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Curtis Sittenfeld

Curtis Sittenfeld is the New York Times bestselling author of six novels, including Rodham, Eligible, Prep, American Wife, and Sisterland, as well as the collection You Think It, I'll Say It. Her books have been translated into thirty languages. In addition, her short stories have appeared in The New Yorker, The Washington Post Magazine, Esquire, and The Best American Short Stories, for which she has also been the guest editor. Her nonfiction has appeared in The New York Times, The Atlantic, Time, and Vanity Fair, and on public radio's This American Life.


“I knew all this, I understood the rules, but still, nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny.”
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“You don't make waves unless there's a reason, and it better be good. Because once you do, that's it. You're a trouble make, and they never think of you any other way.”
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“But I should note, for all my resistance to organized religion, that I don't believe Charlie could have quit drinking without it. It provided him with a way to structure his behavior, and a way to explain that behavior, both past and present, to himself. Perhaps fiction has, for me, served a similar purpose--what is a narrative arc if not the imposition of order on disparate events? -- and perhaps it is my avid reading that has been my faith all along.”
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“... it struck me as so hard to believe I was really getting what I wanted; it was always easier to feel the lack of something than the thing itself.”
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“When I think of Henry and Oliver and Mike, I feel as if they are three different models - templates, almost - and I wonder if they are the only three in the world: the man who is with you completely, the man who is with you but not with you, the man who will get as close to you as he can without ever becoming yours. It would be arrogant to claim no other dynamics exist just because I haven't experienced them, but I have to say that I can't imagine what they are. I hope that I am wrong.”
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“...but then I think how I grew sick of kissing him. How can you spend your life with a person you're sick of kissing?”
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“…it never comes down to a single thing you did or didn’t do or say. You might convince yourself it did, but it didn’t.”
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“The students’ announcements were lengthy – the longer roll call was, the shorter first period would be – and filled with double entendres: Boys’ soccer is practicing on Coates Field today, which, if you don’t know where it is, is behind the headmaster’s house, and if you still don’t know where it is, ask Fred. Where are you, Fred? You wanna raise your hand, man? There’s Fred, everyone see Fred? Okay, so Coates Field. And remember – bring your balls.”
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“People are complicated," she continued, "and the ones who aren't are boring." "Then maybe I'm boring."We looked at each other, and in a genuinely sad voice, she said, "Maybe you are.”
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“Since I was a small girl, I have lived inside this cottage, shelted by its roof and walls. I have known of people suffering—I have not been blind to them in the way that privilege allows, the way my own husband and now my daughter are blind. It is a statement of fact and not a judgement to say Charlie and Ella’s minds aren’t oriented in that direction; in a way, it absolves them, whereas the unlucky have knocked on the door of my consciousness, they have emerged from the forest and knocked many times over the course of my life, and I have only occasionally allowed them entry. I’ve done more than nothing and much less than I could have. I have laid inside, beneath a quilt on a comfortable couch, in a kind of reverie, and when I heard the unlucky outside my cottage, sometimes I passed them coins or scraps of food, and sometimes I ignored them altogether; if I ignored them, they had no choice but to walk back into the woods, and when they grew weak or got lost or were circled by wolves, I pretended I couldn’t hear them calling my name.”
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“I've always found the thousand dollar dinners more unsettling than the twenty-five-thousand dollar ones --- if someone pays the Republican National Committee twenty-five thousand dollars (or, more likely, fifty per couple) to breathe the same air as Charlie for an hour or two, then it's clear the person has money to spare. What breaks my heart is when it's apparent through their accent or attire that a person isn't well off but has scrimped to attend an event with us. We're not worth it! I want to say. You should have paid off your credit-card bill, invested in your grandchild's college fund, taken a vacation to the Ozarks. Instead, in a few weeks, they receive in the mail a photo with one or both of us, signed by an autopen, which they can frame so that we might grin out into their living room for years to come.”
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“...if he didn't fully understand where I came from, he understood who I was now -- he knew how well done I liked my steak, knew the color of my toothbrush, the expression I made when I realized I'd forgotten to roll up my car window before it rained.”
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“I decided that I wanted to say to Sin-Jun, I like your skirt. But sometimes speaking is so hard! It's like standing still, then sprinting. I kept rehearsing the sentence in my head, examining it for flaws.”
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“I had the fleeting thought then that we are each of us pathetic in one way or another, and the trick is to marry a person whose patheticness you can tolerate.”
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“I heard Gillian say, with a laugh, “At this point, does anyone expect the liberals not to be total hypocrites?” She was oblivious to the possibility that perhaps not everyone present shared her views, and I thought, You’re sixteen. How can you already be a Republican?”
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“I wanted my life to start - but in those rare moments when it seemed like something might actually change, panic shot through me.”
