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Alain De Botton

Alain de Botton is a writer and television producer who lives in London and aims to make philosophy relevant to everyday life. He can be contacted by email directly via www.alaindebotton.com

He is a writer of essayistic books, which refer both to his own experiences and ideas- and those of artists, philosophers and thinkers. It's a style of writing that has been termed a 'philosophy of everyday life.'

His first book, Essays in Love [titled On Love in the US], minutely analysed the process of falling in and out of love. The style of the book was unusual, because it mixed elements of a novel together with reflections and analyses normally found in a piece of non-fiction. It's a book of which many readers are still fondest.

Bibliography:

* Essays In Love (1993)

* The Romantic Movement (1994)

* Kiss and Tell (1995)

* How Proust Can Change Your Life (1997)

* The Consolations of Philosophy (2000)

* The Art of Travel (2002)

* Status Anxiety (2004)

* The Architecture of Happiness (2006)

* The Pleasures and Sorrows of Work (2009)


“Not being understood may be taken as a sign that there is much in one to understand.”
Alain De Botton
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“The desire for high status is never stronger than in situations where "ordinary" life fails to answer a median need for dignity and comfort.”
Alain De Botton
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“An urgent wish is no guarantor of a sound solution.”
Alain De Botton
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“as the determinants of high status keep shifting, so, too, naturally, will the triggers of status anxiety be altered.”
Alain De Botton
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“A world where a majority had imbibed the lessons implicit within tragic art would be one in which the consequences of our failures would necessarily cease to weigh upon us so heavily.”
Alain De Botton
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“Art was the very antithesis of crass moralism.”
Alain De Botton
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“Far from rejecting outright any hierarchy of success or failure, philosophy instead reconfigures the judging process, lending legitimacy to theidea that themainstream value system may unfairly consign some people to disgrace and others to respectability.”
Alain De Botton
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“It is according to how we are able to answer the question of what we do (normally the first enquiry we will have to field in any new acquaintance) that the quality of our reception is likely to be decided.”
Alain De Botton
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“Anxiety is the handmaiden of contemporary ambition.”
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“Only as we mature does affection begin to depend on achievement.”
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“A sharp decline in actual deprivation may, paradoxically, have been accompanied by an ongoing and even escalating sense of fear of deprivation.”
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“We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.”
Alain De Botton
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“To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.”
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“And I wondered, with mounting anxiety, What am I supposed to do here? What am I supposed to think?”
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“What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.”
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“What makes the prospect of death distinctive in the modern age is the background of permanent technological and sociological revolution against which it is set, and which serves to strip us of any possible faith in the permanence of our labours. Our ancestors could believe that their achievements had a chance of bearing up against the flow of events. We know time to be a hurricane. Our buildings, our sense of style, our ideas, all of these will soon enough be anachronisms, and the machines in which we now take inordinate pride will seem no less bathetic than Yorick's skull.”
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“It seems, in fact, that the more advanced a society is, the greater will be its interest in ruined things, for it will see in them a redemptively sobering reminder of the fragility of its own achievements. Ruins pose a direct challenge to our concern with power and rank, with bustle and fame. They puncture the inflated folly of our exhaustive and frenetic pursuit of wealth.”
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“He was marked out by his relentless ability to find fault with others' mediocrity--suggesting that a certain type of intelligence may be at heart nothing more or less than a superior capacity for dissatisfaction.”
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“The challenge lies in knowing how to bring this sort of day to a close. His mind has been wound to a pitch of concentration by the interactions of the office. Now there are only silence and the flashing of the unset clock on the microwave. He feels as if he had been playing a computer game which remorselessly tested his reflexes, only to have its plug suddenly pulled from the wall. He is impatient and restless, but simultaneously exhausted and fragile. He is in no state to engage with anything significant. It is of course impossible to read, for a sincere book would demand not only time, but also a clear emotional lawn around the text in which associations and anxieties could emerge and be disentangled. He will perhaps only ever do one thing well in his life.For this particular combination of tiredness and nervous energy, the sole workable solution is wine. Office civilisation could not be feasible without the hard take-offs and landings effected by coffee and alcohol.”
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“...workplace dynamics are no less complicated or unexpectedly intense than family relations, with only the added difficulty that whereas families are at least well-recognised and sanctioned loci for hysteria reminiscent of scenes from Medea, office life typically proceeds behind a mask of shallow cheerfulness, leaving workers grievously unprepared to handle the fury and sadness continually aroused by their colleagues.”
