“That was mere probing, my eye was really turned on an invisible realm far beyond the horizon. What is it to see the invisible? That is the ultimate vision, the denial at the end of all seeing, the eye`s denial of itself.”
“He was in a room of the Gesshuuji, which he had thought it would be impossible to visit. The approach of death had made the visit easy, had unloosed the weight that held him in the depths of being. It was even a comfort to think, from the light repose the struggle up the hill had brought him, that Kiyoaki, struggling against illness up that same road, had been given wings to soar with by the denial that awaited him.”
“As to animals," said the Count unexpectedly, "whatever one says, I maintain that the rodent family has a certain charm about it.""The rodent family . . . ?" replied the Baron, not getting the drift at all."Rabbits, marmots, squirrels, and the like.""You have pets of that sort, sir?""No, sir, not at all. Too much of an odor. It would be all over the house.""Ah, I see. Very charming, but you wouldn't have them in the house, is that it?" "Well, sir, in the first place, they seem to have been ignored by the poets, d'you see. And what has no place in a poem has no place in my house. That's my family rule.""I see.""No, I don't keep them as pets. But they're such fuzzy, timid little creatures that I can't help thinking there's no more charming animal.""Yes, Count, I quite agree.""Actually, sir, every charming creature, no matter what sort, seems to have a strong odor.""Yes, indeed, sir. I believe one might say so.”
“I cried sobbingly until at last those visions reeking with blood came to comfort me. And then I surrendered myself to them, to those deplorably brutal visions, my most intimate friends.”
“Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.”
“Abruptly he thrust his snow-drenched leather gloves against my cheeks.I dodged. A raw carnal feeling blazed up within me, branding my cheeks. I felt myself staring at him with crystal clear eyes...From that time on I was in love with Omi.”
“Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we’re unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they’ll be talking about you and me. We’ll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.”