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Haruki Murakami

Murakami Haruki (Japanese: 村上 春樹) is a popular contemporary Japanese writer and translator. His work has been described as 'easily accessible, yet profoundly complex'. He can be located on Facebook at: https://www.facebook.com/harukimuraka...

Since childhood, Murakami has been heavily influenced by Western culture, particularly Western music and literature. He grew up reading a range of works by American writers, such as Kurt Vonnegut and Richard Brautigan, and he is often distinguished from other Japanese writers by his Western influences.

Murakami studied drama at Waseda University in Tokyo, where he met his wife, Yoko. His first job was at a record store, which is where one of his main characters, Toru Watanabe in Norwegian Wood, works. Shortly before finishing his studies, Murakami opened the coffeehouse 'Peter Cat' which was a jazz bar in the evening in Kokubunji, Tokyo with his wife.

Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' song, although it is widely thought it was titled after the Beach Boys tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (the first part being the title of a song by Nat King Cole).


“I tell you, Mr. Okada, a cold beer at the end of the day is the best thing life has to offer. Some choosy people say that a too cold beer doesn’t taste good, but I couldn’t disagree more. The first beer should be so cold you can’t even taste it. The second one should be a little less chilled, but I want that first one to be like ice. I want it to be so cold my temples throb with pain. This is my own personal preference of course.”
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“And when you come back to Japan next summer, let's have that date or whatever you want to call it. We can go to the zoo or the botanical garden or the aquarium, and then we'll have the most politically correct and scrumptious omelets we can find.”
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“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others. Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world. Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.Just what kind of narrative?It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
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“Riprendemmo a camminare senza meta per le strade di Tokyo. Camminavamo all'infinito percorrendo salite, oltrepassando fiumi, attraversando incroci, senza avere in mente una meta precisa. Ci bastava il fatto di camminare. Lo facevamo senza mai vacillare, come un rito religioso per la salvezza dell'anima.”
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“La morte era parte di quel fermacarte, parte indissolubile delle quattro palline bianche e rosse allineate sul tavolo di biliardo. E sentivo che noi vivevamo inspirandola come una finissima polvere.”
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“You're afraid of imagination and even more afraid of dreams. Afraid of the resposibility that begins in dreams. But you have to sleep and dreams are a part of sleep. When you're awake you can suppress imagination but you can't supress dreams.”
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“Mi appoggiò le mani sulle spalle e stando di fronte a me mi guardò diritto negli occhi. Un liquido nero e denso nel fondo delle sue pupille formava strani diagrammi a spirale. Per un lungo istante quei suoi bellissimi occhi mi scrutarono dentro.”
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“But if you peeled away the ornamental egos that she had built, there was only an abyss of nothingness and the intense thirst that came with it.”
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“Si no quieres acabar en un manicomio, abre tu corazon y abandonate al curso natural de la vida”
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“Somos seres imperfectos que vivimos en un mundo imperfecto”
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“We were merely observers, getting totally absorbed in some exciting movie, our palms all sweaty, only to find that, after the houselights came on and we exited the theater, the thrilling afterglow that coursed through us ultimately meant nothing whatsoever.”
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“To keep on going, you have to keep up the rhythm.”
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“Listen. I may not be much, but I'm all I've got. Maybe you need a magnifying glass to find my face in my high school graduation photo. Maybe I haven't got any family or friends. Yes, yes, I know all that. But, strange as it might seem, I'm not entirely dissatisfied with life... I feel pretty much at home with what I am. I don't want to go anywhere. I don't want any unicorns behind fences.”
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“Genius or fool, you don't live in the world alone. You can hide underground or you can build a wall around yourself, but somebody's going to come along and screw up the works.”
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“Insane" es un problema mental congénito, y se considera conveniente tratarlo con una terapia especializada. En cambio, "Lunatic" se refiere a una pérdida temporal del juivio debido al efecto de la luna.”
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“Confidence; as a teenager? Because I knew what I loved. I loved to read; I loved to listen to music; and I love cats. Those three things. So, even though I was an only kid, I could be happy because I knew what I loved. Those three things haven't changed from my childhood. I know what I love, still, now. That's a confidence. If you don't know what you love, you are lost.”
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“The harder I try to realistically portray real things, the more the things that appear in my work have a tendency to become unreal.”
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“Shakespeare said it best,' Tamaru said quietly as he gazed at that lumpish, misshapen head. 'Something along these lines: if we die today, we do not have to die tomorrow, so let us look to the best in each other”
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“Tengo knew that time could become deformed as it moved forward. Time itself was uniform in composition, but once consumed, it took on a deformed shape. One period of time might be terribly heavy and long, while another could be light and short. Occasionally the order of things could be reversed, and in the worst cases order itself could vanish entirely. Sometimes things that should not be there at all might be added onto time. By adjusting time this way to suit their own purposes, people probably adjusted the meaning of their existences. In other words, by adding such operations to time, they were able—but just barely—to preserve their own sanity. Surely, if a person had to accept the time through which he had just passed uniformly in the given order, his nerves could not bear the strain. Such a life, Tengo felt, would be sheer torture.”
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“Gotanda swung by at either-forty. He was wearing a perfectly ordinary gray V-neck sweater over a perfectly ordinary blue button-down shirt with- you got it - perfectly ordinary cotton slacks. And still he looked striking. Extraordinarily so.”
