“Travel had seemed the key to the kingdom, back then. One dreamed of a life that would enable travel. Howard looked through his window at a lamp-post buried to its waist in show supporting two chained-up, frozen bikes, identifiable only by the tips of their handlebars. He imagined waking up this morning and digging his bike out of the snow and riding to a proper job, the kind Belseys had had for generations, and found he couldn't imagine it. This interested Howard, for a moment: the idea that he could no longer gauge the luxuries of his own life.”

“A minute later, the young Turk and Howard parted on frosty terms, not much warmed by Howard’s twenty-pence tip, the only extra change he had in his pocket. It is on journeys like this – where one is so horribly misunderstood – that you find yourself longing for home, that place where you are entirely understood, for better or for worse.”

“People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.”

“There are two different kinds of glee club in this world. The first sing barbershop favourites and Gershwin tunes, they swing gently, moving from side to side and sometimes clicking their fingers and winking. Howard could basically deal with that type. He had got through those occasions graced by glee clubs of that type. But these boys were not of that type. Swaying and clicking and winking were just how they got warmed up. Tonight this glee club had chosen as their opener ‘Pride (In the Name of Love)’ by U2, which they had taken the trouble to transform into a samba. They swayed, they clicked, they winked. They did coordinated spins. They switched places with each other. They moved forward, they moved back – always retaining their formation. They smiled the kind of smile you might employ when trying to convince a lunatic to quit holding a gun to your mother’s head.”

“He had her in his heart, but not always in his mind.”

“When, on their twenty-fifth wedding anniversary, Jerome had played his parents an ethereal, far more beautiful version of 'Hallelujah' by a kid called Buckley, Kiki had thought yes, that's right, our memories are getting more beautiful and less real every day. And then the kid drowned in the Mississippi, recalled Kiki now, looking up from her knees to the colourful painting that hung behind Carlene's empty chair. Jerome had wept: the tears you cry for someone whom you never met who made something beautiful that you loved. Seventeen years earlier, when Lennon died, Kiki had dragged Howard to Central Park and wept while the crowd sang 'All You Need is Love' and Howard ranted bitterly about Milgram and mass psychosis.”

“He promised them a class that would challenge their own beliefs about the redemptive humanity of what is commonly called 'Art'. 'Art is the Western myth,' announced Howard, for the sixth year in a row, 'with which we both console ourselves and make ourselves.”