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Edgar Allan Poe

The name Poe brings to mind images of murderers and madmen, premature burials, and mysterious women who return from the dead. His works have been in print since 1827 and include such literary classics as The Tell-Tale Heart, The Raven, and The Fall of the House of Usher. This versatile writer’s oeuvre includes short stories, poetry, a novel, a textbook, a book of scientific theory, and hundreds of essays and book reviews. He is widely acknowledged as the inventor of the modern detective story and an innovator in the science fiction genre, but he made his living as America’s first great literary critic and theoretician. Poe’s reputation today rests primarily on his tales of terror as well as on his haunting lyric poetry.

Just as the bizarre characters in Poe’s stories have captured the public imagination so too has Poe himself. He is seen as a morbid, mysterious figure lurking in the shadows of moonlit cemeteries or crumbling castles. This is the Poe of legend. But much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name.

The real Poe was born to traveling actors in Boston on January 19, 1809. Edgar was the second of three children. His other brother William Henry Leonard Poe would also become a poet before his early death, and Poe’s sister Rosalie Poe would grow up to teach penmanship at a Richmond girls’ school. Within three years of Poe’s birth both of his parents had died, and he was taken in by the wealthy tobacco merchant John Allan and his wife Frances Valentine Allan in Richmond, Virginia while Poe’s siblings went to live with other families. Mr. Allan would rear Poe to be a businessman and a Virginia gentleman, but Poe had dreams of being a writer in emulation of his childhood hero the British poet Lord Byron. Early poetic verses found written in a young Poe’s handwriting on the backs of Allan’s ledger sheets reveal how little interest Poe had in the tobacco business.