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“A hotel is serious business.”
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“Date etiquette lesson number two: Don't die. Go on living.”
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“I used to think the years would go by in order, that you get older one year at a time. But it's not like that. It happens overnight.”
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“High school girls came bustling along, their rosy red cheeks puffing white breaths you could have written cartoon captions in.”
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“You are a major dimwit. Is your brain made out of jello, you spineless twit? A leaf? What do you think I am, one of those magical raccoons? I'm a concept, get it? Con-cept! Concepts and raccoons aren't exactly the same, now are they? What a dumb thing to say...”
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“If you want everything to be nice and straight all the time, then go live in a world made with a triungular ruler.”
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“A sheet of white extends to the lone dark vertical of the elm tree in the centre ... It is too perfect, to inviolate ... The snow is graced with waves written by the wind, the elm raises crooked arms in sleeves of white.”
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“Jean-Jacques Rousseau defined civilization as when people build fences. A very perceptive observation. And it’s true—all civilization is the product of a fenced-in lack of freedom. The Australian Aborigines are the exception, though. They managed to maintain a fenceless civilization until the seventeenth century. They’re dyed-in-the-wool free. They go where they want, when they want, doing what they want. Their lives are a literal journey. Walkabout is a perfect metaphor for their lives. When the English came and built fences to pen in their cattle, the Aborigines couldn’t fathom it. And, ignorant to the end of the principle at work, they were classified as dangerous and antisocial and were driven away, to the outback. So I want you to be careful. The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.”
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“When I was fifteen, all I wanted was to go off to some other world, a place beyond anybody’s reach. A place beyond the flow of time.”- But there’s no place like that in this world.- Exactly. Which is why I’m living here, in this world where things are continually damaged, where the heart is fickle, where time flows past without a break.”
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“What I feel for her is a wholly different emotion. It stands and walks on its own, living and breathing and throbbing and shaking me to the roots of my being.”
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“Und wenn du aufwachst, wirst du Teil einer neuen Welt sein.”
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“Maybe it's just hiding somewhere. Or gone on a trip to come home. But falling in love is always a pretty crazy thing. It might appear out of the blue and just grab you. Who knows — maybe even tomorrow.”
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“You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath.”
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“Life is so uncertain: you never know what could happen. One way to deal with that is to keep your pajamas washed.”
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“If something came out of the deal, it couldn’t make things any worse for us than they already were, I thought. But I couldn’t have been more wrong. Hell has no true bottom.”
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“I was reborn," she said, her hot breath brushing his ear."You were reborn," Tengo said."Because I died once.""You died once," Tengo repeated."On a night when there was a cold rain falling," she said."Why did you die?""So I would be reborn like this.""You would be reborn," Tengo said."More or less," she whispered quietly. "In all sorts of forms.”
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“Where there is light, there must be shadow, where there is shadow there must be light. There is no shadow without light and no light without shadow.... We do not know if the so-called Little People are good or evil. This is, in a sense, something that surpasses our understanding and our definitions. We have lived with them since long, long ago-- from a time before good and evil even existed, when people's minds were still benighted.”
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“Tengo could hardly believe it-- that in this frantic, labyrinth-like world, two people's hearts-- a boy's and a girl's-- could be connected, unchanged, even though they hadn't seen each other for twenty years.”
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“Wasn't it better if they kept this desire to see each other hidden within them, and never actually got together? That way, there would always be hope in their hearts. That hope would be a small, yet vital flame that warmed them to their core-- a tiny flame to cup one's hands around and protect from the wind, a flame that the violent winds of reality might easily extinguish.”
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“Inside him, twenty years dissolved and mixed into one complex, swirling whole. Everything that had accumulated over the years-- all he had seen, all the words he has spoken, all the values he had held-- all of it coalesced into one solid, thick pillar in his heart, the core of which was spinning like a potter's wheel. Wordlessly, Tengo observed the scene, as if watching the destruction and rebirth of a planet.”
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“All of us are imperfect human beings living in an imperfect world.”
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“I don't care what you do to me, but I don't want you to hurt me. I've had enough hurt already in my life. More than enough. Now I want to be happy.”
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“If you think about it, an unfair society is a society that makes it possible for you to exploit your abilities to the limit.”
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“The world is an inherently unfair place.”
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“It's good when food tastes good, it's kind of like proof you're alive.”
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“It's basically impossible for everybody's justice to prevail or everybody's happiness to triumph, so chaos takes over.”
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“Will you wait for me forever?”
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“I am a flawed human being - a far more flawed human being than yourealize.”
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“If I have left a wound inside you, it is not just your wound but mine as well.”
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“It's just that you're about to do something out of the ordinary. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. But don't let appearances fool you. There's always only one reality.”
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