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Charles Dickens

Charles John Huffam Dickens (1812-1870) was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.

Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.

Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens's creative genius has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for its realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.

On 8 June 1870, Dickens suffered another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day he died at Gad's Hill Place. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner," he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads: "To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world." His last words were: "On the ground", in response to his sister-in-law Georgina's request that he lie down.

(from Wikipedia)


“Altogether, the Old Bailey, at that date, was a choice illustration of the precept, that "Whatever is right;" an aphorism that would be as final as it is lazy, did it not include the troublesome consequence, that nothing that ever was, was wrong.”
Charles Dickens
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“It was a dark night, though the full moon rose as I left the enclosed lands, and passed out upon the marshes. Beyond their dark line there was a ribbon of clear sky, hardly broad enough to hold the red large moon. In a few minutes she had ascended out of that clear field, in among the piled mountains of cloud.”
Charles Dickens
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“for not an orphan in the wide world can be so deserted as the child who is an outcast from a living parent's love.”
Charles Dickens
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“Mr. Pickwick was a philosopher, but philosophers are only men in armour, after all.”
Charles Dickens
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“Women, after all, gentlemen,' said the enthusiastic Mr. Snodgrass, 'are the great props and comforts of our existance.”
Charles Dickens
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“Era uno spettacolo straziante vedere quella donna entrare un giorno dopo l'altro nel cortile della prigione per cercare con ansia e fervore, con l'amore e con le suppliche di intenerire il cuore di pietra del figlio. Ma invano perché egli rimaneva cupo, ostinato e impenitente. Non riuscì ad addolcirne per un istante la durezza della espressione nemmeno l'insperata commutazione della pena di morte in quattordici anni di lavori forzati. Infine la pazienza e la rassegnazione che tanto a lungo avevano sorretto la donna non poterono più dominare le infermità fisiche. Ella si trascinò ancora una volta lungo la via per andare a vedere il figlio, ma le mancarono le forze e cadde a terra priva di sensi. Furono allora poste alla prova la freddezza e l'indifferenza del giovane, e la privazione di cui non poté non avvertire il colpo lo fece quasi impazzire. Un giorno era trascorso e sua madre non era andata a trovarlo; e poi un altro passò senza che gli andasse vicino e un altro ancora, ma non la vide; mancavano ormai solo ventiquattro ore a quello che sarebbe stato forse l'addio supremo. Oh, come allora gli si affollarono alla mente le memorie da tanto tempo dimenticate dei giorni lontani! Correva sconvolto avanti e indietro per l'angusto cortile, come se agitandosi a quel modo avesse potuto affrettare la visita attesa: e con quale amarezza lo investì la realtà della sua condizione di impotente desolazione quando seppe la verità! Sua madre, la sola persona cara che avesse mai avuto sulla terra, era malata, forse morente, meno di un miglio lontano da dove egli si trovava, e se fosse stato libero dai ceppi, gli sarebbero bastati pochi minuti per recarsi al suo capezzale. Corse al cancello, si aggrappò alle sbarre di ferro con la forza della disperazione, e le scosse fino a farle risonare, si gettò contro l'enorme muraglia quasi sperando si aprirsi fra le piante una via d'uscita; ma il cancello e le mura si fecero beffa dei suoi tentativi, ed egli si torse le mani e pianse come un fanciullo.”
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“Nella vita di un uomo sono pochi i momenti in cui si trova ridicolmente imbarazzato, e deve affrontare l'assoluta mancanza di ogni benevola commiserazione più di quando gli capita di dover inseguire il proprio cappello. Per afferrare un cappello fuggitivo è necessario possedere un enorme sangue freddo e una singolare misura di sagacia. Non bisogna essere precipitosi altrimenti lo si calpesta; non si dovrà nemmeno attardarsi molto se non si vuole rischiare di perderlo irrimediabilmente. Il modo migliore è di procedere con la stessa velocità dell'oggetto che si insegue, usare prudenza e cautela, tenersi pronti a cogliere l'occasione buona, sorpassarlo aggirandolo, poi tuffarsi di slancio, afferrarlo per la tesa e ficcarselo bene in capo; è inoltre indispensabile non dimenticare di continuare a sorridere come se la cosa fosse divertente per l'interessato non meno di quanto lo sia effettivamente per gli spettatori.”
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“L'uomo non è che un essere mortale, esiste un limite che il coraggio umano non può varcare. Per un attimo il signor Pickwick scrutò attraverso gli occhiali quell'avanzata di massa, poi si girò e non diremo che se la desse a gambe, in primo luogo perché si tratta di un'espressione volgare e in secondo luogo perché la figura del signor Pickwick non era adatta a un tal genere di movimento, ma diciamo che semplicemente trotterellò via con la massima velocità che le gambe gli consentivano, anzi la sua fu una velocità così elevata da non consentirgli di afferrare in pieno, se non troppo tardi, la notevole delicatezza della situazione in cui si trovava.”
