Murakami Haruki (Japanese: 村上 春樹) is a popular contemporary Japanese writer and translator. His work has been described as 'easily accessible, yet profoundly complex'. He can be located on Facebook at: https://www.facebook.com/harukimuraka...
Since childhood, Murakami has been heavily influenced by Western culture, particularly Western music and literature. He grew up reading a range of works by American writers, such as Kurt Vonnegut and Richard Brautigan, and he is often distinguished from other Japanese writers by his Western influences.
Murakami studied drama at Waseda University in Tokyo, where he met his wife, Yoko. His first job was at a record store, which is where one of his main characters, Toru Watanabe in Norwegian Wood, works. Shortly before finishing his studies, Murakami opened the coffeehouse 'Peter Cat' which was a jazz bar in the evening in Kokubunji, Tokyo with his wife.
Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' song, although it is widely thought it was titled after the Beach Boys tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (the first part being the title of a song by Nat King Cole).
“If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)”
“Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)”
“Now, though, that meadow scene is the first thing that comes back to me. [...] And yet, as clear as the scene may be, no one is in it. No one. Naoko is not there, and neither am I. Where could we have disappeared to? How could such a thing have happened? Everything that seemed so important back then - Naoko, and the self I was then and the world I had then: where could they have all gone? It's true, I can't even bring back her face - not straight away, at least. All I'm left holding is a background, pure scenery, with no people at the front.”
“Everything, everything seemed once-upon-a-time.”
“Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.”
“No matter how far you travel, you can never get away from yourself.”
“Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn’t have known.”
“I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.”
“If you're in pitch blackness, all you can do is sit tight until your eyes get used to the dark”
“Silence, I discover, is something you can actually hear.”
“It's because of you when I'm in bed in the morning that I can wind my spring and tell myself I have to live another good day.”
“But intolerant,narrow minds with no imagination are like parasites that transform the host,change form,and continue to thrive. They're a lost cause, and I don't want anyone like that coming in here.”
“Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.”
“What I think is this: You should give up looking for lost cats and start searching for the other half of your shadow.”
“Mediocrity's like a spot on a shirt—it never comes off.”
“Even castles in the sky can do with a fresh coat of paint.”
“As long as there's such a thing as time, everybody's damaged in the end, changed into something else. It always happens, sooner or later.”
“We knew exactly what we wanted in each other. And even so, it ended. One day it stopped, as if the film simply slipped off the reel. ”
“The whole terrible fight occured in the area of imagination. That is the precise location of our battlefield. It is there, that we experience our victories and defeats.”
“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
“Being with her I feel a pain, like a frozen knife stuck in my chest. An awful pain, but the funny thing is I'm thankful for it. It's like that frozen pain and my very existence are one.The pain is an anchor, mooring me here.”
“Okay, let’s put it this way. I would like to sleep with you. But it’s alright if I don’t sleep with you. What I’m saying is I’d like to be as fair as possible. I don’t want to force anything on anybody, any more than I’d want anything forced on me. It’s enough that I feel your presence or see your commas swirling around me.”
“Thinking about spaghetti that boils eternally but is never done is a sad, sad thing.”
“Animals that not only move by their own free will and share feelings with people but also possess sight and hearing qualify as deserving of names.”
“In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality.”
“I tried hard to forget, but there remained inside me a vague knot of air.And as time went by, the knot began to take on a clear and simpleform, a form that I am able to put into words, like this:Death exists, not as the opposite but as a part of life.It's a cliché translated into words, but at the time I felt it not as wordsbut as that knot of air inside me. Death exists - in a paperweight, infour red and white balls on a pool table - and we go on living andbreathing it into our lungs like fine dust.”
“You live by yourself for a stretch of time and you get to staring at different objects. Sometimes you talk to yourself. You take meals in crowded joints. You develop an intimate relationship with your used Subaru. You slowly but surely become a has-been.”
“Tendencies. Yougottendencies. Soevenifyoudideverythingoveragain, yourwholelife, yougottendenciestodojustwhatyoudid, alloveragain. -The Sheep Man.”
“you mean machines are like humans?"I shook my head. "No, not like humans. With machines the feeling is, well, more finite. It doesn't go any further. With humans it's different. The feeling is always changing. Like if you love somebody, the love is always shifting or wavering. It's always questioning or inflating or disappearing or denying or hurting. And the thing is, you can't do anything about it, you can't control it. With my Subaru, it's not so complicated.”
“I tell lies sometimes. The last time I lied was a year ago. I absolutely detest lying. You could say that lying and silence are the two greatest sins of present day society. Actually, I lie a lot, and I'm always clamming up.”
“No matter how much suffering you went through, you never wanted to let go of those memories.”
“Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We’re so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.”
“And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.”
“Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons--something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.”
“To think that each skull once had skin and flesh and was stuffed with gray matter—in varying quantities—teeming with thoughts of food and sex and dominance. All now vanished.”
“If she did experience sex--or something close to it--in high school, I'm sure it would have been less out of sexual desire or love than literary curiosity.”
“If they invent a car that runs on stupid jokes, you could go far.”
“I have this strange feeling that I'm not myself anymore. It's hard to put into words, but I guess it's like I was fast asleep, and someone came, disassembled me, and hurriedly put me back together again. That sort of feeling.”
“In the world we live in, what we know and what we don't know are like Siamese twins, inseparable, existing in a state of confusion.”
“If I'm going to merely ramble, maybe I should just snuggle under the warm covers, think of Miu, and play with myself.”
“I dream. Sometimes I think that's the only right thing to do.”
“I thought about the screws and their happiness. Maybe they were glad to be free of the eggbeater, to be independent screws, to luxuriate on white trays. It did feel good to see them happy.”
“Love with complications. Scenery was the last thing on my mind.”
“We heard no other sounds. We met no other people. We saw only two bright red birds leap startled from the center of the meadow and dart into the woods.”
“Is it possible, in the final analysis, for one human being to achieve perfect understanding of another?We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?”
“Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person.”
“Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.”
“I don’t know what it means to live.”
“I'm going to take you out of here ... I'm going to take you home, to the world where you belong, where cats with bent tails live, and there are little backyards, and alarm clocks ring in the morning.”
“Everyone may be ordinary, but they're not normal.”