“How oddly situated a man is apt to find himself at age thirty-eight! His youth belongs to the distant past. Yet the period of memory beginning with the end of youth and extending to the present has left him not a single vivid impression. And therefore he persists in feeling that nothing more than a fragile barrier separates him from his youth. He is forever hearing with the utmost clarity the sounds of this neighboring domain, but there is no way to penetrate the barrier.Honda felt that his youth had ended with the death of Kiyoaki Matsugae. At that moment something real within him, something that had burned with a vibrant brilliance, suddenly ceased to be.Now, late at night, when Honda grew weary of his legal drafts, he would pick up the dream journal that Kiyoaki had left him and turn over its pages.(...)Since then eighteen years had passed. The border between dream and memory had grown indistinct in Honda’s mind. Because the words contained in this journal, his only souvenir of his friend, had been traced there by Kiyoaki’s own hand, it had profound significance for Honda. These dreams, left like a handful of gold dust in a winnowing pan, were charged with wonder.As time went by, the dreams and the reality took on equal worth among Honda’s diverse memories. What had actually occurred was in the process of merging with what could have occurred. As reality rapidly gave way to dreams, the past seemed very much like the future.When he was young, there had been only one reality, and the future had seemed to stretch before him, swelling with immense possibilities. But as he grew older, reality seemed to take many forms, and it was the past that seemed refracted into innumerable possibilities. Since each of these was linked with its own reality, the line distinguishing dream and reality became all the more obscure. His memories were in constant flux, and had taken on the aspect of a dream.”

“For a moment Dustfinger felt as if he had never been away- as if he had simply had a bad dream, and the memory of it had left a stale taste on his tongue,a shadow on his heart,nothing more.”

“Finally he said that in his first years of darkness his dreams had been vivid beyond all expectation and that he had come to thirst for them but that dreams and memories alike had faded one by one until there were no more. Of all that once had been no trace remained. The look of the world. The faces of loved ones. Finally even his own person was lost to him. Whatever he had been he was no more. He said that like every man who comes to the end of something there was nothing to be done but to begin again. I can’t remember the world of light, he said. It has been so long. The world is a fragile world. Ultimately, what can be seen is what endures. What is true. . . . In my first years of blindness, I thought it was a form of death. I was wrong. Losing one’s sight is like falling in a dream. You think there’s no bottom to this abyss. You fall and fall. Light recedes. Memory of light. Memory of the world. Of your own face. Of the grim-faced mask.”

“Smiling with pleasure, they went through their memories, not sad, old people's memories, but poetic, youthful ones, those impressions from the very distant past where dream merges with reality, and they laughed softly, rejoicing at something.”

“How did it happen that now he could see everything so clearly. Something had given him leave to live in the present. Not once in his entire life had he come to rest in the quiet center of himself but had forever cast himself from some dark past he could not remember to a future that did not exist. Not once had he been present for his life. So his life had passed like a dream. Is it possible for people to miss their lives the way one can miss a plane?”

“It is also about loss, about the perishability of dreams once they are transformed into hard reality. It is the longing, its immateriality, that makes the dream pure. What we in Iran had in common with Fitzgerald was this dream that became our obsession and took over our reality, this terrible, beautiful dream, impossible in its actualization, for which any amount of violence might be justified or forgiven. This was what we had in common, although we were not aware of it then.Dreams, Mr Nyazi, are perfect ideals, complete in themselves. How can you impose them on a constantly changing, imperfect, incomplete reality? You would become a Humbert, destroying the object of your dream; or a Gatsby, destroying yourself. When I left the class that day, I did not tell them what I myself was just beginning to discover: how similar our own fate was becoming to Gatsby's. He wanted to fulfill his dream by repeating the past, and in the end he discovered that the past was dead, the present a sham, and there was no future. Was this not similar to our revolution, which had come in the name of our collective past and had wrecked our lives in the name of a dream?”