“The crucifixion should never be depicted. It is a horror to be veiled.” - William Golding
In the quote, "The crucifixion should never be depicted. It is a horror to be veiled," William Golding expresses the belief that the crucifixion should not be visually represented because of the intense and horrific nature of the event. Golding suggests that the true horror of the crucifixion should be left to the imagination rather than depicted in art. This statement reflects Golding's understanding of the power of allowing the mind to conjure up the full extent of such a significant and tragic event.
William Golding, a renowned author, made a thought-provoking statement when he said, "The crucifixion should never be depicted. It is a horror to be veiled." In today's society, where graphic violence and disturbing imagery are prevalent in various forms of media, Golding's words serve as a reminder of the power and impact of such visual representations. The crucifixion, a central symbol in Christianity, holds deep significance for believers and should be treated with reverence and respect.
Intro: The quote by William Golding about the crucifixion being a horror that should never be depicted raises questions about the portrayal of violence and suffering in art. It challenges us to consider the ethical implications of depicting such tragedies and the impact it may have on viewers. Here are some reflection questions to consider in light of this quote:
“The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.”
“He wanted to explain how people were never quite what you thought they were.”
“Ralph... would treat the day's decisions as though he were playing chess. The only trouble was that he would never be a very good chess player.”
“If I blow the conch and they don't come back; then we've had it. We shan't keep the fire going. We'll be like animals. We'll never be rescued.""If you don't blow, we'll soon be animals anyway.”
“The whole book is posing a question. You think you've won a war - what you've done is finish a war. There was a crime committed in that war the like of which perhaps was never committed in human history. You think about it.”
“My darkness reaches out and fumbles at a typewriter with its tongs. Your darkness reaches out with your tongs and grasps a book. There are twenty modes of change, filter and translation between us. What an extravagant coincidence it would be if the exact quality, the translucent sweetness of her cheek, the very living curve of bone between the eyebrow and hair should survive the passage! How can you share the quality of my terror in the blacked-out cell when I can only remember it and not re-create it for myself? No. Not with you. Or only with you, in part. For you were not there.”