“I don’t suppose I really know you very well - but I know you smell like the delicious damp grass that grows near old walls and that your hands are beautiful opening out of your sleeves and that the back of your head is a mossy sheltered cave when there is trouble in the wind and that my cheek just fits the depression in your shoulder.”

“Scott-there's nothing in the world I want but you-and your precious love. All the material things are nothing. I'd just hate to live in a sordid, colorless existence-because you'd soon love less-and less-and I'd do anything-anything-to keep your heart for my own-I don't want to live-I want to love first and live incidentally.”

“We walked at night towards a cafe blooming with Japanese lanterns and I followed your white shoes gleaming like radium in the damp darkness. Rising off the water, lights flickered an invitation far enough away to be interpreted as we liked; to shimmer glamourously behind the silhouette of retrospective good times when we still believed in summer hotels and the philosophies of popular songs.”

“I remember every single spot of light that ever gouged a shadow beside your bones.”

“I am really only myself when I'm somebody else whom I have endowed with these wonderful qualities from my imagination.”

“And, Joey, if you ever want to know about the japonicas and the daisy fields it will be alright that you have forgotten because I will be able to tell you about how it felt to be feeling that way you cannot quite remember – that will be for the time when something happens years from now that reminds you of now.”

“The trouble with emergencies is," she said, "that I always put on my finest underwear and then nothing happens.”