“Which is worse, past or future? Neither. I will fold up my mind like a leaf and drift on this stream over the brink. Which will be soon, and then the dark, and then be done with this ugliness...”
“Yet if she did not quite exist in the full flood of sunlight, which is the hackneyed metaphor for good health, she was comfortably and safely far away from that abyssal darkness down into which she had nearly strayed.”
“To make matters worse, I was out of a job and had very little money and was self-exiled to Flatbush—like others of my countrymen, another lean and lonesome Southerner wandering amid the Kingdom of the Jews.”
“Edward was at the stage of drunkenness in which the ego glows like a coal, and brilliant people become more inspired, but in which dull people, fired by the same inspiration, become only more dull.”
“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word "depression." Depression, most people know, used to be termed "melancholia," a word which appears in English as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. "Melancholia" would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a blank tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness.It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated -- the Swiss-born psychiatrist Adolf Meyer -- had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its insipidity, a general awareness of the horrible intensity of the disease when out of control.”
“I actually shivered at the insincerity that gripped me as I spoke these words: their falseness was shameful. I was sure my coolness would return. I'd just been caught with my guard down. But at the moment I was in shambles. Walking along the deck (adopting my old casual swagger), I jollied up the troops with small talk, put on a frozen grin, and kept murmuring to myself with rhythmic fatuity: You love the marine Corps, it's a terrific war, you love the Marine Corps, it's a terrific war...”
“A phenomenon that a number of people have noted while in deep depression is the sense of being accompanied by a second self — a wraithlike observer who, not sharing the dementia of his double, is able to watch with dispassionate curiosity as his companion struggles against the oncoming disaster, or decides to embrace it. There is a theatrical quality about all this, and during the next several days, as I went about stolidly preparing for extinction, I couldn't shake off a sense of melodrama — a melodrama in which I, the victim-to-be of self-murder, was both the solitary actor and lone member of the audience.”