“We grew up founding our dreams on the infinite promise of American advertising. I still believe that one can learn to play the piano by mail and that mud will give you a perfect complexion.”

“What you still need to know is this: before a dream is realized, the Soul of the World tests everything that was learned along the way. It does this not because it is evil, but so that we can, in addition to realizing our dreams, master the lessons we've learned as we've moved toward that dream. That's the point at which most people give up.”

“We are going to pick up our instruments and play Mozart,”Honoria announced. “And we are going to do it with smiles on ourfaces.”“I have no idea what any of you are talking about,” Daisy said.“I will play,” Sarah said, “but I make no promises about asmile.” She looked at the piano and blinked. “And I am not pickingup my instrument.”Iris actually giggled. Then her eyes lit up. “I could help you.”“Pick it up?”Iris’s grin grew positively devilish. “The window is not far . . .”“I knew I loved you,” Sarah said with a wide smile.”

“If what we need to dream, to move our spirits most deeply and directly toward and through promise, is discounted as a luxury, then we give up the core -- the fountain -- of our power, our womanness; we give up the future of our worlds. (From "Poetry is Not a Luxury")”

“We were born in this society, we grew up in this society. And we learn to be like everyone else, playing nonsense all the time.”

“The novel belongs to our parents, I thought then, I think now. That's what we grew up believing, that the novel belonged to our parents. We cursed them, and also took refuge in their shadows, relieved. While the adults killed or were killed, we drew pictures in a corner. While the country was falling to pieces, we were learning to talk, to walk, to fold napkins in the shapes of boats, of airplanes. While the novel was happening, we played hide-and-seek, we played at disappearing.”