Italo Calvino

“Llega un momento de la vida en que de la gente que uno ha conocido son más los muertos que vivos. Y la mente se niega a aceptar otras fisonomías, otras expresiones: en todas las caras nuevas que encuentra, imprime los viejos moldes, para cada una encuentra una máscara que se le adapta mejor.”

“The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.”

“In fact the problem Leopardi is facing is speculative and metaphysical, a problem in the history of philosophy from Parmenides to Descartes and Kant: the relationship between the idea of infinity as absolute space and absolute time, and our empirical knowledge of space and time.”

“For Leopardi, unhappy hedonist that he was, what is unknown is always more attractive than what is known; hope and imagination are the only consolations for the disappointments and sorrows of experience. Man therefore projects his desire into infinity and feels pleasure only when he is able to imagine that this pleasure has no end.”

“Nobody these days holds the written word in such high esteem as police states do,' Arkadian Porpirych says. 'What statistic allows one to identify the nations where literature enjoys true consideration better than the sums appropriated for controlling it and suppressing it? Where it is the object of such attentions, literature gains an extraordinary authority, inconceivable in countries where it is allowed to vegetate as an innocuous pastime, without risks.”

“Ecco, pensò Amerigo, quei due, così come sono, sono reciprocamente necessari. E pensò: ecco, questo modo d'essere è l'amore. E poi: l'umano arriva dove arriva l'amore; non ha confini se non quelli che gli diamo.”

“Una volta acquisiti dalla tua persona, marcati dal tuo possesso gli oggetti non hanno più l'aria di essere lì per caso, assumono un significato come parti di un discorso, d'una memoria fatta di segnali e emblemi. Sei possessiva? [...] Sei possessiva verso te stessa, ti attacchi ai segni in cui identifichi qualcosa di te, temendo di perderti con loro.”

“L'aspetto in cui l'amplesso e la lettura s'assomigliano di più è che al loro interno s'aprono tempi e spazi diversi dal tempo e dallo spazio misurabili.”

“Chi oserebbe condannarti alla perdita del tu, catastrofe non meno terribile della perdita dell'io?”

“…we can not love or think except in fragments of time each of which goes along its own trajectory and immediately disappears.”

“Every choice has its obverse, that is to say a renunciation, and so there is no difference between the act of choosing and the act of renouncing.”

“I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!""I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry."They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?"Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?"This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness.His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return."Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short.As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...”

“L'inferno dei viventi non è qualcosa che sarà; se ce n'è uno, è quello che è già qui, l'inferno che abitiamo tutti i giorni, che formiamo stando insieme. Due modi ci sono per non soffrirne. Il primo riesce facile a molti: accettare l'inferno e diventarne parte fino al punto di non vederlo più. Il secondo è rischioso ed esige attenzione e apprendimento continui: cercare e saper riconoscere chi e cosa, in mezzo all'inferno, non è inferno, e farlo durare, e dargli spazio.”

“Lovers' reading of each other's bodies (of that concentrate of mind and body which lovers use to go to bed together) differs from the reading of written pages in that it is not linear. It starts at any point, skips, repeat itself, goes backward, insists, ramifies in simultaneous and divergent messages, converges again, has moments of irritation, turns the page, finds its place, gets lost. A direction can be recognized in it, a route to an end, since it tends toward a climax, and with this end in view it arranges rhythmic phases, metrical scansions, recurrence of motives. But is the climax really the end? Or is the race toward that end opposed by another drive which works in the opposite direction, swimming against moments, recovering time?”

“What about books? Well, precisely because you have denied it in every other field, you believe you may still grant yourself legitimately this youthful pleasure of expectation in a carefully circumscribed area like the field of books, where you can be lucky or unlucky, but the risk of disappointment isn't serious.”

“I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own . . . ”

“Le imprese più ardite vanno vissute con l'animo più semplice. (Cosimo Piovasco Barone di Rondò)”

“How well I would write if I were not here!”

“Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea.When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair.In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed.Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.”

“Sections in the bookstore- Books You Haven't Read- Books You Needn't Read- Books Made for Purposes Other Than Reading- Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written- Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered- Books You Mean to Read But There Are Others You Must Read First- Books Too Expensive Now and You'll Wait 'Til They're Remaindered- Books ditto When They Come Out in Paperback- Books You Can Borrow from Somebody- Books That Everybody's Read So It's As If You Had Read Them, Too- Books You've Been Planning to Read for Ages- Books You've Been Hunting for Years Without Success- Books Dealing with Something You're Working on at the Moment- Books You Want to Own So They'll Be Handy Just in Case- Books You Could Put Aside Maybe to Read This Summer- Books You Need to Go with Other Books on Your Shelves- Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified- Books Read Long Ago Which It's Now Time to Re-read- Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them”

“Futures not achieved are only branches of the past: dead branches.”

“Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.”

“O inferno dos vivos não é uma coisa que virá a existir; se houver um, é o que já está aqui, o inferno que habitamos todos os dias, que nós formamos ao estarmos juntos. Há dois modos para não o sofrermos. O primeiro torna-se fácil para muita gente: aceitar o inferno e fazer parte dele a ponto de já não o vermos. O segundo é arriscado e exige uma atenção e uma aprendizagem contínuas: tentar e saber reconhecer, no meio do inferno, quem e o que não é inferno, e fazê-lo viver, e dar-lhe lugar.”

“Os futuros não realizados são apenas ramos do passado: ramos secos.”

“Chegando a qualquer nova cidade o viajante reencontra o seu passado que já não sabia que tinha: a estranheza do que já não somos ou já não possuímos espera-nos ao caminho nos lugares estranhos e não possuídos.”

