“Life was an enormous rucksack so impossibly heavy that, even though it meant losing everything, it was infinitely easier to leave all baggage here on the roadside and walk into the blackness.”

“I find it impossible to experience either pride or shame over accidents of genetics in which I had no active part. I'm not necessarily proud to be female. I am not even proud to be human—I only love to be so.”

“A little white woman, . . . [a] tiny little white woman I could fit in my pocket.’ . . . ‘And I don’t know why I’m surprised. You don’t even notice it – you never notice. You think it’s normal. Everywhere we go, I’m alone in this… this sea of white. I barely know any black folk any more, Howie. My whole life is white. I don’t see any black folk unless they be cleaning under my feet in the fucking café in your fucking college. Or pushing a fucking hospital bed through a corridor . . . ‘I gave up my life for you. I don’t even know who I am any more.’ . . . ‘Could you have found anybody less like me if you’d scoured the earth? . . . My leg weighs more than that woman. What have you made me look like in front of everybody in this town? You married a big black bitch and you run off with a fucking leprechaun?”

“She knows what it means. Oh, wonderfully bright at 6 a.m., yes, wonderfully clear for an hour. But the shorter the days, the longer the nights, the darker the house, the easier it is, the easier it is, the easier it is, to mistake a shadow for the writing on the wall, the sound of overland footsteps for the distant crack of thunder, and the midnight chime of a New Year clock for the bell that tolls the end of the world.”

“It's just the problem with those things, and what i've learnt is this: they're meant to be a shortcut to the ultimate... thing, the plane, or whatever you want to say it like, yeah? It's meant to be: here's your thirty quid or whatever, take me to higher consciousness, please. And it don't work that way, bro. You don't get the full benefit. You've got to work your way up that tree, meaning that that is an allegory which is saying: you can't just fly up to the branches. You get me?”

“Q: Where and when do you do your writing? A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...”

“It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe.”