Amy Tan
Amy Tan (Chinese: 譚恩美; pinyin: Tán Ēnměi; born February 19, 1952) is an American writer whose novels include The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, Saving Fish From Drowing, and The Valley of Amazement. She is the author of two memoirs, The Opposite of Fate and Where the Past Begins. Her two children’s books are The Chinese Siamese Cat and The Moon Lady. She is also the co-screenwriter of the film adaptation of The Joy Luck, the librettist of the opera The Bonesetter’s Daughter, and the creative consultant to the PBS animated series Sagwa the Chinese Chinese Cat.
Tan is an instructor with MasterClass on writing, memory and imagination. She is featured in the American Masters documentary Amy Tan: Unintended Memoir. She was inducted into the American Academy of Arts and Letters and recently received the National Humanities Medal. She serves on the board of American Bird Conservancy.
Her forthcoming book The Backyard Bird Chronicles began as a journal in 2016, when she turned to nature for calm. She also began taking drawing classes with John Muir Laws (The Laws Guide to Nature Journaling and Drawing, and The Laws Guide to Drawing Birds). During the pandemic shutdown, she drew birds only in her backyard, documenting behaviors she found puzzling. Over time she identified 64 species of birds that have visited her backyard in Marin County. By 2022, she had more than nine journals of sketches and notes, which her editor at Knopf suggested she publish. The book, which will be released in April 2024, has already received high praise:
“Much of great writing comes from great interest, and in The Backyard Bird Chronicles, Amy Tan shows us how the world fascinates her, especially the birds. The result is both unexpected and spectacular.”
—Ann Patchett, author of These Precious Days
“What an enchanting and illuminating book! How lucky for us that Amy Tan has turned her genius, her deep empathy and insight, her keen eye for what is telling, to birds. Every page of these chronicles radiates warm curiosity, wonder, and delight.”
—Jennifer Ackerman, The Genius of Birds
“This is one of the most infectious and convincing books about nature I’ve read. For the bird-watcher, the would-be bird-watcher, or for the bird-watching skeptic, this offers great delight and unexpected intrigue. Through Tan’s ecstatic eyes, what could be a dry treatise on ornithological happenings becomes something far more fun and much more profound. It’s really a book about seeing.”
—Dave Eggers, author of Ungrateful Mammals
“Anybody even mildly interested in birds, or thinking about getting interested in birds (which are, after all, the indicator genus for the health of the planet), will want this book perched on their shelf, if only for the gift of Amy Tan’s eye and the example she gives us of how to pay attention. What a treasure.”
—Robert Hass, Pulitzer Prize-Winning author of Summer Snow: New Poems
“Backyard Bird Chronicles is fun reading. It shows how we can become engaged emotionally, literally and artistically with the natural world—to joyfully learn about the most accessible and yet wild animals, the often rare and beautiful birds that choose to come and live near and sometimes with us.”
—Bernd Heinrich, author of Mind of the Raven
“With this book as your guide, embark into the bird world Amy Tan. This is an intimate view, a sort-of love affair with the birds and their behavior, that Amy has come to know over several years. Within the leafy universe of her own backyard, she has quietly beheld, patiently observed, and taken in-depth notations of an extensive array of bird species. In colorful detail, she describes various bird’s behavior, while capturing their beauty in exquisitely rendered illustrations. Species include fearsome predators and watchful prey, long distance migrants and hometown residents. Through her unique insight and gift as an author and
“If she doesn't speak, she is making a choice. If she doesn't try, she can lose her chance forever.-An-mei”
“Isn't hate merely the result of wounded love?”
