“Let still woman takeAn elder than herself: so wears she to him,So sways she level in her husband's heart,For, boy, however we do praise ourselves,Our fancies are more giddy and unfirm,More longing, wavering, sooner to be lost and warn,Than women's are.”

“For, boy, however we do praise ourselves,Our fancies are more giddy and unfirm,More longing, wavering, sooner lost and won,Than women's are. ...For women are as roses, whose fair flow'rBeing once display'd doth fall that very hour.Viola: And so they are; alas, that they are so!To die, even when they to perfection grow!”

“She never told her love, but let concealment, like a worm 'i th' bud, feed on her damask cheek. She pinned in thought; and, with a green and yellow melancholy, she sat like Patience on a monument, smiling at grief. Was not this love indeed? We men may say more, swear more; but indeed our shows are more than will; for we still prove much in our vows but little in our love.”

“Danger knows full well that Caesar is more dangerous than he. We are two lions litter’d in one day, and I the elder and more terrible.”

“Thy husband is thy lord, thy life, thy keeper,Thy head, thy sovereign, one that cares for thee,And for thy maintenance; commits his bodyTo painful labor, both by sea and land;To watch the night in storms, the day in cold,Whilst thou li’st warm at home, secure and safe;And craves no other tribute at thy handsBut love, fair looks, and true obedience-Too little payment for so great a debt.Such duty as the subject owes the prince,Even such a woman oweth to her husband;And when she is froward, peevish, sullen, sour,And no obedient to his honest will,What is she but a foul contending rebel,And graceless traitor to her loving lord?I asham’d that women are so simple‘To offer war where they should kneel for peace,Or seek for rule, supremacy, and sway,When they are bound to serve, love, and obey.Why are our bodies soft, and weak, and smooth,Unapt to toil and trouble in the world,But that our soft conditions, and our hearts,Should well agree with our external parts?”

“Why, i' faith, methinks she's too low for a highpraise, too brown for a fair praise and too littlefor a great praise: only this commendation I canafford her, that were she other than she is, shewere unhandsome; and being no other but as she is, Ido not like her. (Benedick, from Much Ado About Nothing)”

“Which can say more than this rich praise, that you alone are you?”