“Sucks to your ass-mar!”

“I spit upon your God!”

“There have been so many interpretations of the story that I'm not going to choose between them. Make your own choice. They contradict each other, the various choices. The only choice that really matters, the only interpretation of the story, if you want one, is your own. Not your teacher's, not your professor's, not mine, not a critic's, not some authority's. The only thing that matters is, first, the experience of being in the story, moving through it. Then any interpretation you like. If it's yours, then that's the right one, because what's in a book is not what an author thought he put into it, it's what the reader gets out of it.”

“I tell you, money can't build your spire for you. Build it of gold and it would simply sink deeper.”

“It wasn't until I was 37 that I grasped the great truth that you've got to write your own books and nobody else's, and then everything followed from there.”

“My darkness reaches out and fumbles at a typewriter with its tongs. Your darkness reaches out with your tongs and grasps a book. There are twenty modes of change, filter and translation between us. What an extravagant coincidence it would be if the exact quality, the translucent sweetness of her cheek, the very living curve of bone between the eyebrow and hair should survive the passage! How can you share the quality of my terror in the blacked-out cell when I can only remember it and not re-create it for myself? No. Not with you. Or only with you, in part. For you were not there.”

“Yet I was wound up. I tick. I exist. I am poised eighteen inches over the black rivets you are reading, I am in your place, I am shut in a bone box and trying to fasten myself on the white paper. The rivets join us together and yet for all the passion we share nothing but our sense of division.”