“His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.”

“Poetry is cathartic only for the unserious, for in front of the rush of expressive need stands the barrier of form, and when the hurdler's scissored legs and outstretched arms carry him over the bars, the limp in his life, the headache in his heart, the emptiness he's full of, are as absent as his street-shoes, which will pinch and scrape his feet in all the old leathery ways once the race is over and he has to walk through the front door of his future like a brushman with some feckless patter and a chintzy plastic prize.”

“Still, we permit the appearance of our meats, sauces, fruits, and vdgetables to dominate our tongues until it is difficult to divide a twist of lemon or squeeze of lime from the colors of their rinds or separate yellow from its yolk or chocolate from the quenchless brown which seems to be the root, shoot, stalk, and bloom of it. Yet I hardly think the eggplant's taste is as purple as its skin. In fact, there are few flavors at the violet end, odors either, for the acrid smell of blue smoke is deceiving, as is the tooth of the plum, though there may be just a hint of blue in the higher sauces. Perceptions are always profound, associations deceiving. No watermelon tastes red. Apropos: while waiting for a bus once, I saw open down the arm of a midfat, midlife, freckled woman, suitcase tugging at her hand like a small boy needing to pee, a deep blue crack as wide as any in a Roquefort. Split like paper tearing. She said nothing. Stood. Blue bubbled up in the opening like tar. One thing is certain: a cool flute blue tastes like deep well water drunk from a cup.”

“...yes, words were superior; they maintained a superior control; they touched without your touching; they were at once the bait, the hook, the line, the pole, and the water in between.”

“I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.”

“Look: if a bird were to rub its beak on a limb, you’d hear it—sure—and if a piece of water were to move an unaccustomed way, you’d feel it—that’s right—and if a fox were to steal a hen, you’d see-you’d see it—even in the middle of the night; but, heaven help you, if a friend a friend—god—were to slit your throat with his—his love—hoh, you’d bleed a week to notice it.”

“How fares the thumb, boy? well? Aye, merry, ’tis the sign of the penis. With the women, look you, observe the ear. The parts appear and come together. So obesity and malice. So grumbling and nagging. So gossip, envy, spite, and avarice. Slowly settling into. So feminine weakness. Heartless piety. Savage morals. They come together. No more goody geedge. Ruthless, lifelong revenge. Zrrr. Grease in a cold pan. Stay off from gingerly lobed and delicately whorled ones. Thus appear the parts. Mind your uncle, boy, who knows. And the men then. Lewd speech and slovenly habits. And the peasant’s suspicion, his cruelty and rancor, his anger, drunkenness, pig-headed ignorance and bestiality. Inevitable they should be parts. Hoolyhoohoo. All in the normal course of nature. And they were saying we had evolved. What did it mean? But, he said in a voice that was clearly audible, I protest this world of unilluminated cocks. He caught the sense of his own words—so absurd—and his body began to shake—half in laughter, half in despair.”