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“To look at the paper is to raise a seashell to one's ear and to be overwhelmed by the roar of humanity.”
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“Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to....How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see.”
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“For thousands of years, it had been nature--and its supposed creator--that had had a monopoly on awe. It had been the icecaps, the deserts, the volcanoes and the glaciers that had given us a sense of finitude and limitation and had elicited a feeling in which fear and respect coagulated into a strangely pleasing feeling of humility, a feeling which the philosophers of the eighteenth century had famously termed the sublime.But then had come a transformation to which we were still the heirs.... Over the course of the nineteenth century, the dominant catalyst for that feeling of the sublime had ceased to be nature. We were now deep in the era of the technological sublime, when awe could most powerfully be invoked not by forests or icebergs but by supercomputers, rockets and particle accelerators. We were now almost exclusively amazed by ourselves.”
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“For the rest of history, for most of us, our bright promise will always fall short of being actualised; it will never earn us bountiful sums of money or beget exemplary objects or organisations....Most of us stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, an unprocessed rebelliousness, a fatal impatience or sentimentality). We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or a bicycle.”
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“After Carol had left, as Symons threw away a pile of used tissues and rearranged the cushions on the couch, he remarked that the most common and unhelpful illusion plaguing those who came to see him [as a career counselor] was the idea that they ought somehow, in the normal course of events, to have intuited--long before they had finished their degrees, started families, bought houses and risen to the top of law firms--what they should properly be doing with their lives. They were tormented by a residual notion of having through some error or stupidity on their part missed out on their true 'calling.”
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“However powerful our technology and complex our corporations, the most remarkable feature of the modern working world may in the end be internal, consisting in an aspect of our mentalities: in the widely held belief that our work should make us happy. All societies have had work at their centre; ours is the first to suggest that it could be something more than a punishment or a penance. Ours is the first to imply that we should seek to work even in the absence of a financial imperative.”
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“What a peculiar civilisation this was: inordinately rich, yet inclined to accrue its wealth through the sale of some astonishingly small and only distantly meaningful things, a civilisation torn and unable sensibly to adjudicate between the worthwhile ends to which money might be put and the often morally trivial and destructive mechanisms of its generation.”
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“Partially undermining the manufacturer's ability to assert that its work constituted a meaningful contribution to mankind was the frivolous way in which it went about marketing its products. Grief was the only rational response to the news that an employee had spent three months devising a supermarket promotion based on an offer of free stickers of cartoon characters called the Fimbles. Why had the grown-ups so churlishly abdicated their responsibilities? Were there not more important ambitions to be met before Death showed himself on the horizon in his hooded black cloak, his scythe slung over his shoulder?”
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“Most of what makes a book 'good' is that we are reading it at the right moment for us.”
Alain De Botton
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“Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.”
Alain De Botton
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“One kind of good book should leave you asking: how did the author know that about me?”
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“If one felt successful, there'd be so little incentive to be successful.”
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“Rather than getting more spoilt with age, as difficulties pile up, epiphanies of gratitude abound.”
Alain De Botton
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“You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.”
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“When does a job feel meaningful? Whenever it allows us to generate delight or reduce suffering in others. Though we are often taught to think of ourselves as inherently selfish, the longing to act meaningfully in our work seems just as stubborn a part of our make-up as our appetite for status or money. It is because we are meaning-focused animals rather than simply materialistic ones that we can reasonably contemplate surrendering security for a career helping to bring drinking water to rural Malawi or might quit a job in consumer goods for one in cardiac nursing, aware that when it comes to improving the human condition a well-controlled defibrillator has the edge over even the finest biscuit.But we should be wary of restricting the idea of meaningful work too tightly, of focusing only on the doctors, the nuns of Kolkata or the Old Masters. There can be less exalted ways to contribute to the furtherance of the collective good........An endeavor endowed with meaning may appear meaningful only when it proceeds briskly in the hands of a restricted number of actors and therefore where particular workers can make an imaginative connection between what they have done with their working days and their impact upon others.”
