“Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory.Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers.Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto.Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.”

“The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or a cloud, at a stone right in front of them, or even down into a canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe.”

“After a while he pulled his hat down over his eyes and stood and placed his hands outstretched on the roof of the cab and rode in that manner. As if he were some personage bearing news for the countryside. As if he were some newfound evangelical being conveyed down out of the mountains....”

“The riders, too, were like nothing she had ever seen before: ethereal men and women with pale visages, their cheekbones so sharply sculpted that she could see their skulls through translucent skin. They surrounded her and looked at her with steely blue eyes, each gaze an arrow staking her to that spot, and she could not close her eyes though the sight of them made her eyes burn as if she were looking at the sun.”

“Creation’s seventh sunriseWe stand before the burning bush of timeThe six days were goodBut the seventh He called holyCreation’s seventh sunriseWe wake and go to work six days a weekTo struggle with the strain and stressBut the Lords’ provided for the care of our soulsA day of rejoice and restCreation’s seventh sunriseWe stand before the burning bush of timeThe six days were goodBut the seventh He called holyCreation’s seventh sunriseCome see a sanctuary made of timeCome speak forgotten words of prayerIt calls us, “Come away from your dissonant days” “Come out and breathe the garden air.” (leave your worries there) Creation’s seventh sunriseWe stand before the burning bush of timeThe six days were goodBut the seventh He called holyCreation’s seventh sunriseAnd the promise of that rest still standsTo all who would be freeAnd though we might be bound by timeWe can taste Eternity”

“I toyed briefly with an image someone once mentioned to me, of a village in the shadow of a twin-peaked mountain. In the morning the sun rises. At lunch it sets behind the mountain. In the early afternoon it rises once more. The cocks crow for the second time, and later the sun sets again. No. One peak. Metaphors should not be belaboured.”