Charles de Lint

“Like legend and myth, magic fades when it is unused -- hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.”

“I watched the people passing below, each of them a story, each story part of somebody else's, all of it connected to the big story of the world. People weren't islands, so far as I was concerned. How could they be, when their stories kept getting tangled up in everybody else's?”

“One of my favourite things to do when I write is to bring a sense of wonder to a normal everyday setting... Yes, there are magical elements, but there are also very down-to-earth elements and often what shines through isn’t the magic, but the lanterns that the characters light against the dark... If you substitute the words “fairy tale” or “myth” for “fantasy,” the reason I use these elements in my own work is that they create resonances that illuminate solutions to the real world struggle without the need for an authorial voice to point them out. Magic never solves the problems–we have to do that on our own–but in fiction it allows the dialogue to have a much more organic approach than the talking heads one can encounter in fiction that doesn’t utilize the same tools.[from the interview Year’s Best 2012: Charles de Lint on “A Tangle of Green Men”]”

“They have alls these laws and social boundaries to keep the worst of them in check. The problem is, villains and bullies just ignore that kind of thing.”

“The minutes dragged by as they only did when you had no choice but to wait for something.”

“Myslela jsem si, že se to stává, když je člověk starý."Denzil se zakuckal. "A ty jsi poměrně stará, myslím. Sedmnáct, není-liž pravda?""Osmnáct. A cítím se jako stařena.”

“Have you ever noticed' I said 'how everyone says they want to be different, but as soon as they meet someone who really is different, they ostracize them?”

“Wondering’s healthy. Broadens the mind. Opens you up to all sorts of stray thoughts and possibilities.”

“Why did men worship in churches, locking themselves away in the dark, when the world lay beyond its doors in all its real glory?”

“Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand.”

“Remember the quiet wonders. The world has more need of them than it has for warriors.”

“Dying doesn't end anything - it just changes where you are”

“But if I could just get som ehint, some sign..." Conchita smiles, without humor, but with great affection. "That's the point behind faith," she says. "It's not something you can prove....I know you hate to hear this, but you either have it, or you don't.”

“Most times we only see things for the way we are. But we're good at lying to ourselves. Sometimes we need somebody who's not living in our skin to point out how things really are.”

“She wanted to tell him what happened wasn't really his fault, but she knew that wasn't the way this kind of guilt worked. Intellectually, he already knew that. It was his emotions that were tripping him up. The tangle of love and memory and what might have been.”

“It's easy to believe in magic when you're young. Anything you couldn't explain was magic then. It didn't matter if it was science or a fairy tale. Electricity and elves were both infinitely mysterious and equally possible - elves probably more so.”

“We're so quick to cut away pieces of ourselves to suit a particular relationship, a job, a circle of friends, incessantly editing who we are until we fit in.”

“Thing that people forget is, we all die, right? We all die and no matter what we do, the universe is going to go on, perfectly happy without us.”

“I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot—you know, beginning, middle and end--that has forward motion. I don’t like series books that leave you hanging after you’ve finished a book and in my own fiction I try to make sure that there’s always an entry point for those who are new to the book as well as long-time readers.”

“What do they say about meeting a bear in the woods? Oh right, you shouldn't. And to make sure you don't, you should make a lot of noise so that they'll will know where you are and keep their distance because, supposedly, they're as nervous of us as we are of them. Which is all goo, except this bear doesn't seem the least bit nervous. He's giving me a look like I'm Goldilocks, ate his porridge, broke his chair, slept in his bed, and now it's payback time."- Widdershins”

“Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite.This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers.These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.”

“Sara Kendell once read somewhere that the tale of the world is like a tree. The tale, she understood, did not so much mean the niggling occurrences of daily life. Rather it encompassed the grand stories that caused some change in the world and were remembered in ensuing years as, if not histories, at least folktales and myths. By such reasoning, Winston Churchill could take his place in British folklore alongside the legendary Robin Hood; Merlin Ambrosius had as much validity as Martin Luther. The scope of their influence might differ, but they were all a part of the same tale.”

“Music’s the soundtrack of my life and has been since I was a teenager. There’s always music. If I’m not playing it, I’m listening to it. With my writing…sometimes it inspires a story, sometimes it highlights something I’m working on, sometimes it simply helps me stay in the narrative mood.”

“Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn’t lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don’t describe what I do as simply fiction, I’ll go with mythic fiction.”

