David Mitchell

“Human beings need to watch out for reasonless niceness too. It's never reasonless and its reason's not usually nice.”

“maybe the meaning of life lies in looking for it”

“... Ethical cyberexplorers are responsible, yeah? We are friendly ghosts in the machine, not poltergeists or hooligans. We are a growing breed. Over sixty-five percent of top-flight systems explorers are ethical."Ai gives Suga a black look. "And over eighty-five percent of all statistics are made up on the spot.”

“& only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!Yet what is any ocean but a multitude of drops?”

“He sifts the radio waves, but it's all men singing like women and women singing like men...”

“Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent.The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.)Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone.Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future?One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.”

“The Ghost of Sir Felix Finch whines, "But it's been done a hundred times before!"--as if there could be anything not done a hundred thousand times between Aristophanes and Andrew Void-Webber! As if Art is the What, not the How!”

“Nothing is as eloquent as nothing.”

“...and there, in the background, the brite spring sky's sediment had sunk to a dark band of blue. Ah, it mesmerized me...like the snow had done. All the woe of the words, "I am" seemed dissolved there, painlessly, peacefully.Hae-Joo announced, "The Ocean.”

“I skanked deep on Wolt's pipe an' four days march from our free Windward to Kona Leeward seemed like four mil'yun, yay, babbybies o' blissweed cradled me that night, then the drummin' started up, see ev'ry tribe had its own drums. Foday o' Lotus Pond Dwellin' an' two-three Valleysmen played goatskin'n'pingwood tom-toms, an' Hilo beardies thumped their flumfy-flumfy drums an' a Honokaa fam'ly beat their sash-krrangers an' Honomu folk got their shell-shakers an' this whoah feastin' o' drums twanged the young uns' joystrings an' mine too, yay, an' blissweed'll lead you b'tween the whack-crack an' boom-doom an' pan-pin-pon till we dancers was hoofs thuddin' an' blood pumpin' an' years passin' an' ev'ry drumbeat one more life shedded off me, yay, I glimpsed all the lifes my soul ever was till far-far back b'fore the Fall, yay, glimpsed from a gallopin' horse in a hurrycane, but I cudn't describe 'em 'cos there ain't the words no more but well I mem'ry that dark Kolekole girl with her tribe's tattoo, yay, she was a saplin' bendin' an' I was that hurrycane, I blowed her she bent, I blowed harder she bent harder an' closer, then I was Crow's wings beatin' an' she was the flames lickin' an' when the Kolekole saplin' wrapped her willowy fingers around my neck, her eyes was quartzin' and she murmed in my ear, Yay, I will, again, an' yay, we will, again.”

“Times are you say a person's b'liefs ain't true, they think you're sayin' their lifes ain't true an' their truth ain't true.”

“Yay, Old Uns' Smart mastered sicks, miles, seeds, an' made miracles ord'nary, but it din't master one thing, nay, a hunger in the hearts o' humans, yay, a hunger for more.”

“if you go up there Old Georgie'll freeze you an' dig out your soul with a cruel'n'crookit spoony an' eat it so you'll never even be reborned an' your body'll be turned into a frostbited boulder.”

“an' that cold hand o' wind was Old Georgie's hand, yay, the devil what was standin' there wavin' a crookit spoon.”

“Goat tongue is a gift, you got it from the day you're borned or you ain't got it. If you got it, goats'll heed your say-so, if you ain't, they'll jus' trample you muddy an' stand there scornin'.”

“I elbowed my way into the grubby café, bought a pie that tasted of shoe polish and a pot of tea with cork crumbs floating in it, and eavesdropped on a pair of Shetland pony breeders. Despondency makes one hanker after lives one never led. Why have you given your life to books, TC? Dull, dull, dull! The memoirs are bad enough, but all that ruddy fiction! Hero goes on a journey, stranger comes to town, somebody wants something, they get it or they don't, will is pitted against will. "Admire me, for I am a metaphor.”

“How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn't, the wolves and blizzards would be at one's throat all the sooner.”

“If one will just be still, shut up, and listen--lo, behold, the world'll sift through one's ideas for one, esp. in a grimy London railway station.”

“The mind abhors a vacancy & is wont to people it with phantoms.”

“As many truths as men. Occasionally, I glimpse a truer Truth, hiding in imperfect simulacrums of itself, but as I approach, it bestirs itself & moves deeper into the thorny swamp of dissent.”

