“The expression "to write something down" suggests a descent of thought to the fingers whose movements immediately falsify it.”

“He wanted to sink down and hug the coals to his chest. Flamboyant...coins of light...oil, wood, tatters...fumes from acids, soap, smoke...the sunlight shattered.”

“The things that stayed were things that didn't matter except they stayed, night and day, all seasons the same, and were peaceful to a fault and boded no ill but thought well enough of themselves to repeat their presences.”

“His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.”

“Poetry is cathartic only for the unserious, for in front of the rush of expressive need stands the barrier of form, and when the hurdler's scissored legs and outstretched arms carry him over the bars, the limp in his life, the headache in his heart, the emptiness he's full of, are as absent as his street-shoes, which will pinch and scrape his feet in all the old leathery ways once the race is over and he has to walk through the front door of his future like a brushman with some feckless patter and a chintzy plastic prize.”

“If you want to think about something really funny, kiddo, consider the fact that our favorite modern bad guys became villains by serving as heroes first--to millions. It is now a necessary apprenticeship.”

“Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone—in order to know them better, not in order to know something else.”