“I'd like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade.”

“I'd seen this happen several times before, in different institutions, but it was no less remarkable on each occasion: the words were like the flow of water over coals, taking away crackling heat and leaving only a steaming whisper, a perhaps momentary but nonetheless effective remission from deep-burning fire.”

“We walked at night towards a cafe blooming with Japanese lanterns and I followed your white shoes gleaming like radium in the damp darkness. Rising off the water, lights flickered an invitation far enough away to be interpreted as we liked; to shimmer glamourously behind the silhouette of retrospective good times when we still believed in summer hotels and the philosophies of popular songs.”

“The time of dangling insects arrived. White houses with caterpillars dangling from the eaves. White stones in driveways. You can walk at night down the middle of the street and hear women talking on the telephone. Warmer weather produces voices in the dark. They are talking about their adolescent sons. How big, how fast. The sons are almost frightening. The quantities they eat. The way they loom in doorways. These are the days that are full of wormy bugs. They are in the grass, stuck to the siding, hanging in the hair, hanging from the trees and eaves, stuck to the window screens. The women talk long-distance to grandparents of growing boys. They share the Trimline phone, beamish old folks in hand-knit sweaters on fixed incomes. What happens to them when the commercial ends?”

“In contrast [to trees and fish], oil, metals, and coal are not renewable; they don't reproduce, sprout, or have sex to produce baby oil droplets or coal nuggets.”

“He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.”