“I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as when he was set on staying still, like it aint the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn't act like he was proud of it, like he had made the river rise himself.”

“I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")”

“Sometimes I aint so sho who's got ere a right to say when a man is crazy and when he aint. Sometimes I think it aint none of us pure crazy and aint none of us pure sane until the balance of us talks him that-a-way. It's like it aint so much what a fellow does, but it's the way the majority of folks is looking at him when he does it.”

“Caddy got the box and set it on the floor and opened it. It was full of stars. When I was still, they were still. When I moved, they glinted and sparkled. I hushed.”

“He never denied it. He never did anything. He never acted like either a nigger or a white man. That was it. That was what made the folks so mad.”

“Sometimes I ain’t sho who’s got ere a right to say when a man is crazy and when he ain't. Sometimes I think it ain't none of us pure crazy and ain't none of us pure sane until the balance of us talks him that-a-way. It’s like it ain't so much what a fellow does, but it’s the way the majority of folks is looking at him when he does it. […] That’s how I reckon a man is crazy. That’s how he can’t see eye to eye with other folks. And I reckon they ain't nothing else to do with him but what the most folks says is right.”

“It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.”