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“Questa assemblea volentieri ammette il principio in forza del quale i membri della Associazione dei Corrispondenti debbano contribuire di tasca propria alle spese di viaggio e non fa alcuna difficoltà a che i membri di detta sezione conducano, ottemperando a questa condizione, le loro ricerche per tutto il tempo che loro piacerà. I membri della sunnominata Associazione dei Corrispondenti vengono inoltre informati che la loro proposta di pagare personalmente le spese postali per la consegna di lettere e di pacchi è stata esaminata da questa assemblea. Questa assemblea ritiene la proposta degna delle grandi menti che l'hanno concepita, e dichiara di accettarla incondizionatamente.”
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“Fu quella una data memorabile per me, poiché portò a molti mutamenti in me stesso. Avviene la medesima cosa in ogni esistenza. Immaginate un dato giorno distaccato da tutti gli altri, e pensate come avrebbe potuto esserne differente tutto il corso. Fermati, tu che leggi, e rifletti per un istante sulla lunga catena di ferro od oro, di spini o fiori, che non ti avrebbe mai avvinto, se non si fosse formato il primo anello in quell'unica, memorabile giornata.”
Charles Dickens
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“Would you like to be taught Latin?' I said briskly. 'I will teach it to you with pleasure as I learn it.''Oh, thank you, Master Copperfield,' he answered, shaking his head. 'I am sure it's very kind of you to make the offer, but I am much too umble to accept it.''What nonsense, Uriah!''Oh, indeed you must excuse me, Master Copperfield! I am greatly obliged, and I should like it of all things, I assure you; but I am far too umble. There are people enough to tread upon me in my lowly state without my doing outrage to their feelings by possessing learning. Learning ain't for me. A person like myself had better not aspire. If he is to get on in life, he must get on umbly, Master Copperfield.”
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“My Uriah,' said Mrs. Heep, 'has looked forward to this, sir, a long while. He had his fears that our umbleness stood in the way, and I joined in them myself. Umble we are, umble we have been, umble we shall ever be,' said Mrs. Heep.”
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“Esto que hago ahora,es mejor,mucho mejor que cuanto hice en la vida, y el descanso que voy a lograr es mucho más agradable que cuanto conocí anteriormente”
Charles Dickens
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“What right have you to be merry? what reason have you to be merry? You're poor enough. Come then, returned the nephew gaily. What right have you to be morose? You're rich enough.”
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“Poirot sa: - Offerets moralske karakter har intet med saken å gjøre. Et menneske som har gjort noe så uhyrlig som å ta et annet menneskes liv, kan ikke få lov til å gå løs i samfunnet. Det sier jeg, Hercule Poirot, og det er min uforgripelige mening. Nå og alltid.”
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“Jarndyce mot Jarndyce maler videre. Dette fugleskremselet av en rettssak er med tiden blitt så innfløkt at det ikke er en levende sjel som vet hva den går ut på.”
Charles Dickens
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“She had curiously thoughtful and attentive eyes; eyes that were very pretty and very good.”
Charles Dickens
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“A man would die tonight of lying out on the marshes, I thought. And then I looked at the stars, and considered how awful it would be for a man to turn his face up to them as he froze to death, and see no help or pitty in all the glittering multitude.”
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“Ningún hombre sabe, hasta que llega el momento, qué profundidades hay en su interior. Para algunos hombres no llega nunca; dejémoslos descansar y demos gracias. Para mí, tú la has traído, tú la has forzado, y el fondo de ese mar embravecido se ha alzado desde entonces... Te amo. Lo que quieren decir otros hombres cuando usan esa expresión no lo sé; lo que quiero decir yo es que estoy bajo la influencia de una atracción terrible, que he resistido en vano y que me domina. Puedes arrastrarme al fuego, puedes arrastrarme a la horca, puedes arrastrarme a la muerte, puedes arrastrarme a todo aquello que siempre he evitado, puedes arrastrarme a cualquier peligro y cualquier desgracia. A eso y a la confusión de mis pensamientos, que es tal que no valgo para nada, es a lo que me refiero cuando digo que eres mi ruina.”
Charles Dickens
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“He'd write letters by the ream, if it was a capital offence!”
Charles Dickens
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“If the defendant be a man of straw, who is to pay the costs?”
Charles Dickens
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“The bright day is done and we are for the dark.”
Charles Dickens
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“Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!”
Charles Dickens
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“In love of home, the love of country has its rise.”
Charles Dickens
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“Do the wise thing and the kind thing too, and make the best of us and not the worst.”
