“Blimey, thought Kelvin, what an eye-to-face ratio. When you want to say something delicate, you don't want that eye-to-face ration staring up at you. Big eyes, like a child's or a baby seal's; the physiognomy of innocence--looking at Archie Jones is like looking at something that expects to be clubbed round the head any second.”

“But his face was drawn and his eyes were pained as he looked down at me, and there was a strange expression on his face: defiance and fierce pride and something that looked like wonder, all jumbled up. And suddenly, I wanted to stab Lawrence all over again. I killed him for you, I thought, staring upward.“I know.”

“You think you know someone by looking at his face but what can one face say about the thousand thoughts behind those eyes.”

“I always get muscle aches in my eyes after a few hours of reading," she said. "Doesn't matter what. The closeness does it. All these words in your face, one at a time and filling your periphery. I love reading, but there's a limit."There are times," she went on, "when I don't leave my apartment for days. I read for hours without a break and feel like all I want to do is stand in a field and look as far as I can in any direction. I want a view, but I don't want to see anything. I just want something like an eye stretch.""Why not just shut your eyes?" I asked. "What's the difference?""Closing my eyes is too much like nearness, like reading. It's black and it's in your face, sort of crowding you. Gazing down a prairie road stretches me and the muscles in my eyes. I don't necessarily want to see anything. Just look out.”

“And then some guy wandering as lost as you would all of a sudden be right before your eyes, his face bigger and clearer than you ever saw a man’s face before in your life. Your eyes were working so hard to see in that fog that when something did come in sight every detail was ten times as clear as usual, so clear both of you had to look away. When a man showed up you didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself.”

“When some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol' Jack Burton always says at a time like that: "Have ya paid your dues, Jack?" "Yessir, the check is in the mail." ”