“From Matheran I mailed the notes of my failed novel. I mailed them to fictitious address.”

Yann Martel

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“... and I knew what I wanted: I would settle in a hill station and write my novel. I had visions of myself at a table on a large veranda, my notes spread out in front of me next to a steaming cup of tea. Green hills heavy with mists would lie at my feet and the shrill cries of monkeys would fill my ears. The weather would be just tight, requiring a light sweater mornings and evenings, and something short-sleeved midday. Thus set up, pen in hand, for the sake of greater truth, I would turn Portugal into a fiction. That's what fiction is about, isn't it, the selective transforming the reality? The twisting of it to bring out its essence? What need did I have to go to Portugal?”


“How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?”


“I can't understand how a man who seems never to read imaginative writing of any kind (novels, poetry, short stories, high-brow, middle-brow, low-brow, anything) can understand life, people, the world. I don't care if ordinary people read or not. It's not for me to say how people should live. But people who have power over me? I want them to read because their limited, impoverished dreams may become my nightmares.”


“It is pointless to say that this or that night was the worst of my life. I have so many bad nights to choose from that I've made none the champion.”


“For the first time I noticed - as I would notice repeatedly during my ordeal, between one throe of agony and the next - that my suffering was taking place in a grand setting. I saw my suffering for what it was, finite and insignificant, and I was still. My suffering did not fit anywhere, I realized. And I could accept this. It was all right.”


“I can well imagine an athiest's last words: "White, white! L-L-Love! My God!" - and the deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying "Possibly a f-f-failing oxygenation of the b-b-brain," and, to the very end, lack imagination and miss the better story.”