“What he was now seeing was the street lonely, savage, and cool. That was it: cool; he was thinking, saying aloud to himself sometimes, “I better move. I better get away from here.”But something held him, as the fatalist can always be held: by curiosity, pessimism, by sheer inertia.”

“When it's a matter of not-do, I reckon a man can trust himself for advice. But when it comes to a matter of doing, I reckon a fellow had better listen to all the advice he can get.”

“Knowing not grieving remembers a thousand savage and lonely streets.”

“I lied," I said. ..."I know it," he said."Then do something about it. Do anything, just so it's something.""I cant," he said."There aint anything to do? Not anything?""I didn't say that," Grandfather said. "I said I couldn't. You can.""What?" I said. "How can I forget it? Tell me how to.""You cant," he said. "Nothing is ever forgotten. Nothing is ever lost. It's too valuable.""Then what can I do?""Live with it," Grandfather said."Live with it? You mean, forever? For the rest of my life? Not ever to get rid of it? Never? I cant. Dont you see that I cant?""Yes you can," he said. "You will. A gentleman always does. A gentleman can live through anything. He faces anything. A gentleman accepts the responsibility of his actions and bears the burden of their consequences, even when he did not himself instigate them but only acquiesced to them, didn't say No though he knew he should.”

“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.[Press conference, University of Virginia, May 20, 1957]”

“Ninety-nine percent talent…ninety-nine percent discipline…ninety-nine percent work. He must never be satisfied with what he does. It is never as good as it can be done. Always dream and shoot higher than you know you can do. Don’t bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He doesn’t know why they choose him and he’s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.”

“Sometimes I ain’t sho who’s got ere a right to say when a man is crazy and when he ain't. Sometimes I think it ain't none of us pure crazy and ain't none of us pure sane until the balance of us talks him that-a-way. It’s like it ain't so much what a fellow does, but it’s the way the majority of folks is looking at him when he does it. […] That’s how I reckon a man is crazy. That’s how he can’t see eye to eye with other folks. And I reckon they ain't nothing else to do with him but what the most folks says is right.”