Charles Dickens
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“The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long long ago. So entirely had it lost the life and resonance of the human voice, that if affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would remember home and friends in such a tone before lying down to die.”
Charles Dickens
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“Now you see, Tom," said Mr. Harthouse (...); "every man is selfish in everything he does, and I am exactly like the rest of my fellow-creatures.”
Charles Dickens
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“Yes, sir,” said I; “him too; late of this parish.”
Charles Dickens
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“Keep my memory green.”
Charles Dickens
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“Fortune or misfortune, a man can but try; there's not to be done without trying - accept laying down and dying.”
Charles Dickens
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“I know'd my name to be Magwitch, chrisen'd Abel. How did I know it? Much as I know'd the birds' names in the hedges to be chaffinch, sparrer, thrush. I might have thought it was all lies together, only as the birds' names come out true, I suppose mine did.”
Charles Dickens
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“When a waggon with a train of beautiful horses, furnished with red trappings and clear-sounding bells came by us with its music, I believe we could all three have sung to the bells, so cheerful were the influences around.... We had stopped, and the waggon had stopped too. Its music changed as the horses came to a stand, and subsided to a gentle tinkling, except when a horse tossed his head, or shook himself, and sprinkled off a little shower of bellringing.”
Charles Dickens
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“If she wounds you, love her. If she tears your heart to pieces-- love her, love her, love her!”
Charles Dickens
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“Accidents will occur in the best regulated families.”
Charles Dickens
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“Blažene žene: one nikad ništa ne rade dopola. One uvijek u sve unose svu strast.”
Charles Dickens
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“Bolje je i nemati oči nego ih imati tako zle!”
Charles Dickens
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“Možda si ti kakav neprobavljeni komad govedine, žličica gorčice, grumenčić sira, polovica nedokuhana krumpira. Ti imaš više veze sa drobom nego sa grobom, ma tko da bio!”
Charles Dickens
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“...and memory, however sad, is the best and purest link between this world and a better. But come! I'll tell you a story of another kind.”
Charles Dickens
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“...The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a nightcap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees—BLOOD.”
Charles Dickens
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“... we produced a bundle of pens, a copious supply of ink, and a goodly show of writing and blotting paper. For there was something very comfortable in having plenty of stationary.”
Charles Dickens
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“Old Time, that greatest and longest established spinner of all!.... his factory is a secret place, his work is noiseless, and his hands are mutes.”
Charles Dickens
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“Are tears the dewdrops of the heart?”
Charles Dickens
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“Mature affection, homage, devotion, does not easily express itself. Its voice is low. It is modest and retiring, it lies in ambush, waits and waits. Such is the mature fruit. Sometimes a life glides away, and finds it still ripening in the shade.”
Charles Dickens
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“For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.”
Charles Dickens
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“Bè, naturalmente non è l'uomo adatto.... poiché l'uomo che ha un incarico di fiducia non è mai l'uomo adatto”
Charles Dickens
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“Ti dirò .... che cosa è il vero amore. E' devozione cieca, pronta ad umiliarsi, a sottomettersi completamente, a confidare e credere a dispetto di se stessi e del mondo intero, dando cuore e anima senza riserve a chi li infiamma...”
Charles Dickens
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“Dio sa che non dovremmo mai vergognarci delle nostre lacrime, benefiche al pari di pioggia sulla polvere accecante che ricopre i nostri cuori induriti”
Charles Dickens
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“For certain, neither of them sees a happy Present, as the gate opens and closes, and one goes in, and the other goes away.”
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“Come out into the world about you, be it either wide or limited. Sympathize, not in thought only, but in action, with all about you. Make yourself known and felt for something that would be loved and missed, in twenty thousand little ways, if you were to die; then your life will be a happy one, believe me.”
Charles Dickens
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“But, like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield”
Charles Dickens
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