“Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")”

“What we need in literature today are vast philosophic horizons; we need the most ultimate, the most fearsome, the most fearless 'Why?' and 'What next?'("Literature, Revolution, and Entropy")”

“Heretics are the only [bitter] remedy against the entropy of human thought.("Literature, Revolution, and Entropy")”

“This particular May morning begins with the appearance of a procession on the corner of Pancake and Rosa Luxemburg Streets. The procession is evidently religious: it consists of eight clerical personages, well known to the entire town. But instead of censers, the clerical personages are swinging brooms, which transfers the entire action from the plane of religion to the plane of revolution. These personages are now simply unproductive elements of society performing their labor duty for the benefit of the people. Instead of prayers, golden clouds of dust rise to the heavens. ("X")”

“The most agonising thing is to drop doubt into a man about his being a reality, three-dimensional - and not some other kind of reality.”

“It was clear: I was sick. I never used to dream. They say in the old days it was the most normal thing in the world to have dreams. Which makes sense: Their whole life was some kind of horrible merry-go-round of green, orange, Buddha, juice. But today we know that dreams point to a serious mental illness. And I know that up to now my brain has checked out chronometrically perfect, a mechanism without a speck of dust.”

“From a distance a metronome is ticking through the fog, and I mechanically chew to the familiar caress of its music, counting, along with everyone else, up to fifty: fifty statutory chews for each mouthful. And, still mechanically beating out the time, I go downstairs, and, like everyone else, check off my name in the book as one leaving the premises. But I sense that I'm living separately from everyone else, alone, surrounded by a soft, soundproof wall, and that my world is on my side of this wall.”