“Act, implores the Ghost of Future Regret. I shan't give you another chance.”

“That’s writing, I suppose—dozens of decisions about what’s in, what’s out, what goes with what, what’s clever but not honest, what’s so honest that it’s a truism, what’s meretricious—and all just to produce one short sketch.”

“Human life, Borges said, is a cascade of possible directions, and we take only one, or we perceive that we take only one—which is how novels are written, too. You start with a blank page, and the first word opens up possibilities for the second word. If your first word is Call, those second two or three could be a doctor or it could be me Ishmael. It could be Call girls on Saturday nights generally cost more than . . . The second sentence opens up a multitude of third sentences, and on we go through that denseness of choices taken and choices not taken, swinging our machetes.”

“I’m scared of the future. I’m scared of the past. I’m nervous at the moment.”

“Your employers evince great faith in your talents, Mr Ewing, to entrust you with business neccessitating such a long & arduous voyage." I replied that, yes, I was a senior enough notary to be entrusted with my present assignment, but a junior enough scrivener to be obligated to accept the same.”

“Spent the fortnight gone in the music room reworking my year's fragments into a 'sextet for overlapping soloists': piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor; in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late.”

“The mind has a mind of its own. It shows us pictures. Pictures of the past and the might-one-day-be. This mind's mind exerts its own will, too, and has its own voice.”

“there're times when i suspect that the mind has a mind of its own. it shows us pictures. pictures of the past and the might-one-day-be. this mind's mind exerts its own will, too, and has its own voice”

“This world, he thinks, contains just one masterpiece, and that is itself.”

“Nowadays, in Japan, when mother, or baby, or mother and baby die in childbirth, people say, ‘Ah…they die because gods decide so.’ Or, ‘They die because bad karma.’ Or, ‘They die because o-mamori—magic from temple—too cheap.’ Mr. de Zoet understand, it is same as bridge. True reason of many,. Many death of ignoration. I wish to build bridge from ignoration,” her tapering hands form a bridge, “to knowledge. This,” she lifts, with reverence, Dr. Smellie’s text, “is piece of bridge. One day, I teach this knowledge…make school…students who teach other students…and in future, in Japan, many less mothers die of ignoration.” She surveys her daydream for just a moment before lowering her eyes. “A foolish plan.”

“Go to hell, Willy, our souls eat poetry, but one has seven deadly sins to feed!”

“Problem was, all this is new. In English at school we study a grammar book by a man named Ronald Rideout, read Cider with Rosie, do debates on fox-hunting and memorize ‘I Must Go Down to the Seas Again’ by Jason Masefield. We don’t have to actually think about stuff.”

“The world never stops unmaking what the world never stops making. But who says the world has to make sense? ”

“After my modest victory I played patience (the card game, not the virtue, never that) in the lounge, something I had not done since my ill-starred Tintagel honeymoon with Madame X.”

“We looked at each other for the last time; nothing is as eloquent as nothing.”

“Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.”

“Why fight the 'natural' (oh, weaselly word!) order of things? Why? Because of this--one fine day, a purely predatory world shall consume itself. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction.”

“The truth of a myth...is not in its words but its patterns.”

“Dreams are shores where the ocean of spirit meets the land of matter. Dreams are beaches where the yet-to-be, the once-were, the will-never-be may walk awhile with the still are.”

“Hate eats the hater the way ogres eat little boys.”

“Soul is a verb.”

“Creation never ceased on the sixth evening, it occurs to the young man. Creation unfolds around us, despite us and through us at the speed of days and nights. And we call it love.”

“We have just enough religion to make us hate, but not enough to make us love.”

“So little is actually worthy of belief or disbelief. Better to strive to coexist than seek to disapprove . . .”

“War's an auction where whoever can pay the most in damage and still be standing wins.”

“Killing depends on circumstances, as you'd expect, whether it's a cold, planned murder, or a hot death in a fight, or inspired by honor or a more shameful motive. However many times you kill, though, it's the first that matters. It's a man's first blood that banishes him from the world of the ordinary.”

“The song instantly insisted it'd never existed.”

“If swans weren't real, myths'd make them up.”

“You are the man. You have to take your dignity and self respect to the pawnbrokers.”

“The music provokes a sharp longing the music soothes.”