“Yes, we call it recursive, the act of reading, of looping the loop, of continually returning to an earlier group of words, behaving like Penelope by moving our mind back and forth, forth and back, reweaving what’s unwoven, undoing what’s been done; and language, which regularly returns us to its origin, which starts us off again on the same journey, older, altered, Columbus one more time, but better prepared each later voyage, knowing a bit more, ready for more, equal to a greater range of tasks, calmer, confident—after all, we’ve come this way before, have habits that help, and a favoring wind—language like that is the language which takes us inside, inside the sentence—inside—inside the mind—inside—inside, where meanings meet and are modified, reviewed and revised, where no perception, no need, no feeling or thought need be scanted or shunted aside.”

“For suppose, and mind it narrowly, that life is simply a shadow bodies cast inside themselves when struck by all those queerly various bits and particles, those pieces, those streams of—what?—of science. Death in such a case would be only another arrangement.”

“He hated not being heard, having to shout at the insides of himself, having to live in his dreams the way he lived in one of his rented rooms, being opposed, denied, neglected, refused. Kicked out.”

“In general, I would think that at present prose writers are much in advance of the poets. In the old days, I read more poetry than prose, but now it is in prose where you find things being put together well, where there is great ambition, and equal talent. Poets have gotten so careless, it is a disgrace. You can’t pick up a page. All the words slide off.”

“We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough.”

“Is it really possible that the finest sensations in life are simple: the delicate brush of Lou’s hair across my chest, for instance? Yes. It is possible. Or was it the feeling I felt in each length as they drifted over me, the love I perceived in their gentle tickle? Yes. That was possible too. With Lou’s soft first kiss, wasn’t it mainly the miracle of its happening at all which made it so wondrous, so plainly impossible? And was I waiting on the stair for the world’s wind to do the same, to display for me that rare union of meaning, gesture, and understanding, which the artist gnaws up knuckles to achieve? O. Oooh…the decades I’ve done in and then abandoned without even waiting for the wounds to bleed!”

“Inside each of us is a monster; inside each of us is a saint. The real question is which one we nurture the most, which one will smite the other.”