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“And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.”
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“..bear in mind that, in general, it is the object of our newspapers rather to create a sensation-to make a point-than to further the cause of truth." Dupin in "The Mystery of Marie Roget”
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“I have not only labored solely for the benefit of others (receiving for myself a miserable pittance), but have been forced to model my thoughts at the will of men whose imbecility was evident to all but themselves”
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“Philosophers have often held disputeAs to the seat of thought in man and bruteFor that the power of thought attends the latterMy friend, thy beau, hath made a settled matter,And spite of dogmas current in all ages,One settled fact is better than ten sages. (O,Tempora! O,Mores!)”
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“O, Times! O, Manners! It is my opinionThat you are changing sadly your dominion I mean the reign of manners hath long ceased,For men have none at all, or bad at least;And as for times, altho' 'tis said by manyThe "good old times" were far the worst of any,Of which sound Doctrine I believe each tittleYet still I think these worst a little.I've been a thinking -isn't that the phrase?-I like your Yankee words and Yankee ways -I've been a thinking, whether it were bestTo Take things seriously, Or all in jest”
Edgar Allan Poe
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“Years of love have been forgot, In the hatred of a minute.”
Edgar Allan Poe
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“The ninety and nine are with dreams, content, but the hope of the world made new, is the hundredth man who is grimly bent on making those dreams come true.”
Edgar Allan Poe
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“And now have I not told you that what you mistake for madness is but over-acuteness of the senses?”
Edgar Allan Poe
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“And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.”
Edgar Allan Poe
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“I would define, in brief, the poetry of words as the rhythmical creation of beauty.”
Edgar Allan Poe
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“To be thoroughly conversant with Man’s heart, is to take our final lesson in the iron-clasped volume of Despair”
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“Oh, wär mein junges Leben doch ein Traum. Und würd doch mein Geist nicht wach, bis das der Strahl der Ewigkeit den Morgen brächte. Obwohl der Traum von schlimmen Kummer war, er war doch besser als die wirklichkeit des wachen Lebens für den, dessen herz gleich von Geburt an auf der Erde sein muss - Ein Chaos aus der tiefsten Leidenschaft.”
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“In the Heaven's above, the angels, whispering to one another, can find, among their burning terms of love, none so devotional as that of 'Mother.”
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“Ouve, meu filho, disse o demónio pondo-me a mão na cabeça...”
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“But our love was stronger by far than the love Of those who were older than we Of many far wiser than we And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.”
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“And my soul from out that shadow that lies floating on the floor, Shall be lifted -- Nevermore!”
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“It all depends on the robber's knowledge of the loser's knowledge of the robber. - Daupin”
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“In a night, or in a day,In a vision, or in none,Is it therefore the less gone?All that we see or seemIs but a dream within a dream”
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“...for her whom in life thou dids't abhor, in death thou shalt adore”
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“in general, from the violation of a few simple laws of humanity arises the wretchedness of mankind - that as a species we have in our possession the as yet unwroght elements of content - and that, even now, in the present darkness and madness of all thought on the great question of social condition, it is not impossible that man, the individual, under certain unusual and highly fortuitous conditions, my be happy”
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“And here, in thought, to thee-In thought that can alone, Ascend thy empire and so be A partner of thy throne, By winged Fantasy, My embassy is given, Till secrecy shall knowledge be In the environs of Heaven.”
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“You will observe that the stories told are all about money-seekers, not about money-finders.”
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“I seemed to be upon the verge of comprehension, without the power to comprehend as men, at time, find themselves upon the brink of rememberance, without being able, in the end, to remember.”
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“That pleasure which is at once the most pure, the most elevating and the most intense, is derived, I maintain, from the contemplation of the beautiful.”
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“En la extraña anomalía de mi existencia, los sentimientos en mí nunca venían del corazón, y las pasiones siempre venían de la inteligencia.”
Edgar Allan Poe
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“La belleza de cualquier clase, en su manifestación suprema excita inevitablemente el alma sensitiva hasta hacerle derramar lágrimas.”
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“As for Republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the "prairie dogs," an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.”
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“I could have clasped the red walls to my bosom as a garment of eternal peace. "Death," I said, "any death but that of the pit!" Fool! might I have not known that into the pit it was the object of the burning iron to urge me?”
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“I am SHADOW, and my dwelling is near to theCatacombs of Ptolemais, and hard by those dim plains of Helusionwhich border upon the foul Charonian canal." And then did we, theseven, start from our seats in horror, and stand trembling, andshuddering, and aghast, for the tones in the voice of the shadow werenot the tones of any one being, but of a multitude of beings, and,varying in their cadences from syllable to syllable fell duskly uponour ears in the well-remembered and familiar accents of many thousanddeparted friends.”
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“A short story must have a single mood and every sentence must build towards it.”
Edgar Allan Poe
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“Una injuria queda sin reparar, cuando su justo castigo perjudica al vengador.”
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“Even in the grave, all is not lost.”
Edgar Allan Poe
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“The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.”
Edgar Allan Poe
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“The result of law inviolate is perfection–right–negative happiness. The result of law violate is imperfection, wrong, positive pain.”
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“There is no passion in nature so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a Plunge.”
Edgar Allan Poe
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“Stupidity is a talent for misconception.”
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“That the play is the tragedy, “Man,”And its hero, the Conqueror Worm.”
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“We gave him a hearty welcome, for there was nearly half as much of the entertaining as of the contemptible about the man..”
Edgar Allan Poe
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“There are chords in the hearts of the most reckless which cannot be touched without emotion.”
Edgar Allan Poe
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“That which you mistake for madness is but an overacuteness of the senses.”
Edgar Allan Poe
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“Not altogether a fool," said G., "but then he's a poet, which I take to be only one remove from a fool.""True," said Dupin, after a long and thoughtful whiff from his meerschaum, "although I have been guilty of certain doggerel myself.”
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“He knew that Hop-Frog was not fond of wine; for it excited the poor cripple almost to madness; and madness is no comfortable feeling.”
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“I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.”
Edgar Allan Poe
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“I intend to put up with nothing that I can put down."[Letter to J. Beauchamp Jones, August 8, 1839]”
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“Fill with mingled cream and amber, I will drain that glass again.Such hilarious visions clamber Through the chamber of my brain —Quaintest thoughts — queerest fancies Come to life and fade away;What care I how time advances? I am drinking ale today.”
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“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.”
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“No thinking being lives who, at some luminous point of his life of thought, has not felt himself lost amid the surges of futile efforts at understanding, or believing, that anything exists greater than his own soul.”
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“I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells. ”
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“[E]very plot, worth the name, must be elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.”
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“But see, amid the mimic routA crawling shape intrude!A blood-red thing that writhes from outThe scenic solitude!It writhes!- it writhes!- with mortal pangsThe mimes become its food,And seraphs sob at vermin fangsIn human gore imbued.Out- out are the lights- out all!And, over each quivering form,The curtain, a funeral pall,Comes down with the rush of a storm,While the angels, all pallid and wan,Uprising, unveiling, affirmThat the play is the tragedy, "Man,"And its hero the Conqueror Worm.”
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