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Edgar Allan Poe

The name Poe brings to mind images of murderers and madmen, premature burials, and mysterious women who return from the dead. His works have been in print since 1827 and include such literary classics as The Tell-Tale Heart, The Raven, and The Fall of the House of Usher. This versatile writer’s oeuvre includes short stories, poetry, a novel, a textbook, a book of scientific theory, and hundreds of essays and book reviews. He is widely acknowledged as the inventor of the modern detective story and an innovator in the science fiction genre, but he made his living as America’s first great literary critic and theoretician. Poe’s reputation today rests primarily on his tales of terror as well as on his haunting lyric poetry.

Just as the bizarre characters in Poe’s stories have captured the public imagination so too has Poe himself. He is seen as a morbid, mysterious figure lurking in the shadows of moonlit cemeteries or crumbling castles. This is the Poe of legend. But much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name.

The real Poe was born to traveling actors in Boston on January 19, 1809. Edgar was the second of three children. His other brother William Henry Leonard Poe would also become a poet before his early death, and Poe’s sister Rosalie Poe would grow up to teach penmanship at a Richmond girls’ school. Within three years of Poe’s birth both of his parents had died, and he was taken in by the wealthy tobacco merchant John Allan and his wife Frances Valentine Allan in Richmond, Virginia while Poe’s siblings went to live with other families. Mr. Allan would rear Poe to be a businessman and a Virginia gentleman, but Poe had dreams of being a writer in emulation of his childhood hero the British poet Lord Byron. Early poetic verses found written in a young Poe’s handwriting on the backs of Allan’s ledger sheets reveal how little interest Poe had in the tobacco business.