“I won't be what I'm not.-Jing-mei”
“But she never looked back with regret. There were so many ways for things to get better.-Jing-mei”
“And I think now that fate is shaped half by expectation, half by inattention. But somehow, when you lose something you love, faith takes over.-Rose”
“You must think for yourself, what you must do. If someone tells you, then you are not trying.-An-mei”
“All these years I kept my true nature hidden, running along like a small shadow so nobody could catch me.-Ying Ying”
“But I was no longer sacared. I could see what was inside me.-Lindo”
“I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind.-Lindo”
“Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother. Until there is nothing. No scar, no skin, no flesh.-An-mei”
“We all had our miseries. But to despair was to wish back for something already lost. Or to prolong what was already unbearable.-Suyuan”
“Then you must teach my daughter this same lesson. How to lose your innocence but not your hope. How to laugh forever.”
“You can't have intentions without consequences. The question is, who pays for the consequences? Saving fish from drowning. Same thing. Who’s saved? Who’s not?”
“But I don't have anything left inside of me to figure out where I fit in or what I want. If I want anything, it's to know what's possible to want.”
“A pious man explained to his followers: 'It is evil to take lives and noble to save them. Each day I pledge to save a hundred lives. I drop my net in the lake and scoop out a hundred fishes. I place the fishes on the bank, where they flop and twirl. "Don't be scared," I tell those fishes. "I am saving you from drowning." Soon enough, the fishes grow calm and lie still. Yet, sad to say, I am always too late. The fishes expire. And because it is evil to waste anything, I take those dead fishes to market and I sell them for a good price. With the money I receive, I buy more nets so I can save more fishes.”
“Kehidupan hanyalah ilusi yang harus kau lepaskan. Ketika makin tua, kau menyadari perubahan posisimu sehubungan dengan kematian. Di masa muda topik kematian adalah filosofis, di usia tiga puluhan topik itu tidak bisa diterima, dan di usia empat puluhan topik itu tidak terhindarkan. Di usia lima puluhan, kau menghadapinya dengan cara-cara yang lebih rasional : mengatur surat wasiat, menghitung aset dan harta warisan, menjelaskan donasi organ tubuhmu, merinci kata-kata yang tepat untuk surat wasiat. Kini di usia enam puluhan, kau kembali jadi filosofis.”
“Lebih baik jadi orang yang TIDAK TERLUPAKAN daripada orang yang MEMBOSANKAN -”
“You don't care what people think. You don't see your beloved's faults, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he is beneath you socially, educationally, financially, and morally--that's the worst, I think, deficient morals. (Saving Fish From Drowning)”
“From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.”
“No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.”
“In It's Only Temporary, Evan Handler confronts the ambiguities of life backward, forward, and in between. With hilarious honesty he reflects on the realization that we can start over again. It's Only Temporary is a heartfelt book for all of us who are getting younger and older at the same time.”
“Writing what you wished was the most dangerous form of wishful thinking.”
“When I returned home that day, I saw my life as if I already knew the happy ending of a story. I looked around the house and thought, soon I will no longer have to see these walls and all the unhappiness they keep inside.”
“I felt like a rich vagabond who had passed through the world paving my way with gold fairy dust, then realizing too late that the path disintegrated as soon as I passed over it.”
“I have loved works of fiction precisely for their illusions, for the author's sleight-of-hand in showing me the magic, what appeared in the right hand but not in the left...”
“All night long I worried, not about myself but about Jimmy. I imagined him looking for me, running through the park, looking in the movie theatres. He was a good man, considerate and kind, but he was not strong. He had never been through any kind of bad hardship before. So I worried.”
“Chaos is the penance for leisure.”
“Everyone must dream. We dream to give ourselves hope. To stop dreaming - well, that's like saying you can never change your fate. Isn't that true?”
“My sister Kwan believes she has yin eyes. ”
“If you can't change your fate, change your attitude.”
“Chance is the first step you take, luck is what comes afterward.”
“Isn't that how it is when you must decide with your heart? You are not just choosing one thing over another. You are choosing what you want. And you are also choosing what somebody else does not want, and all the consequences that follow. You can tell yourself, That's not my problem, but those words do not wash the trouble away. Maybe it is no longer a problem in your life. But it is always a problem in your heart.”
“I am like a falling star who has finally found her place next to another in a lovely constellation, where we will sparkle in the heavens forever.”