“He promised them a class that would challenge their own beliefs about the redemptive humanity of what is commonly called 'Art'. 'Art is the Western myth,' announced Howard, for the sixth year in a row, 'with which we both console ourselves and make ourselves.”

“Art is the Western myth, with which we both console ourselves and make ourselves.”

“Claire spoke often in her poetry of the idea of "fittingness": that is, when your chosen pursuit and your ability to achieve it--no matter how small or insignificant both might be--are matched exactly, are fitting. This, Claire argued, is when we become truly human, fully ourselves, beautiful....In Claire's presence, you were not faulty or badly designed, no, not at all. You were the fitting receptacle and instrument of your talents and beliefs and desires.”

“He was having an odd paternal rush, a blood surge that was also about blood and was presently hunting through Howard's expansive intelligence to find words that would more effectively express something like don't walk in front of cars take care and be good and don't hurt or be hurt and don't live in a way that makes you feel dead and don't betray anybody or yourself and take care of what matters and please don't and please remember and make sure”

“Travel had seemed the key to the kingdom, back then. One dreamed of a life that would enable travel. Howard looked through his window at a lamp-post buried to its waist in show supporting two chained-up, frozen bikes, identifiable only by the tips of their handlebars. He imagined waking up this morning and digging his bike out of the snow and riding to a proper job, the kind Belseys had had for generations, and found he couldn't imagine it. This interested Howard, for a moment: the idea that he could no longer gauge the luxuries of his own life.”

“It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.”

“Stop worrying about your identity and concern yourself with the people you care about, ideas that matter to you, beliefs you can stand by, tickets you can run on. Intelligent humans make those choices with their brain and hearts and they make them alone. The world does not deliver meaning to you. You have to make it meaningful...and decide what you want and need and must do. It’s a tough, unimaginably lonely and complicated way to be in the world. But that’s the deal: you have to live; you can’t live by slogans, dead ideas, clichés, or national flags. Finding an identity is easy. It’s the easy way out.”