“He had too much cat in his blood - a deep-rooted feline twitch that would travel the length of his nerves to tickle his mind at the faintest sign of a mystery, no matter how small. He could no more let a riddle go unsolved than he could pass by the perfect length of colourful wire without picking it up.”

“The family we choose for ourselves is more important than the one we were born into; that people have to earn our respect and trust, not have it handed to them simply because of genetics.”

“The puppet thinks:It’s not so muchwhat they make me doas their hands inside me.”

“I'm a writer and this is what I do no matter what name we put to it. Year by year, the world is turning into a darker and stranger place than any of us could want. This is the only thing I do that has potential to shine a little further than my immediate surroundings. For me, each story is a little candle held up to the dark of night, trying to illuminate the hope for a better world where we all respect and care for each other.”

“The faerie represent the beauty we don't see, or even choose to ignore. That's why I'll paint them in junkyards, or fluttering around a sleeping wino. No place or person is immune to spirit. Look hard enough, and everything has a story. Everybody is important."- Jilly Coppercorn”

“I suppose the other thing too many forget is that we were all stories once, each and every one of us. And we remain stories. But too often we allow those stories to grow banal, or cruel or unconnected to each other.We allow the stories to continue, but they no longer have a heart. They no longer sustain us.”

“Everything has a spirit and it's all connected. If you think about that, if you live your life by it, then you're less likely to cause any hurt. It's like how our bodies go back into the ground when we die, so that connects us to the earth. If you dump trash, you're dumping it on your and my ancestors. Or to bring it down to its simplest level: treat everything and everybody the way you want to be treated, because when you hurt someone, you're only hurting yourself.”

“All forests have their own personality. I don't just mean the obvious differences, like how an English woodland is different from a Central American rain forest, or comparing tracts of West Coast redwoods to the saguaro forests of the American Southwest... they each have their own gossip, their own sound, their own rustling whispers and smells. A voice speaks up when you enter their acres that can't be mistaken for one you'd hear anyplace else, a voice true to those particular tress, individual rather than of their species.”

“Life's an act of magic, too. Claire Hamill sings a line in one of her songs that really sums it up for me: 'If there's no magic, there's no meaning.' Without magic- or call it wonder, mystery, natural wisdom- nothing has any depth. It's all just surface. You know: what you see is what you get. I honestly believe there's more to everything than that, whether it's a Monet hanging in a gallery or some old vagrant sleeping in an alley.”

“I realize that for all my penchant in believing that there's more to the world than what we can see, that folk tales and fairy tales are based on real, if forgotten events, I never accepted that part of it as being real.”

“Magic lies in between things, between the day and the night, between yellow and blue, between any two things.”

“There is no plan, no future laid out for any of us beyond what we make for ourselves.”

“I can’t imagine it now, but I must’ve been innocent at some time in my life. A baby don’t just get itself born bad, do it?”

“People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.”

“There's never an easy route to the things that matter.”

“There's nothing wrong with a youthful prospective. Don't forget- no one else sees the world the way you do, so no one else can tell the stories you have to tell.”

“Don't forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.”

“There are as many stories to be told as there are people to tell them about; only the mean-spirited would consider there to be a competition at all.”

“When all's said and done, all roads lead to the same end. So it's not so much which road you take, as how you take it.”

“People didn't realize it, but they needed myths to survive, just as much now as when their forebears were alive. Perhaps more. Mythology embodied the world's dreams, helped to make sense of the great human problems. Just as the dreams of individuals exist to give subconscious support to their conscious lives, so do myths serve as society's dreams. They uncover the dark, hidden places where mysteries dwell and can turn to nightmare if left untended. They make sense of injustice in archetypal terms. They give men and women a blueprint for how they may respond to success or failure, tragedy or joy.”

“Well, you know this world isn't perfect.' 'No, you're wrong. This world IS perfect, people just come along and mess it up sometimes.”

“Once upon a time there was what there was, and if nothing had happened there would be nothing to tell.”

“You've got to spread out as far as you can, cut down a whole forest, irrigate a whole desert, just to make sure that you won't accidentally stumble upon a place that's still in its natural state.”

“Lies were like having a pregnant rabbit. One day you had one, but before you knew it, there were rabbits all over the place.”

“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”

“It's not all about getting your own way. Sometimes there's a bigger picture.”