Particularly known novels, such as
The Power and the Glory
(1940), of British writer Henry Graham Greene reflect his ardent Catholic beliefs.
The Order of Merit and the Companions of Honour inducted this English novelist, short story writer, playwright, screenplay writer, travel writer, and critic. His works explore the ambivalent moral and political issues of the modern world. Greene combined serious literary acclaim with wide popularity.
Greene objected strongly to description as a “Catholic novelist” despite Catholic religious themes at the root of much of his writing, especially the four major Catholic novels:
Brighton Rock
,
The Heart of the Matter
,
The End of the Affair
, and
The Power and the Glory
. Other works, such as
The Quiet American
,
Our Man in Havana
, and
The Human Factor
, also show an avid interest in the workings of international politics and espionage.
(Adapted from Wikipedia)
“It's a good world if you don't weaken.”
“Pain is easy to write. In pain we're all happily individual. But what can one write about happiness?”
“If a woman is in one's thoughts all day, one should not have a dream of her at night.”
“People who like quotes love meaningless generalizations”
“Beauty is like success: we can't love it for long.”
“I couldn't have thought of her more. Even vacancy was crowded with her.”
“Friendship is something in the soul. It is a thing one feels. It is not a return for something.”
“We'd forgive most things if we knew the facts.”
“The soap-box orators talked in the bitter cold at Marble Arch with their mackintoshes turned up around their Adam's apples, and all down the road the cad cars waited for the right easy girls, and the cheap prostitutes sat hopelessly in the shadows, and the blackmailers kept an eye open on the grass where the deeds of darkness were quietly and unsatisfactorily accomplished.”
“Perhaps the sexual life is the great test. If we can survive it with charity to those we love and with affection to those we have betrayed, we needn't worry so much about the good and the bad in us. But jealousy, distrust, cruelty, revenge, recrimination ... then we fail. The wrong is in that failure even if we are the victims and not the executioners. Virtue is no excuse.”
“Oh, she doesn't belong to anybody now,' he said, and suddenly I saw her for what she was - a piece of refuse waiting to be cleared away: if you needed a bit of hair you could take it, or trim her nails if nail trimmings had value to you. Like a saint's her bones could be divided up - if anybody required them. She was going to be burnt soon, so why shouldn't everybody have what he wanted first? What a fool I had been during three years to imagine that in any way I had possessed her. We are all possessed by nobody, not even by ourselves.”
“I've caught belief like a disease. I've fallen into belief like I fell in love.”
“To be in love is to see yourself as someone else sees you, it is to be in love with the falsified and exalted image of yourself. In love we are incapable of honor - the courageous act is no more than playing a part to an audience of two.”
“So one always starts a journey in a strange land -- taking too many precautions, until one tires of the exertion and abandons care in the worst spot of all.”
“I am interested in the blueness of the cheese.”
“When I began to write our story down, I thought I was writing a record of hate, but somehow the hate has got mislaid and all I know is that in spite of her mistakes and her unreliability, she was better than most. It's just as well that one of us should believe in her: she never did in herself.”
“I’m not at peace anymore. I just want him like I used to in the old days. I want to be eating sandwiches with him. I want to be drinking with him in a bar. I’m tired and I don’t want anymore pain. I want Maurice. I want ordinary corrupt human love. Dear God, you know I want to want Your pain, but I don’t want it now. Take it away for a while and give it me another time.”
“Sometimes I get tired of trying to convince him that I love him and shall love him for ever. He pounces on my words like a barrister and twists them. I know he is afraid of that desert which would be around him if our love were to end, but he can’t realize that I feel exactly the same. What he says aloud, I say to myself silently and write it here.”
“I can't talk you in terms of time --your time and my time are different”
“a book is like a sandy path which keeps the indent of footprints.”
“My passion for Sarah had killed simple lust forever. Never again would I be able to enjoy a woman without love.”
“I measured love by the extent of my jealousy.”
“He was impregnably armored by his good intentions and his ignorance.”
“Ordinary life goes on--that has saved many a man's reason.”
“Thought's a luxury. Do you think the peasant sits and thinks of God and Democracy when he gets inside his mud hut at night?”
“I never knew a man who had better motives for all the trouble he caused.”
“Death was far more certain than God.”
“If you live in a place for long you cease to read about it.”
“You cannot love without intuition.”
“If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.”
“The problem of pretending to be alive.”
“God loves you, they say in the churches, God is everything. People who believe that don't need admiration, they don't need to sleep with a man, they feel safe. But I can't invent a belief.”
“With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed--he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.”
“Déjate de sermones estúpidos. ¿No te das cuenta de que te quiero?”
“When I replied that I loved her too in that way, I was the liar, not she, for I never lose the consciousness of time: to me the present is never here: it is always last year or next week.”
“A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead. I say 'one chooses' with the inaccurate pride of a professional writer who — when he has been seriously noted at all — has been praised for his technical ability, but do I in fact of my own will choose that black wet January night on the Common, in 1946, the sight of Henry Miles slanting across the wide river of rain, or did these images choose me?”
“Hate is a lack of imagination.”
“And there, in that phrase, the bitterness leaks again out of my pen. What a dull lifeless quality this bitterness is. If I could I would write with love, but if I could write with love I would be another man; I would never have lost love.”
“Of course,' I said, 'you know her so much better than I ever did.'In some ways,' he said gloomily, and I knew he was thinking of the very ways in which I had known her the best.”
“I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.”
“His question reminded me of how easy he had been to deceive, so easy that he seemed to me almost a conniver at his wife's unfaithfulness, as the man who leaves loose banknotes in a hotel bedroom connives at theft, and I hated him for the very quality which had once helped my love.”
“I couldn't help wondering, is my husband so unattractive that no woman has ever wanted him? Except me, of course. I must have wanted him, in a way, once, but I've forgotten why, and I was too young to know what I was choosing.”
“Insecurity is the worst sense that lovers feel; sometimes the most humdrum desireless marriage seems better. Insecurity twists meanings and poisons trust.”
“If I'm a bitch and a fake, is there nobody who will love a bitch and a fake?”
“I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.”
“I recognized my work for what it was--as unimportant a drug as cigarettes to get one through the weeks and years. If we are extinguished by death, as I still try to believe, what point is there in leaving some books behind any more than bottles, clothes, or cheap jewellry?”
“I could have waited years, now that I knew the end of the story. I was cold and wet and very happy. I could even look with charity towards the altar and the figure dangling there. She loves us both, I thought, but if there is to be a conflict between an image and a man, I know who will win. I could put my hand on her thigh or my mouth on her breast; he was imprisoned behind the altar and couldn't move to plead his cause.”
“If two people loved, they slept together; it was a mathematical formula, tested and proved by human experience.”
“In the taxi I let my hand lie on her leg like a promise, but I had no intention of keeping my promise.”
“But if I start believing that, then I have to believe in your God. I'd have to love your God. I'd rather love the men you slept with.”