James Joyce photo

James Joyce

A profound influence of literary innovations of Irish writer James Augustine Aloysius Joyce on modern fiction includes his works,

Ulysses

(1922) and

Finnegans Wake

(1939).

People note this novelist for his experimental use of language in these works. Technical innovations of Joyce in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels, drawn from the mythology, history, and literature, and he created a unique language of invented words, puns, and allusions.

John Stanislaus Joyce, an impoverished gentleman and father of James Joyce, nine younger surviving siblings, and two other siblings who died of typhoid, failed in a distillery business and tried all kinds of other professions, including politics and tax collecting. The Roman Catholic Church dominated life of Mary Jane Murray, an accomplished pianist and his mother. In spite of poverty, the family struggled to maintain a solid middle-class façade.

Jesuits at Clongowes Wood college, Clane, and then Belvedere college in Dublin educated Joyce from the age of six years; he graduated in 1897. In 1898, he entered the University College, Dublin. Joyce published first an essay on

When We Dead Awaken

, play of Heinrich Ibsen, in the Fortnightly Review in 1900. At this time, he also began writing lyric poems.

After graduation in 1902, the twenty-year-old Joyce went to Paris, where he worked as a journalist, as a teacher, and in other occupations under difficult financial conditions. He spent a year in France, and when a telegram about his dying mother arrived, he returned. Not long after her death, Joyce traveled again. He left Dublin in 1904 with Nora Barnacle, a chambermaid, whom he married in 1931.

Joyce published

Dubliners

in 1914,

A Portrait of the Artist as a Young Man

in 1916, a play

Exiles

in 1918 and Ulysses in 1922. In 1907, Joyce published a collection of poems,

Chamber Music

.

At the outset of the Great War, Joyce moved with his family to Zürich. In Zürich, Joyce started to develop the early chapters of Ulysses, first published in France because of censorship troubles in the Great Britain and the United States, where the book became legally available only in 1933.

In March 1923, Joyce in Paris started Finnegans Wake, his second major work; glaucoma caused chronic eye troubles that he suffered at the same time. Transatlantic review of Ford Madox Ford in April 1924 carried the first segment of the novel, called part of Work in Progress. He published the final version in 1939.

Some critics considered the work a masterpiece, though many readers found it incomprehensible. After the fall of France in World War II, Joyce returned to Zürich, where he died, still disappointed with the reception of Finnegans Wake.


