“Our element is unending immaturity.”

“And just as he had earlier, during their lunch hour, insinuated the problem of innocence to the formalists - which had incensed them and boosted their immaturity a hundredfold - he was now making an issue of my modern legs. And there I was, listening and lapping it all up - his linking the calves of my legs with those of the new generation - and coming to feel the cruelty of youth toward old calves! And there was also a kind of leg camaraderie with the schoolgirl, plus a clandestine, voluptuous collusion of legs, plus leg patriotism, plus the impudence of young legs, plus leg poetry, plus young-blooded pride in the calf of the leg, and a cult of the calf of the leg. Oh, what a fiendish body part!”

“If he [the Artist] were to take up the pen it would be...to better express his individuality and explain it to others; or else to put his internal affairs in order...to deepen and sharpen his relationship with his fellow men because other souls exert an immense and creative influence on our soul; or to try to fight for a world as he would like it to be, for a world that is indispensable to his life.”

“For Kierkegaard, for Heidegger, for Sartre, the more profound the awareness, the more authentic the existence. They measure honesty and the essence of experience by the degree of awareness. But is our humanity really built on awareness? Doesn't awareness--that forced, extreme awareness--arise among us, not from us, as something created by effort, the mutual perfecting of ourselves in it, the confirming of something that one philosopher forces onto another? Isn't man, therefore, in his private reality, something childish and always beneath his own awareness? And doesn't he feel awareness to be, at the same time, something alien, imposed and unimportant? If this is how it is, this furtive childhood, this concealed degradation are ready to explode your systems sooner or later.”

“It was too late to retreat - the world exists only because it is always too late to retreat.”

“I am very afraid of the devil. A strange confession from the lips of an unbeliever.”

“Wielka Poezja będąc wielką i będąc poezją nie może nie zachwycać nas, a więc zachwyca!”