Flannery O'Connor photo

Flannery O'Connor

Critics note novels

Wise Blood

(1952) and

The Violent Bear It Away

(1960) and short stories, collected in such works as

A Good Man Is Hard to Find

(1955), of American writer Mary Flannery O'Connor for their explorations of religious faith and a spare literary style.

The Georgia state college for women educated O’Connor, who then studied writing at the Iowa writers' workshop and wrote much of Wise Blood at the colony of artists at Yaddo in upstate New York. She lived most of her adult life on Andalusia, ancestral farm of her family outside Milledgeville, Georgia.

O’Connor wrote

Everything That Rises Must Converge

(1964). When she died at the age of 39 years, America lost one of its most gifted writers at the height of her powers.

Survivors published her essays were published in

Mystery and Manners

(1969). Her

Complete Stories

, published posthumously in 1972, won the national book award for that year. Survivors published her letters in

The Habit of Being

(1979). In 1988, the Library of America published

Collected Works

of Flannery O'Connor, the first so honored postwar writer.

People in an online poll in 2009 voted her Complete Stories as the best book to win the national book award in the six-decade history of the contest.


“When in Rome, do as you done in Milledgeville.”
Flannery O'Connor
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“It's easier to bleed than sweat, Mr. Motes.”
Flannery O'Connor
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“His plate was full but his fists sat motionless like two dark quartz stones on either side of it.”
Flannery O'Connor
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“He and the girl had almost nothing to say to each other. One thing he did say was, 'I ain't got any tattoo on my back.''What you got on it?' the girl said.'My shirt,' Parker said. 'Haw.''Haw, haw,' the girl said politely.”
Flannery O'Connor
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“The old woman was the kind who would not cut down a large old tree because it was a large old tree.”
Flannery O'Connor
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“I have tried imagining that the single peacock I see before me is the only one I have, but then one comes to join him, another flies off the roof, four or five crash out of the crepe-myrtle hedge; from the pond one screams and from the barn I hear the dairyman denouncing another that has got into the cow-feed. My kin are given to such phrases as, 'Let's face it.”
Flannery O'Connor
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“There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself.”
Flannery O'Connor
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“She was a talker, wasn't she?" Bobby Lee said, sliding down the ditch with a yodel. "She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life." "Some fun!" Bobby Lee said. "Shut up, Bobby Lee," The Misfit said. "It's no real pleasure in life.”
Flannery O'Connor
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“A story is a way to say something that can’t be said any other way, and it takes every word in the story to say what the meaning is.”
Flannery O'Connor
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“The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location.”
Flannery O'Connor
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“Art never responds to the wish to make it democratic; it is not for everybody; it is only for those who are willing to undergo the effort needed to understand it.”
Flannery O'Connor
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“He loved her because it was his nature to do so, but there were times when he could not endure her love for him. There were times when it became nothing but pure idiot mystery...”
Flannery O'Connor
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“She would've been a good woman," said The Misfit, "if it had been somebody there to shoot her every minute of her life.”
Flannery O'Connor
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“The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.”
Flannery O'Connor
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“I don't deserve any credit for turning the other cheek as my tongue is always in it.”
Flannery O'Connor
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“Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.”
Flannery O'Connor
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“The truth does not change according to our ability to stomach it.”
Flannery O'Connor
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“Mrs. Hopewell had no bad qualities of her own but she was able to use other people's in such a constructive way that she never felt the lack.”
Flannery O'Connor
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“If you don't hunt it down and kill it, it will hunt you down and kill you.”
Flannery O'Connor
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“I can, with one eye squinted, take it all as a blessing.”
Flannery O'Connor
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