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“But I never thought of who he wasn't, I never had to explain or defend him to myself, I didn't even care what we talked about.”
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“I actually liked the disolation of winter; it was the season when it was okay to be unhappy. If I were to ever kill myself, I thought it would be in the summer.”
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“And how heartbreaking, because if it were all just a few degrees different, she is pretty sure they could be quite happy together.”
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“I decided we should get married no more of this running-through-the-rain shit. We should live in the same place, sleep in the same bed at night, wake up together in the morning, and whenever there's a tornado, I can take care of you and watch Baseball at the same time.”
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“Only part you have to apologize for is getting me all horned up and then passing out, but I'll take a rain check”
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“Of course, I didn't imagine then that I could have had a real relationship with any guy. I thought that by virtue of being me I was disqualified.”
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“At that time in my life, no conclusion was a bad conclusion. Something ended, and you stopped wishing and worrying. You could consider your mistakes, and you might be embarrassed by them, but the box was sealed, the door was shut, you were no longer immersed in the confusing middle.”
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“Puteam continua sa fiu vechea Lee, cea buna si incompetenta, Lee cea draguta si plina de fisuri, un Labrador flocos si auriu, care nu poate sta departe de nicio balta si se tot intoarce acasa cu blana uda si mirosind neplacut.”
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“… era greu sa-mi imaginez ca m-as fi putut simti vreodata ca o tipa “misto”, dar ma simteam ca o persoana de care eu insami as fi fost intrigata in primii mei ani acolo.”
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“… eram prea tanara atunci sa-mi dau seama cum simple considerente geografice sau temporale puteau sa separe oamenii. Acestea sunt motivele pentru care n-ar fi trebuit sa ma intreb ce m-am intrebat mai apoi, in timp ce ma uitam la reflexiile noastre sparte in oglinda – daca exista oare ceva, chiar si ghinionul, care san e tina legate una de cealalta in toti anii care aveau sa urmeze.”
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“In camine, unii dintre elevi se apucasera deja sa impacheteze, lucru pe care eu il uram – vedeam peretii goi si suprafetele lipsite de obiecte ca pe niste aluzii rauvoitoare la cat de efemer era totul in jur, cat de iluzorie era senzatia pe care o avem ca ne apartine vreodata ceva.”
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“Cu ani mai tarziu, la o nunta, l-am auzit pe preot descriind casnicia ca pe o frangere in doua a tristetii si o dublare a bucuriei, si nu mi-a trecut prin minte nici tipul cu care eram atunci si nici vreun sot perfect, imaginar, din viitorul meu; in schimb, m-am gandit imediat la Matha.”
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“Dintre toate locurile prin care am fost in toata viata mea, Ault a fost spatial cu cea mai mare densitate de oameni de care ma puteam indragosti.”
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“Profii de aici le-au vazut pe toate. Noi ne percepem ca individualitati distincte, dar in ochii lor nu suntem decat o masa de nevoi adolescentine.” – Gates Medkowski”
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“Is the depressing part that he's only half right - it's not that she doesn't need rescuing but that nobody else will be able to do it? She has always somehow known that she is the one who will have to rescue herself. Or maybe what's depressing is that this knowledge seems like it should make life easier, and instead it makes it harder.”
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“How quickly we damn ourselves when we start to talk, how small and inglorious we always sound.”
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“All things being equal, why not be married to a rich man? (Somewhere, Hannah thinks, there must be a needlepoint pillow asking this very question in a cleverer way.)”
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“Being called baby: like safaris and bowling leagues, a phenomenon she never thought she'd experience first hand.”
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“Hannah is missing school because one night, her father exiled her and her mother and Allison from the house. This was, obviously, somewhat insane. But it wasn't more insane or cruel than other things he's done, which is not to say he's insane or cruel all the time. He's himself; he can be perfectly pleasant; he's the weather system they live with , and all the behavior, whenever he is around, hinges on his mood. Don't the three of them understand that living with him simply is what it is? To complain or resist would be as useless as complaining about or resisting a tornado.”
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“Whatever you are, be a good one." -Curtis Sittenfeld (American Wife)”
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“There then occurred the first and only paranormal incident of my marriage. Charlie shifted in his sleep, opened his eyes, looked at me and, without preamble, said, “You have to forgive yourself for killing that boy.” . . . “For your own sake but for mine, too,” he was saying, and his voice was hoarse from sleep yet also certain and insistent. “If you don’t forgive yourself, you’re making that accident too important, you’re making him too important.” Charlie paused. “And I want to be the love of your life.”
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“Well--" My mother paused, and her tone was reflective in that way that is inevitably sad, because the past is sad. "What I remember," she said, "is that you were always such a dear little girl.”
