Albert Camus

“In the forest, while the others settled the baskets and dishtowels under the trees, Jacques helped Michel rub down the horses and fasten around their necks the gray-brown canvas nose bags, in which the horses chomped their jaws, opening and closing their large brotherly eyes or chasing away a fly with an impatient hoof.”

“And the wave of tenderness and pity that at once filled his heart was not the stirring of the soul that leads the son to the memory of the vanished father, but the overwhelming compassion that a grown man feels for an unjustly murdered child – something here was not in the natural order and, in truth, there was no order but only madness and chaos when the son was older than the father. The course of time itself was shattering around him while he remained motionless among those tombs he now no longer saw, and the years no longer kept to their places in the great river that flows to its end. They were no more than waves and surf and eddies where Jacques Cormery was not struggling in the grip of anguish and pity. He looked at the other inscriptions in that section and realized from the dates that this soil was strewn with children who had been the fathers of graying men who thought they were living in this present time. For he too believed he was living, he alone had created himself, he knew his own strength, his vigor, he could cope and he had himself well in hand. But, in the strange dizziness of that moment, the statue every man eventually erects and that hardens in the fire of the years, into which he then creeps and there awaits its final crumbling – that statue was rapidly cracking, it was already collapsing. All that was left was this anguished heart, eager to live, rebelling against the deadly order of the world that had been with him for forty years, and still struggling against the wall that separated him from the secret of all life, wanting to go farther, to go beyond, and to discover, discover before dying, discover at last in order to be, just once to be, for a single second, but forever.”

“Thus I draw from the absurd three consequences, which are myrevolt, my freedom, and my passion. By the mere activity ofconsciousness I transform into a rule of life what was an invitationto death—and I refuse suicide.”

“But too many people now climb onto the cross merely to be seen from a greater distance, even if they have to trample somewhat on the one who has been there so long.”

“He discovered the cruel paradox by which we always decieve ourselves twice about the people we love-first to their advantage, then to their disadvantage”

“ils étaient entrés dans l'ordre même de la peste, d'autant plus efficace qu'il était plus médiocre.”

“le mal qui est dans le monde vient presque toujours de l'ignorance”

“Ne marche pas devant moi, je ne suivrai peut-être pas. Ne marche pas derrière moi, je ne te guiderai peut-être pas. Marche juste à côté de moi et sois mon ami.”

“J'écoutais mon cœur. Je ne pouvais imaginer que ce bruit qui m'accompagnait depuis si longtemps pût jamais cesser.”

“What is called a reason for living is also an excellent reason for dying.”

“Whatever prevents you from doing your work has become your work.”

“Essay on tragedy.(1) The silence of Prometheus.(2) The Elizabethans.(3) Moliere.(4) The spirit of revolt.”

“Give up the tyranny of female charm.”

“Rule: Start by looking for what is valid in every man.”

“To be born to create, to love, to win at games is to be born to live in time of peace. But war teaches us to lose everything and become what we were not. It all becomes a question of style.”

“A guilty conscience needs to confess. A work of art is a confession.”

“And it was like knocking four quick times on the door of unhappiness.”

“life is a story and god is author.life is absurd.I think so.”

“How do you put everyone in the pool, so you have the right to dry yourself in the sun?”

“One dies if necessary, one breaks rather than bending. But I bend, because I continue to love myself.”

“A partir do momento em que é reconhecido, o absurdo é uma paixão, a mais dilacerante de todas.”

“Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.”

“He wasn’t even sure he was alive, because he was living like a dead man. Whereas it looked as if I was the one who’d come up emptyhanded. But I was sure about me, about everything, surer than he could ever be, sure of my life and sure of my death I had waiting for me… I had been right, I was still right, I was always right. I had lived my life one way and I could just as well have lived it another. I had done this and I hadn’t done that… Nothing, nothing mattered, and I knew why. So did he. Throughout the whole absurd life I’ve lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living. What did other people’s deaths or a mother’s love matter to me; what did his God or the lives people choose or the fate they think they elect matter to me when we’re all elected by the same fate, me and billions of privileged people like him who also called themselves my brothers?”

“But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is one of knowing whether two and two do make four”

“People hasten to judge in order not to be judged themselves.”

“Your success and happiness are forgiven you only if you generously consent to share them. But to be happy it is essential not to be too concerned with others. Consequently, there is no escape. Happy and judged, or absolved and wretched.”

