“Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone—in order to know them better, not in order to know something else.”

“We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough.”

“We shall live for no reason. Then die and be done with it. What a recognition! What shall save us? Only the knowledge that we have lived without illusion, not excluding the illusion that something will save us. —William H. Gass, “Mr. Gaddis and His Goddamn Books” (2006)”

“Why were they whining then?...whining, damn them, whining… Because they’d have to give up their hope of living like an animal and return to an honest, conscious, human life. The prospect was hard.”

“The ladies egged him on; in Eve's name, they dared him; so he made love with discreet verbs and light nouns, delicate conjunctions. They begged; they defied him to define...define everything. They could not be scandalized—impossible, they said. Indecent prepositions such as in, on, up, merely made them smile, and the roundest exclamation broke upon them like a bubble's kiss, a butterfly's. Smooth and creamy adjectives enabled them to lick their lips upon the crudest story. How charmingly you speak, Reverend Furber, how much you've seen of this wicked world, and how alive you are to it, they said.”

“Oh he was like them, like those laced-up ladies—warm from wards. A man, he still chewed the nipple, titillation, and risked no freer, deeper draught. Fearless in speech, he was cowardly in all else…ah, to be rich, luxuriant, episcopal…well, he’d conquered that by flight.”

“It is not a single cowardice that drives us into fiction's fantasies. We often fear that literature is a game we can't afford to play — the product of idleness and immoral ease. In the grip of that feeling it isn't life we pursue, but the point and purpose of life — its facility, its use.”