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“I noticed then that the red-haired woman was buying the food you eat when you live alone: a box of cereal, a few apples, a plastic container of plain yogurt....With an abrupt clarity, I saw how I had been launched into another category. I had been the red-haired woman; for a decade of my adult life, I had bought cereal and yogurt, I'd stood near couples and watched them nuzzle, and now I was part of such a couple. And I would not be launched back, I was certain. But I recognized her life, I knew it so well! I wanted to clasp her freckled hand, to say to her--surely we understood some shared code (or surely not, surely she'd have thought me preposterous)--It's good on the other side, but it's good on your side too. Enjoy it there. The loneliness is harder and the loneliness is the biggest part; but some things are easier.”
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“But the truth was that I didn't want to stay in Riley. The pulls of familial love and obligation could not, for the moment, compete with the promise of early-relationship sex. Starlight and beer and our twisting, naked bodies--that was what I wanted, not a seat at a dining room table with two old women eating breaded veal cutlets and Vienna torte.”
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“When you are a high school girl, there is nothing more miraculous than a high school boy.”
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“To be a person who sees a political ad on television and takes the statements in it as fact, how can you exist in this world? How is it you're not robbed daily by charlatans who knock at your door?”
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“Perhaps fiction has, for me, served a similar purpose--what is a narrative arc if not the imposition of order on disparate events?--and perhaps it is my avid reading that has been my faith all along.”
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“... nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny.”
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“Anyone who's really interested in anything spends time alone.”
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“..and I thought how liking a boy was just the same as believing you wanted to know a secret - everything was better when you were denied and could feel tormented by curiousity or loneliness. But the moment of something happening was treacherous. It was just so tiring to have to worry about whether your face was peeling, or to have to laugh at stories that weren’t funny.”
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“But maybe this is what Hannah has always wanted: a man who will deny her. A man of her own who isn't hers. Isn't it the real reason she broke up with Mike--not because he moved to North Carolina for law school (he wanted her to go with him, and she said no) but because he adored her? If she asked him to get out of bed and bring her a glass of water, he did. If she was in a bad mood, he tried to soothe her. It didn't bother him if she cried, or if she didn't wash her hair or shave her legs or have anything interesting to say. He forgave it all, he always thought she was beautiful, he always wanted to be around her. It became so boring! She'd been raised, after all, not to be accommodated but to accommodate, and if she was his world, then his world was small, he was easily satisfied. After a while, when he parted her lips with his tongue, she'd think, Thrash, thrash, here we go. She wanted to feel like she was striving cleanly forward, walking into a bracing wind and learning from her mistakes, and she felt instead like she was sitting in a deep, squishy sofa, eating Cheetos, in an overheated room. With Oliver, there is always contrast to shape their days, tension to keep them on their toes: You are far form me, you are close to me. We are fighting, we are getting along.”
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“She is shocked, and also afraid to look at him. As he turns the page, he's describing a dessert whose name he cannot remember but which arrived at the table in flames. She feels utterly bewildered. This is who her father is: someone tickled by the existence of sushi. Someone who takes pictures inside a restaurant. Her father is cheesy. Even his handsomeness, she thinks, looking at one of the few photos in which he appears, is of a certain harmlessly generic sort, the handsomeness of a middle-aged male model in the department-store insert of the Sunday Inquirer. Has she only imagined him as a monster? His essential lesson, she always believed, was this: There are many ways for you to transgress, and most you will not recognize until after committing them. But is it she who invented this lesson? At the least, she met him halfway, she bought in to it. Not just as a child but all through adolescence and into adulthood--until this very moment. She realized now that Allison does not buy in to it, that she must not have for years, and that's why Allison doesn't fight with their father or refuse to talk to him for long stretches. Why bother? Hannah always assumed Allison was bullied into her paternal devotion, but no--it is Hannah who has seen his anger as much bigger than it ever was.”
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“You give too much attention to things that make you unhappy,' Allison says. No doubt she is right. And yet attending to things that make Hannah unhappy--it's such a natural reflex. It feels so intrinsic, it feels in some ways like who she is. The unflattering observations she makes about other people, the comments that get her in trouble, aren't these truer than small talk and thank-you notes? Worse, but truer. And underneath all the decorum, isn't most everyone judgmental and disappointed? Or is it only certain people, and can she choose not to be one of them--can she choose this without also, like her mother, just giving in?”
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“Far in the future, Hannah will have a boyfriend named Mike with whom she'll talk about her father. She'll say she isn't sorry about her upbringing before the divorce, that she thinks in a lot of ways it was useful. Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which, in Hannah's observation, is something a lot of people struggle to understand well into adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises, when they occur, do not catch you off guard; you have never believed you live under the shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to an opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o' clock--these are enough. They are gifts.”
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