecting on these questions, readers can gain deeper insights into the complexities of humor and its broader implications in social interactions.
“As they walked through the bright noon, up the sandy road with the dispersing congregation talking easily again group to group, she continued to weep, unmindful of the talk. "He sho a preacher, mon!! He didn't look like much at first, but hush!" "He seed de power en de glory." "Yes, suh. He seed hit. Face to face he seed hit." Dilsey made no sound, her face did not quiver as the tears took their sunken and devious courses, walking with her head up, making no effort to dry them away even. "Whyn't you quit dat, mammy?" Frony said. "Wid all dese people lookin. We be passin white folks soon." "I've seed de first en de last," Dilsey said. "Never you mind me." "First en last whut?" Frony said. "Never you mind," Dilsey said. "I seed de beginnin, en now I sees de endin.”
“When they get done sending you to Parchman you'll have plenty of time between working cotton and corn you aint going to get no third and fourth of even, to study it." They looked at one another."Yes sir," George said. 'Especially wid you there to help me worry hit out.”
“Like a fellow running from or toward a gun ain't got time to worry whether the word for what he is doing is courage or cowardice.”
“Sometimes I ain’t sho who’s got ere a right to say when a man is crazy and when he ain't. Sometimes I think it ain't none of us pure crazy and ain't none of us pure sane until the balance of us talks him that-a-way. It’s like it ain't so much what a fellow does, but it’s the way the majority of folks is looking at him when he does it. […] That’s how I reckon a man is crazy. That’s how he can’t see eye to eye with other folks. And I reckon they ain't nothing else to do with him but what the most folks says is right.”
“I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as when he was set on staying still, like it aint the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn't act like he was proud of it, like he had made the river rise himself.”
“Sometimes I aint so sho who's got ere a right to say when a man is crazy and when he aint. Sometimes I think it aint none of us pure crazy and aint none of us pure sane until the balance of us talks him that-a-way. It's like it aint so much what a fellow does, but it's the way the majority of folks is looking at him when he does it.”