“...Life is nothing but trading smells.”

“My mother delayed my enrollment in the Fascist scouts, the Balilla, as long as possible, firstly because she did not want me to learn how to handle weapons, but also because the meetings that were then held on Sunday mornings (before the Fascist Saturday was instituted) consisted mostly of a Mass in the scouts' chapel. When I had to be enrolled as part of my school duties, she asked that I be excused from the Mass; this was impossible for disciplinary reasons, but my mother saw to it that the chaplain and the commander were aware that I was not a Catholic and that I should not be asked to perform any external acts of devotion in church. In short, I often found myself in situations different from others, looked on as if I were some strange animal. I do not think this harmed me: one gets used to persisting in one's habits, to finding oneself isolated for good reasons, to putting up with the discomfort that this causes, to finding the right way to hold on to positions which are not shared by the majority. But above all I grew up tolerant of others' opinions, particularly in the field of religion, remembering how irksome it was to hear myself mocked because I did not follow the majority's beliefs. And at the same time I have remained totally devoid of that taste for anticlericalism which is so common in those who are educated surrounded by religion. I have insisted on setting down these memories because I see that many non-believing friends let their children have a religious education 'so as not to give them complexes', 'so that they don't feel different from the others.' I believe that this behavior displays a lack of courage which is totally damaging pedagogically. Why should a young child not begin to understand that you can face a small amount of discomfort in order to stay faithful to an idea? And in any case, who said that young people should not have complexes? Complexes arise through a natural attrition with the reality that surrounds us, and when you have complexes you try to overcome them. Life is in fact nothing but this triumphing over one's own complexes, without which the formation of a character and personality does not happen.”

“These cities grew in approximately the same places as our cities do now, however different the shape of the continents was. There was even a New York that in some way resembled the New York familiar to all of you, but was much newer, or, rather, more awash with new products, new toothbrushes, a New York with its own Manhattan that stretched out dense with skyscrapers gleaming like the nylon bristles of a brand-new toothbrush.”

“The novels that attract me most... are those that create an illusion of transperancy around a knot of human relationships as obscure, cruel and perverse as possible.”

“Memory's images, once they are fixed in words, are erased," Polo said. "Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.”

“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.”

“Whenever humanity seems condemned to heaviness, I think I should fly like Perseus into a different space. I don’t mean escaping into dreams or the irrational. I mean that I have to change my approach, look at the world from a different perspective, with a different logic and with fresh methods of cognition and verification. (Terence sent me this quote the other day. A good battle cry, I believe... and one I wholeheartedly respect.)”

“What harbor can receive you more securely than a great library?”

“In general confusion youth recognizes itself and rejoices.”

“This was mere unfounded prejudice--that seems obvious to me--because neither before nor after existed, nor any place to immigrate from, but there were those who insisted that the concept of "immigrant" could be understood in the abstract, outside of space and time.”

“...we contemplated the stars beyond the Moon, big as pieces of fruit, made of light, ripened on the curved branches of the sky, and everything exceeded my most luminous hopes, and yet, and yet, it was, instead, exile.I thought only of the Earth. It was the Earth that caused each of us to be that someone he was rather than someone else; up there, wrested from the Earth, it was as if I were no longer that I, not she that She for me.”

“New York is perhaps the only place in America where you feel at the centre and not at the margins, in the provinces, so for that reason I prefer its horror to this privileged beauty, its enslavement to the freedoms which remain local and privileged and very particularized, and which do not represent a genuine antithesis.”

“So began their love, the boy happy and amazed, she happy and not surprised at all (nothing happens by chance to girls). It was the love so long awaited by Cosimo and which had now inexplicably arrived, and so lovely that he could not imagine how he had even thought it lovely before. And the thing newest to him was that it was so simple, and the boy at that moment thought it must be like that always.”

“Marco enters a city; he sees someone in a square living a life or an instant that could be his; he could now be in that man's place, if he had stopped in time, long ago; or if, long ago, at a crossroads, instead of taking one road he had taken the opposite one, and after long wandering he had come to be in the place of that man in the square. By now, from that real or hypothetical past of his, he is excluded; he cannot stop; he must go on to another city, where another of his pasts awaits him, or something perhaps that had been a possible future of his and is now someone else's present. Futures not achieved are only branches of the past: dead branches.”

“Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen."And who gains by it, in the end?"It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization."The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks.But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us."Fake or real?"Fake, certainly, but I don't know whether it belongs to the police or to us.”

“There is nothing for it but for all of us to invent our own ideal libraries of classics. I would say that such a library ought to be composed half of books we have read and that have really counted for us, and half of books we propose to read and presume will come to count—leaving a section of empty shelves for surprises and occasional discoveries”

“You know that the best you can expect is to avoid the worst.”

“Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.”

“Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?”

“For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.”

“The sea where living creatures were at one time immersed is now enclosed within their bodies.”

“Perhaps, for each of them, I also resembled someone who was dead. I had barely arrived at Adelma and I was already one of them, I had gone over to their side, absorbed in that kaleidescope of eyes, wrinkles, grimaces. ”

“Why come to Trude? I asked myself. And I already wanted to leave.You cand resume your flight whereever you like," they say to me, "but you will arive at another Trude, absolutely the same, detail by detail. The world is covered by a sole Trude which does not begin and does not end. Only the names of the airport changes.”

“So you begin to wonder if Leonia's true passion is really, as they say, the enjoyment of new and different things, and not, instead, the joy of expelling, discarding, cleansing itself of a recurrent impurity. ”

“Melancholy is sadness that has taken on lightness.”