“Laney felt the pills he'd taken, the ones that were supposed to cushion the jet lag, drop out from under him like some kind of rotten pharmacological scaffolding.”

William Gibson

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“Do you always wear Malaysian imitations of Brooks Brothers blue oxford button-downs, Mr. Laney?" Laney had looked down at his shirt, or tried to."Malaysia?""The stitch-count's dead on, but they still haven't mastered the thread-tension.""Oh.""Never mind. A little prototypic nerd chic could actually lend a certain frisson, around here. You could lose the tie, though. Definitely lose the tie. And keep a collection of felt-tipped pens in your pocket. Unchewed, please. Plus one of those fat flat highlighters, in a really nasty fluorescent shade.""Are you joking?""Probably, Mr. Laney. May I call you Colin?""Yes."She never did call him "Colin," then or ever. "You'll find that humor is essential at Slitscan, Laney. A necessary survival tool. You'll find the type that's most viable here is fairly oblique.""How do you mean, Ms. Torrance?""Kathy. I mean difficult to quote effectively in a memo. Or a court of law.”


“All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and still he'd see the matrix in his sleep, bright lattices of logic unfolding across that colorless void...”


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“A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he cut in Night City, and he'd still see the matrix in his dreams, bright lattices of logic unfolding across that colourless void... The Sprawl was a long, strange way home now over the Pacific, and he was no Console Man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, hands clawed into the bedslab, temper foam bunched between his fingers, trying to reach the console that wasn't there.”