“Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we’re unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they’ll be talking about you and me. We’ll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.”

“What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.”

“Because all those people around you and Miss Satoko are moving slowly but inexorably toward a dénouement. You don’t think the two of you can hover forever in mid-air like two dragonflies making love?”

“As to animals," said the Count unexpectedly, "whatever one says, I maintain that the rodent family has a certain charm about it.""The rodent family . . . ?" replied the Baron, not getting the drift at all."Rabbits, marmots, squirrels, and the like.""You have pets of that sort, sir?""No, sir, not at all. Too much of an odor. It would be all over the house.""Ah, I see. Very charming, but you wouldn't have them in the house, is that it?" "Well, sir, in the first place, they seem to have been ignored by the poets, d'you see. And what has no place in a poem has no place in my house. That's my family rule.""I see.""No, I don't keep them as pets. But they're such fuzzy, timid little creatures that I can't help thinking there's no more charming animal.""Yes, Count, I quite agree.""Actually, sir, every charming creature, no matter what sort, seems to have a strong odor.""Yes, indeed, sir. I believe one might say so.”

“Young people get the foolish idea that what is new for them must be new for everybody else too. No matter how unconventional they get, they're just repeating what others before them have done.”

“The highest point at which human life and art meet is in the ordinary. To look down on the ordinary is to despise what you can't have. Show me a man who fears being ordinary, and I'll show you a man who is not yet a man.”

“When silence is prolonged over a certain period of time, it takes on new meaning.”