“We need writers who fear nothing. ("Our Goal")”

“Why? But why don't we have feathers? Or Wings? Nothing but the shoulder blades where wings would be attached? Why, because we no longer need wings. We've got aeros. Wings would only be in the way. Wings are for flying, but we have nowhere to fly to, we've already flown there, we've found it.”

“What we need in literature today are vast philosophic horizons; we need the most ultimate, the most fearsome, the most fearless 'Why?' and 'What next?'("Literature, Revolution, and Entropy")”

“Great Benefactor! How absurd- to want pain! Can there be anyone who doesn't know that pain is a negative quality, and that if you add them up it reduces the sum we call happiness? so it follows...But...nothing follows. The slate is clean. Naked.”

“If circumstances should make it impossible (temporarily, I hope) for me to be a Russian writer, perhaps I shall be able, like the Pole Joseph Conrad, to become for a time an English writer... ("Letter To Stalin")”

“They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")”

“Paradise,’ he began, and the p meant a spray. ‘The old legend about Paradise—that was about us, about right now. Yes! Just think about it. Those two in Paradise, they were offered a choice: happiness without freedom, or freedom without happiness, nothing else. Those idiots chose freedom. And then what? Then for centuries they were homesick for the chains. That’s why the world was so miserable, see? They missed the chains. For ages! And we were the first to hit on the way to get back to happiness. No, wait ... listen to me. The ancient God and us, side by side, at the same table. Yes! We helped God finally overcome the Devil—because that’s who it was that pushed people to break the commandment and taste freedom and be ruined. It was him, the wily serpent. But we gave him a boot to the head! Crack! And it was all over: Paradise was back. And we’re simple and innocent again, like Adam and Eve. None of those complications about good and evil: Everything is very simple, childishly simple —Paradise! The Benefactor, the Machine, the Cube, the Gas Bell, the Guardians: All those things represent good, all that is sublime, splendid, noble, elevated, crystal pure. Because that is what protects our nonfreedom, which is to say, our happiness.”