“This particular May morning begins with the appearance of a procession on the corner of Pancake and Rosa Luxemburg Streets. The procession is evidently religious: it consists of eight clerical personages, well known to the entire town. But instead of censers, the clerical personages are swinging brooms, which transfers the entire action from the plane of religion to the plane of revolution. These personages are now simply unproductive elements of society performing their labor duty for the benefit of the people. Instead of prayers, golden clouds of dust rise to the heavens. ("X")”

“Ever since he repented of religion and shaved off his clerical beard and mustache, he has had the constant feeling that he has taken off his trousers, and that his nose protrudes altogether indecently and must at all cost be covered. It's sheer torment! With one hand over his nose, the deacon knocks again and again. No one responds. And yet Martha is home; the gate is locked from within. And that means - what? It means that she is with someone else... The deacon punctuates the scene inwardly with the three dots we have graphically depicted just above, and, tripping over them at every second step, he proceeds to Rosa Luxemburg Street. ("X")”

“Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")”

“The wind blew through the window. The trousers swayed. Doubtless when they were on Mr. Craggs, the trousers looked splendid and went perfectly well together with his body. But like this, isolated in space, Mr. Cragg's trousers were nightmarish.The wind blew through the window. As they swayed, the trousers were alive. A shot, truncated, square creature consisting entirely of legs, belly and what went with them. And now it would get down and start walking among people and over people and grow and...”

“It is common knowledge that a well-bred man should as far as possible have no face. That is to say, not so much be completely without one, but rather, should have a face and yet at the same time appear faceless. It should not stand out, just as a shirt made by a good tailor does not stand out. Needless to say, the face of a well-bred man should be exactly like that of other (well-bred) men and of course in no circumstances whatsoever should it alter. Naturally houses, trees, streets, sky and everything else in the world must satisfy the same conditions to have honor of being known as respectable and well-bred.”

“We have long become overgrown with calluses; we no longer hear people being killed. ("X")”

“Latchkey! I mean . . . I want to talk to you . . .' He fell silent, glancing behind him and shifting from foot to foot, his waterproof trousers rattling like the bulls' bladders that boys use to learn swimming. Sterlingov angrily spat out his cigarette. 'Well? What about?' 'A . . . about a secret matter ,' Alyoshka whispered. Dozens of ears floated around them in the dust waves; the whisper was heard, and it ran on like a spark along a gunpowder wick. Alyoshka's secret message, the mysterious special clothing, the deacon's catastrophe-all this was too much. The atmosphere was charged with thousands of volts, and something was needed to discharge the electricity, to clear the air. ("X")”