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“A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.”
Edgar Allan Poe
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“He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.”
Edgar Allan Poe
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“Quoth the Raven, "Nevermore.”
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“From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.”
Edgar Allan Poe
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“Let my heart be still a moment and this mystery explore...”
Edgar Allan Poe
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“Believe nothing you hear, and only one half that you see.”
Edgar Allan Poe
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“Lord help my poor soul.”
Edgar Allan Poe
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“Villains!' I shrieked. 'Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!”
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“In our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.”
Edgar Allan Poe
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“If I could dwell where Israfel hath dwelt and he where I he might not sing so wildly well a mortal melody while a bolder note then this might swell from my lyre in the sky.”
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“By a route obscure and lonelyHaunted by ill angels only,Where an eidolon, named NIGHT,On a black throne reigns upright,I have reached these lands but newlyFrom an ultimate dim Thule --From a wild, weird clime that lieth, sublime,Out of SPACE, out of TIME.”
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“I was never really insane except upon occasions when my heart was touched.”
Edgar Allan Poe
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“Out- out are the lights- out all! And, over each quivering form,The curtain, a funeral pall,Comes down with the rush of a storm,While the angels, all pallid and wan,Uprising, unveiling, affirmThat the play is the tragedy, "Man,"And its hero the Conqueror Worm.”
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“To muse for long unwearied hours with my attention riveted to some frivolous device upon the margin, or in the typography of a book — to become absorbed for the better part of a summer's day in a quaint shadow falling aslant upon the tapestry, or upon the floor — to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire — to dream away whole days over the perfume of a flower — to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind — to lose all sense of motion or physical existence in a state of absolute bodily quiescence long and obstinately persevered in — Such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to any thing like analysis or explanation.”
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“And travellers, now, within that valley, Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out forever And laugh — but smile no more.”
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“And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor:And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore!”
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“Helen, thy beauty is to me”
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“The best chess-player in Christendom may be little more than the best player of chess; but proficiency in whist implies capacity for success in all those more important undertakings where mind struggles with mind.”
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“Ceux qui revent eveilles ont conscience de 1000 choses qui echapent a ceux qui ne revent qu'endormis.The one who has day dream are aware of 1000 things that the one who dreams only when he sleeps will never understand.(it sounds better in french, I do what I can with my translation...)”
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“Thank Heaven! The crisis /The danger is past, and the lingering illness, is over at last /, and the fever called ''Living'' is conquered at last.”
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“After reading all that has been written, and after thinking all that can be thought, on the topics of God and the soul, the man who has a right to say that he thinks at all, will find himself face to face with the conclusion that, on these topics, the most profound thought is that which can be the least easily distinguished from the most superficial sentiment.”
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“After all, what is it?- this indescribable something which men will persist in terming "genius"? I agree with Buffon- with Hogarth- it is but diligence after all.Look at me!- how I labored- how I toiled- how I wrote! Ye Gods, did I not write? I knew not the word "ease." By day I adhered to my desk, and at night, a pale student, I consumed the midnight oil. You should have seen me- you should. I leaned to the right. I leaned to the left. I sat forward. I sat backward. I sat tete baissee (as they have it in the Kickapoo), bowing my head close to the alabaster page. And, through all, I- wrote. Through joy and through sorrow, I-wrote. Through hunger and through thirst, I-wrote. Through good report and through ill report- I wrote. Through sunshine and through moonshine, I-wrote. What I wrote it is unnecessary to say. The style!- that was the thing. I caught it from Fatquack- whizz!- fizz!- and I am giving you a specimen of it now.”
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“Poetry is the rhythmical creation of beauty in words.”
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“I saw thee once - only once - years ago:I must not say how many - but not many.It was a July midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumber,Upon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared stir, unless on tiptoe -Fell on the upturn'd faces of these rosesThat gave out, in return for the love-light,Their odorous souls in an ecstatic death -Fell on the upturn'd faces of these rosesThat smiled and died in the parterre, enchantedBy thee, and by the poetry of thy presence.Clad all in white, upon a violet bankI saw thee half reclining; while the moonFell upon the upturn'd faces of the roses,And on thine own, upturn'd - alas, in sorrow!Was it not Fate, that, on this July midnight -Was it not Fate, (whose name is also Sorrow,)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footsteps stirred: the hated world all slept,Save only thee and me. (Oh, Heaven! - oh, G**!How my heart beats in coupling those two words!)Save only thee and me. I paused - I looked -And in an instant all things disappeared.(Ah, bear in mind the garden was enchanted!)The pearly lustre of the moon went out:The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All - all expired save thee - save less than thou:Save only divine light in thine eyes -Save but the soul in thine uplifted eyes.I saw but them - they were the world to me.I saw but them - saw only them for hours -Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a wo! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition! yet how deep -How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into a western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go - they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me - they lead me through the years.They are my ministers - yet I their slave.Their office is to illumine and enkindle -My duty, to be saved by their bright fire,And purified in their electric fire,And sanctified in their elysian fire.They fill my soul with Beauty (which is Hope,)And are far up in Heaven - the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still - two sweetly scintillantVenuses, unextinguished by the sun!”
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“True, nervous, very, very dreadfully nervous I had been and am, but why will say that I am mad?! The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute.”
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“Mysteries force a man to think, and so injure his health.”
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“Invisible things are the only realities.”
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“Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.”
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“The idea of God, infinity, or spirit stands for the possible attempt at an impossible conception.”
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“Prophet!" said I, "thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us- by that God we both adore- Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore- Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore.”
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“We gave the Future to the winds, and slumbered tranquilly in the Present, weaving the dull world around us into dreams.”
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“The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body; and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame.”
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“All religion, my friend, is simply evolved out of fraud, fear, greed, imagination, and poetry.”
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“Even for those to whom life and death are equal jests. There are some things that are still held in respect.”
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“Either the memory of past bliss is the anguish of to-day; or the agonies which are have their origins in ecstasies which might have been. ”
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“When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect - they refer, in short, just to that intense and pure elevation of soul - not of intellect, or of heart.”
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“I heed not that my earthly lot Hath - little of Earth in it -That years of love have been forgot In the hatred of a minute: -I mourn not that the desolate Are happier, sweet, than I,But that you sorrow for my fate Who am a passer by.”
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“...If you do not take it up with you in some way, I shall be under the necessity of breaking your head with this shovel”
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“And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more.”
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“For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.”
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“In criticism, I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.”
Edgar Allan Poe
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“A man's grammar, like Caesar's wife, should not only be pure, but above suspicion of impurity.”
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“Take this kiss upon the brow!And, in parting from you now,Thus much let me avow-You are not wrong, who deemThat my days have been a dream;Yet if hope has flown awayIn a night, or in a day,In a vision, or in none,Is it therefore the less gone?All that we see or seemIs but a dream within a dream.”
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“One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; — hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; — hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; — hung it because I knew that in so doing I was committing a sin — a deadly sin that would so jeopardize my immortal soul as to place it — if such a thing were possible — even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.”
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“I stand amid the roarOf a surf-tormented shore,And I hold within my handGrains of golden sand-How few! yet how they creepThrough my fingers to the deep,While I weep- while I weep!”
Edgar Allan Poe
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“And I fell violently on my face.”
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“That is another of your odd notions," said the Prefect, who had a fashion of calling every thing "odd" that was beyond his comprehension, and thus lived amid an absolute legion of "oddities.”
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“It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.”
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“No pictorial or sculptural combinations of points of human loveliness, do more than approach the living and breathing human beauty as it gladdens our daily path.”
Edgar Allan Poe
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“Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
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