“Without work, all life goes rotten, but when work is soulless, life stifles and dies”

“Mais il n'y a pas de limites pour aimer et que m'importe de mal étreindre si je peux tout embrasser.”

“I like these people swarming on the sidewalks, wedged into a little space of houses and canals, hemmed in by fogs, cold lands, and the sea streaming like a wet wash. I like them, for they are double. They are here and elsewhere.”

“Empires and churches are born under the sun of death.”

“The first concern of any dictatorship is, consequently, to subjugate both labor and culture.”

“And indeed it could be said that once the faintest stirring of hope became possible, the dominion of plague was ended.”

“But, you know, I feel more fellowship with the defeated than with saints. Heroism and sanctity don't really appeal to me, I imagine. What interests me is being a man.”

“In vain a zealous evangelist with a fely hat and flowing tie threads his way through the crowd, crying without cease: 'God is great and good. Come unto Him.' On the contrary, they all make haste toward some trivial objective that seems of more immediate interest than God.”

“The truth is that everyone is bored, and devotes himself to cultivating habits.”

“Poverty, first of all was never a misfortune for me; it was radiant with sunlight.. I owe it to my family, first of all, who lacked everything and who envied practically nothing.”

“What really counted was the possibility of escape, a leap of freedom, out of the implacable ritual, a wild run for it that would give whatever chance for hope there was. Of course, hope meant being cut down on some street corner, as you ran like mad, by a random bullet. But when I really thought it through, nothing was going to allow me such a luxury. Everything was against it; I would just be caught up in the machinery again.”

“The most important thing you do everyday you live is deciding not to kill yourself.”

“I don't want to be a genius-I have enough problems just trying to be a man.”

“Because,' Cormery went on, 'when I was very young, very foolish, and very much alone ... you paid attention to me and, without seeming to, you opened for me the door to everything I love in the world.”

“in the strange dizziness of that moment, the statue every man eventually erects and that hardens in the fire of the years, into which he then creeps and there awaits its final crumbling - that statue was rapidly cracking, it was already collapsing. All that was left was this anguished heart, eager to live, rebelling against the deadly order of the world that had been with him for forty years, and still struggling against the wall that separated him from the secret of all life, wanting to go farther, to go beyond, and to discover, discover before dying, discover at least in order to be, just once to be, for a single second, but forever.”

“I rebel; therefore I exist.”

“Life can be magnificent and overwhelming -- that is the whole tragedy. Without beauty, love, or danger it would almost be easy to live. ”

“He who despairs of the human condition is a coward, but he who has hope for it is a fool.”

“Qu'est-ce que le roman, en effet, sinon cet univers où l'action trouve sa forme, où les mots de la fin sont prononcés, les êtres livrés aux êtres, où toute vie prend le visage du destin. Le monde romanesque n'est que la correction de ce monde-ci, suivant le désir profond de l'homme. Car il s'agit bien du même monde. La souffrance est la même, le mensonge et l'amour. Les héros ont notre langage, nos faiblesses, nos forces. Leur univers n'est ni plus beau ni plus édifiant que le nôtre. Mais eux, du moins, courent jusqu'au bout de leur destin, et il n'est même jamais de si bouleversants héros que ceux qui vont jusqu'à l'extrémité de leur passion.[...] Voici donc un monde imaginaire, mais créé par la correction de celui-ci, un monde où la douleur peut, si elle le veut, durer jusqu'à la mort, où les passions ne sont jamais distraites, où les êtres sont livrés à l'idée fixe et toujours présents les uns aux autres. L'homme s'y donne enfin à lui-même la forme et la limite apaisante qu'il poursuit en vain dans sa condition. Le roman fabrique du destin sur mesure. C'est ainsi qu'il concurrence la création et qu'il triomphe, provisoirement, de la mort.”

“I had been right, I was still right, I was always right. I had lived my life one way and I could just as well have lived it another. I had done this and I hadn't done that. I hadn't done this thing but I had done another. And so?”

“Whatever we may do, excess will always keep its place in the heart of man, in the place where solitude is found. We all carry within us our places of exile, our crimes and our ravages. But our task is not to unleash them on the world; it is to fight them in ourselves and in others.”

“On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice.”

“Beauty is unbearable, drives us to despair, offering us for a minute the glimpse of an eternity that we should like to stretch out over the whole of time.”

“Para el que ama, el modo de emplear el tiempo del amado es manantial de todas sus alegrias.”