“The world, whatever we might think about it terrified by its vastness and by our helplessness in the face of it, embittered by its indifference to individual suffering—of people, animals, and perhaps also plants, for how can we be sure that plants are free of suffering; whatever we might think about its spaces pierced by the radiation of stars, stars around which we now have begun to discover planets, already dead? still dead?—we don’t know; whatever we might think about this immense theater, to which we may have a ticket, but it is valid for a ridiculously brief time, limited by two decisive dates; whatever else we might think about this world—it is amazing.”

“Whatever inspiration is, it's born from a continuous "I don't know."...That is why I value that little phrase "I don't know" so highly. It's small, but it flies on mighty wings. It expands our lives to include spaces within us as well as the outer expanses in which our tiny Earth hangs suspended...Poets, if they're genuine, must always keep repeating "I don't know.”

“Man is not an omipotent master of the universe, allowed to do with impunity whatever he thinks, or whatever suits him at the moment. The world we live in is made of an immensely complex and mysterious tissue about which we know very little and which we must treat with utmost humility.”

“Whatever the reasons, we never allow anyone else to know the whole of our personal history. I suppose we're afraid of what they might think of us. But there's more to it than that. We are terrified of what they might do with the knowledge.”

“Whatever we may think or affect to think of the present age, we cannot get out of it; we must suffer with its sufferings, and enjoy with its enjoyments; we must share in its lot, and, to be either useful or at ease, we must even partake its character.”

“We have a soul at times.No one’s got it non-stop,for keeps.Day after day,year after yearmay pass without it.Sometimesit will settle for awhileonly in childhood’s fears and raptures.Sometimes only in astonishmentthat we are old.It rarely lends a handin uphill tasks,like moving furniture,or lifting luggage,or going miles in shoes that pinch.It usually steps outwhenever meat needs choppingor forms have to be filled.For every thousand conversationsit participates in one,if even that,since it prefers silence.Just when our body goes from ache to pain,it slips off-duty.It’s picky:it doesn’t like seeing us in crowds,our hustling for a dubious advantageand creaky machinations make it sick.Joy and sorrowaren’t two different feelings for it.It attends usonly when the two are joined.We can count on itwhen we’re sure of nothingand curious about everything.Among the material objectsit favors clocks with pendulumsand mirrors, which keep on workingeven when no one is looking.It won’t say where it comes fromor when it’s taking off again,though it’s clearly expecting such questions.We need itbut apparentlyit needs usfor some reason too.”

“Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination…Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous 'I don't know.”