Irwin Shaw
Shaw was born Irwin Gilbert Shamforoff in the South Bronx, New York City, to Russian Jewish immigrants. Shaw was a prolific American playwright, screenwriter, novelist, and short-story author whose written works have sold more than 14 million copies. He is best known for his novels, The Young Lions (1948) and Rich Man Poor Man (1970).
His parents were Rose and Will. His younger brother, David Shaw (died 2007), became a noted Hollywood producer. Shortly after Irwin's birth, the Shamforoffs moved to Brooklyn. Irwin changed his surname upon entering college. He spent most of his youth in Brooklyn, where he graduated from Brooklyn College with a Bachelor of Arts degree in 1934.
Shaw began screenwriting in 1935 at the age of 21, and scripted for several radio shows, including Dick Tracy, The Gumps and Studio One.
Shaw's first play, Bury the Dead (1936) was an expressionist drama about a group of soldiers killed in a battle who refuse to be buried. During the 1940s, Shaw wrote for a number of films, including Talk of the Town (a comedy about civil liberties), The Commandos Strike at Dawn (based on a C.S. Forester story about commandos in occupied Norway) and Easy Living (about a football player unable to enter the game due to a medical condition). Shaw married Marian Edwards. They had one son, Adam Shaw, born in 1950, himself a writer of magazine articles and non-fiction.
Shaw enlisted in the U.S. Army and was a warrant officer during World War II.He served with an Army documentary film unit. The Young Lions, Shaw's first novel, was published in 1949. Based on his experiences in Europe during the war, the novel was very successful and was adapted into a 1958 film.
Shaw's second novel, The Troubled Air, chronicling the rise of McCarthyism, was published in 1951. He was among those who signed a petition asking the U.S. Supreme Court to review the John Howard Lawson and Dalton Trumbo convictions for contempt of Congress, resulting from hearings by the House Committee on Un-American Activities. Falsely accused of being a communist by the Red Channels publication, Shaw was placed on the Hollywood blacklist by the movie studio bosses. In 1951 he left the United States and went to Europe, where he lived for 25 years, mostly in Paris and Switzerland. He later claimed that the blacklist "only glancingly bruised" his career. During the 1950s he wrote several more screenplays, including Desire Under the Elms (based on Eugene O'Neill's play) and Fire Down Below (about a tramp boat in the Caribbean).
While living in Europe, Shaw wrote more bestselling books, notably Lucy Crown (1956), Two Weeks in Another Town (1960), Rich Man, Poor Man (1970) (for which he would later write a less successful sequel entitled Beggarman, Thief) and Evening in Byzantium (made into a 1978 TV movie). Rich Man, Poor Man was adapted into a highly successful ABC television miniseries in 1976.
His novel Top of the Hill, about the Winter Olympics at Lake Placid in 1980, was made into a TV movie, starring Wayne Rogers, Adrienne Barbeau, and Sonny Bono.
His last two novels were Bread Upon the Waters (1981) and Acceptable Losses (1982).
Shaw died in Davos, Switzerland on May 16, 1984, aged 71, after undergoing treatment for prostate cancer.
“This time it is not a simple, understandable war, within the same culture. This time it is an assault of the animal world upon the house of the human being. I don’t know what you saw in Africa and Italy, but I know what I saw in Russia and Poland. We made a cemetery a thousand miles long and a thousand miles wide. Men, women, children, Poles, Russians, Jews, it made no difference. It could not be compared to any human action. It could be compared to a weasel in a henhouse. It was as though we felt that if we left anything alive in the East, it would one day bear witness against us and condemn us. And, now, we have made the final mistake. We are losing the war”
“Horror would not annoy a soldier any more than the sight of a hammer annoys a carpenter. It is sentimental to pretend that horror is not the tool of the soldier, just as the hammer is the tool of the carpenter. We live off death and the threat of death and we must take it calmly and use it well.... Eventually I came to enjoy killing, as a pianist enjoys the Czerny which keeps his fingers limber for the Beethoven.”
“When I went into the Army, I made up my mind that I was putting myself at the Army's disposal. I believe in the war. That doesn't mean I believe in the Army. I don't believe in any army. You don't expect justice out of an army, if you're a sensible, grown-up human being, you only expect victory. And if it comes to that, our Army is probably the most just one that ever existed. . . . I expected the Army to be corrupt, inefficient, cruel, wasteful, and it turned out to be all those things, just like all armies, only much less so than I thought before I got into it. It is much less corrupt, for example, than the German Army. Good for us. The victory we win will not be as good as it might be, if it were a different kind of army, but it will be the best kind of victory we can expect in this day and age, and I'm thankful for it.”
“ما قيمة هذه الدنيا التي تتعلقون بها ؟ ..”
“Critics in New York are made by their dislikes, not by their enthusiasms.”
“I never drink while I'm working, but after a few glasses I get ideas that would never have occurred to me dead sober.”
“All writers are the same - they forget a thousand good reviews and remember one bad one.”
“There are too many books I haven't read, too many places I haven't seen, too many memories I haven't kept long enough”
“Now,' Elias said, 'if only I didn't have to go home to my lousy wife. I married her in 1929. A lot of things've changed since 1929.' He sighed. 'What's a woman?' he asked. 'A Woman is a trap.”
“An absolutely necessary part of a writer's equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.”
“If the players were armed with guns, there wouldn’t be stadiums large enough to hold the crowds. ”
“I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?”