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“He was a volatile mixture of confidence and vulnerability. He could deliver extended monologues on professional matters, then promptly stop in his tracks to peer inquisitively into his guest's eyes for signs of boredom or mockery, being intelligent enough to be unable fully to believe in his own claims to significance. He might, in a past life, have been a particularly canny and sharp-tongued royal advisor.”
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“Blind impatience is equally evident in the fruit section. Our ancestors might have delighted in the occasional handful of berries found on the underside of a bush in late summer, viewing it as a sign of the unexpected munificence of a divine creator, but we became modern when we gave up on awaiting sporadic gifts from above and sought to render any pleasing sensation immediately and repeatedly available.”
Alain De Botton
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“At the top of the slope on the perimeter of the site, overlooking six lanes of motorway, is a diner frequented by lorry drivers who have either just unloaded or or are waiting to pick up their cargo. Anyone nursing a disappointment with domestic life would find relief in this tiled, brightly lit cafeteria with its smells of fries and petrol, for it has the reassuring feel of a place where everyone is just passing through--and which therefore has none of the close-knit or convivial atmosphere which could cast a humiliating light on one's own alienation. It suggests itself as an ideal location for Christmas lunch for those let down by their families.”
Alain De Botton
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“Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.”
Alain De Botton
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“While a common reaction to seeing a thing of beauty is to want to buy it, our real desire may be not so much to own what we find beautiful as to lay permanent claim to the inner qualities it embodies.Owning such an object may help us realise our ambition of absorbing the virtues to which it alludes, but we ought not to presume that those virtues will automatically or effortlessly begin to rub off on us through tenure. Endeavouring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.What we seek, at the deepest level, is inwardly to resemble, rather than physically possess, the objects and places that touch us through their beauty.”
Alain De Botton
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“We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability. We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.”
Alain De Botton
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“We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need — but are at constant risk of forgetting what we need — within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.”
Alain De Botton
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“If cynicism and love lie at opposite ends of a spectrum, do we not sometimes fall in love in order to escape the debilitating cynicism to which we are prone? Is there not in every coup de foudre a certain willful exaggeration of the qualities of the beloved, an exaggeration which distracts us from our habitual pessimism and focuses our energies on someone in whom we can believe in a way we have never believed in ourselves?”
Alain De Botton
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“In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.”
Alain De Botton
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“There are things that are not spoken about in polite society. Very quickly in most conversations you'll reach a moment where someone goes, 'Oh, that's a bit heavy,' or 'Eew, disgusting.' And literature is a place where that stuff goes; where people whisper to each other across books, the writer to the reader. I think that stops you feeling lonely – in the deeper sense, lonely.”
Alain De Botton
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“... Eu me desnudo emocionalmente quando confesso minha carência – que estarei perdido sem você, que não sou necessariamente a pessoa independente que tentei aparentar. Na verdade, não passo de um fraco, cuja noção dos rumos ou do significado da vida é muito restrita. Quando choro e lhe conto coisas que, confio, serão mantidas em segredo, coisas que me levarão à destruição, caso terceiros tomem conhecimento delas, quando vou a festas e não me entrego ao jogo da sedução porque reconheço que só você me interessa, estou me privando de uma ilusão há muito acalentada de invulnerabilidade. Me torno indefeso e confiante como a pessoa no truque circense, presa a uma prancha sobre a qual um atirador de facas exercita sua perícia e as lâminas que eu mesmo forneci passam a poucos centímetros da minha pele. Eu permito que você assista a minha humilhação, insegurança e tropeços. Exponho minha falta de amor-próprio, me tornando, dessa forma, incapaz de convencer você (seria realmente necessário?) a mudar de atitude. Sou fraco quando exibo meu rosto apavorado na madrugada, ansioso ante a existência, esquecido das filosofias otimistas e entusiasmadas que recitei durante o jantar. Aprendi a aceitar o enorme risco de que, embora eu não seja uma pessoa atraente e confiante, embora você tenha a seu dispor um catálogo vasto de meus medos e fobias, você pode, mesmo assim, me amar...”
Alain De Botton
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“Booksellers are the most valuable destination for the lonely, given the numbers of books written because authors couldn't find anyone to talk to.”
Alain De Botton
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“Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.”
Alain De Botton
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“Every fall into love involves the triumph of hope over self-knowledge. We fall in love hoping we won't find in another what we know is in ourselves, all the cowardice, weakness, laziness, dishonesty, compromise, and stupidity. We throw a cordon of love around the chosen one and decide that everything within it will somehow be free of our faults. We locate inside another a perfection that eludes us within ourselves, and through our union with the beloved hope to maintain (against the evidence of all self-knowledge) a precarious faith in our species.”
Alain De Botton
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“Let death find us as we are building up our matchstick protests against its waves.”
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