“Broken Eggs will poursuive bitten Apples for where theirs is Will there's his Wall”
James Joyce
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“White wine is like electricity. Red wine looks and tastes like a liquified beefsteak.”
James Joyce
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“And whowasit youwasit propped the pot in the yard and whatinthe nameofsen lukeareyou rubbinthe sideofthe flureofthe lobbywith Shite! will you have a plateful? Tak.”
James Joyce
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“Jews are accused of ruining. Not a vestige of truth in it. (...) The priest spells poverty (...) It's in the dogma. Because if they didn't believe they'd go straight to heaven when they die they'd try to live better, at least so I think. (...) I want to see everyone, all creeds and classes having a comfortable tidysized income. I call that patriotism." (526)”
James Joyce
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“Love between man and woman is impossible because there must not be sexual intercourse, and friendship between man and woman is impossible because there must be sexual intercourse.”
James Joyce
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“His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth.”
James Joyce
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“But though there were different names for God in all the different languages in the world and God understood what all the people whoprayed said in their different languages still God remained always thesame God and God's real name was God.”
James Joyce
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“It was very big to think about everything and everywhere. Only Godcould do that.”
James Joyce
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“APRIL 16. Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone—come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth.”
James Joyce
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“Old father, old artificer, stand me now and ever in good stead.”
James Joyce
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“Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.”
James Joyce
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“Stuff it into you, his belly counselled him.”
James Joyce
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“The object of the artist is the creation of the beautiful. What the beautiful is is another question.”
James Joyce
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“The mystery of esthetic like that of material creation is accomplished. The artist, like the god of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”
James Joyce
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“A few moments after he found himself on the stage amid the garish gas and the dim scenery, acting before the innumerable faces of the void. It surprised him to see that the play which he had known at rehearsals for a disjointed lifeless thing had suddenly assumed a life of its own. It seemed now to play itself, he and his fellow actors aiding it with their parts. When the curtain fell on the last scene he heard the void filled with applause and, through a rift in a side scene, saw the simple body before which he had acted magically deformed, the void of faces breaking at all points and falling asunder into busy groups.”
James Joyce
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“Stephen jerked his thumb towards the window, saying:— That is God.Hooray! Ay! Whrrwhee!— What? Mr Deasy asked.— A shout in the street, Stephen answered, shrugging his shoulders.”
James Joyce
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“Where oranges have been laid to rust upon the green...”
James Joyce
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“‎I've put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that is the only way of insuring one's immortality.”
James Joyce
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“The demand that I make of my reader is that he should devote his whole life to reading my works.”
James Joyce
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“The Gracehoper was always jigging ajog, hoppy on akkant of his joyicity.”
James Joyce
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“No man, said the Nolan, can be a lover of the true or the good unless he abhors the multitude; and the artist, though he may employ the crowd, is very careful to isolate himself.”
James Joyce
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“He used to call her Poppens out of fun.”
James Joyce
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“You can still die when the sun is shining.”
James Joyce
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“His head was large, globular and oily; it sweated in all weathers; and his large round hat, set upon it sideways, looked like a bulb which had grown out of another.”
James Joyce
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“No one would think he'd make such a beautiful corpse.”
James Joyce
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“I desire to press in my arms the loveliness which has not yet come into the world.”
James Joyce
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“The shortest way to Tara is via Holyhead”
James Joyce
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“Pity is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the human sufferer. Terror is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the secret cause.”
James Joyce
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“Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.”
James Joyce
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“I feel more strongly with every recurring year that our country has no tradition which does it so much honour and which it should guard so jealously as that of its hospitality. It is a tradition that is unique as far as my experience goes (and I have visited not a few places abroad) among the modern nations. Some would say, perhaps, that with us it is rather a failing than anything to be boasted of. But granted even that, it is, to my mind, a princely failing, and one that I trust will long be cultivated among us. Of one thing, at least, I am sure. As long as this one roof shelters the good ladies aforesaid- and I wish from my heart it may do so for many and many a long year to come- the tradition of genuine warm-hearted courteous Irish hospitality, which our forefathers have handed down to us and which we must hand down to our descendants, is still alive among us.”
James Joyce
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“His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.”
James Joyce
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“Interpretations of interpretations interpreted.”
James Joyce
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“If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.”
James Joyce
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“What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire?Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.”
James Joyce
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“[...] a darkness shining in brightness which brightness could not comprehend.”
James Joyce
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“If anyone thinks that I amn't divineHe'll get no free drinks when I'm making the wineBut have to drink water and wish it were plainThat I make when the wine becomes water again.”
James Joyce
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“In the particular is contained the universal.”
James Joyce
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“If Socrates leaves his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend.’ Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-law. But always meeting ourselves.”
James Joyce
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“As you are now so once were we.”
James Joyce
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“It is seriously believed by some that the intention may have been geodetic, or, in the view of the cannier, domestic economical. But by writing thithaways end to end and turning, turning and end to end hithaways writing and with lines of litters slittering up and louds of latters slettering down, the old semetomyplace and jupetbackagain from tham Let Raise till Hum Lit. Sleep, where in the waste is the wisdom?”
James Joyce
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“Sniffer of carrion, premature gravedigger, seeker of the nest of evil in the bosom of a good word, you, who sleep at our vigil and fast for our feast, you with your dislocated reason, have cutely foretold, a jophet in your own absence, by blind poring upon your many scalds and burns and blisters, impetiginous sore and pustules, by the auspices of that raven cloud, your shade, and by the auguries of rooks in parlament, death with every disaster, the dynamatisation of colleagues, the reducing of records to ashes, the levelling of all customs by blazes, the return of a lot of sweetempered gunpowdered didst unto dudst but it never stphruck your mudhead's obtundity (O hell, here comes our funeral! O pest, I'll miss the post!) that the more carrots you chop, the more turnips you slit, the more murphies you peel, the more onions you cry over, the more bullbeef you butch, the more mutton you crackerhack, the more potherbs you pound, the fiercer the fire and the longer your spoon and the harder you gruel with more grease to your elbow the merrier fumes your new Irish stew.”
James Joyce
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“There's music along the river For Love wanders there,Pale flowers on his mantle, Dark leaves on his hair.”
James Joyce
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“Welladay! Welladay! For the winds of May!Love is unhappy when love is away!”
James Joyce
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“Gentle lady, do not sing Sad songs about the end of love;Lay aside sadness and sing How love that passes is enough.Sing about the long deep sleep Of lovers that are dead, and howIn the grave all love shall sleep: Love is aweary now.”
James Joyce
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“In woman's womb word is made flesh but in the spirit of the maker all flesh that passes becomes the word that shall not pass away. This is the postcreation.”
James Joyce
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“The barometer of his emotional nature was set for a spell of riot.”
James Joyce
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“Bury the dead. Say Robinson Crusoe was true to life. Well then Friday buried him. Every Friday buries a Thursday if you come to look at it.”
James Joyce
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“She would follow, her dream of love, the dictates of her heart that told her he was her all in all, the only man in all the world for her for love was the master guide. Come what might she would be wild, untrammelled, free.”
James Joyce
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“A dim antagonism gathered force within him and darkened his mind as a cloud against her disloyalty: and when it passed, cloudlike, leaving his mind serene and dutiful towards her again, he was made aware dimly and without regret of a first noiseless sundering of their lives.”
James Joyce
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“The intellectual imagination! With me all or not at all. NON SERVIAM!”
James Joyce
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