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James Joyce

A profound influence of literary innovations of Irish writer James Augustine Aloysius Joyce on modern fiction includes his works,

Ulysses

(1922) and

Finnegans Wake

(1939).

People note this novelist for his experimental use of language in these works. Technical innovations of Joyce in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels, drawn from the mythology, history, and literature, and he created a unique language of invented words, puns, and allusions.

John Stanislaus Joyce, an impoverished gentleman and father of James Joyce, nine younger surviving siblings, and two other siblings who died of typhoid, failed in a distillery business and tried all kinds of other professions, including politics and tax collecting. The Roman Catholic Church dominated life of Mary Jane Murray, an accomplished pianist and his mother. In spite of poverty, the family struggled to maintain a solid middle-class façade.

Jesuits at Clongowes Wood college, Clane, and then Belvedere college in Dublin educated Joyce from the age of six years; he graduated in 1897. In 1898, he entered the University College, Dublin. Joyce published first an essay on

When We Dead Awaken

, play of Heinrich Ibsen, in the Fortnightly Review in 1900. At this time, he also began writing lyric poems.

After graduation in 1902, the twenty-year-old Joyce went to Paris, where he worked as a journalist, as a teacher, and in other occupations under difficult financial conditions. He spent a year in France, and when a telegram about his dying mother arrived, he returned. Not long after her death, Joyce traveled again. He left Dublin in 1904 with Nora Barnacle, a chambermaid, whom he married in 1931.

Joyce published

Dubliners

in 1914,

A Portrait of the Artist as a Young Man

in 1916, a play

Exiles

in 1918 and Ulysses in 1922. In 1907, Joyce published a collection of poems,

Chamber Music

.

At the outset of the Great War, Joyce moved with his family to Zürich. In Zürich, Joyce started to develop the early chapters of Ulysses, first published in France because of censorship troubles in the Great Britain and the United States, where the book became legally available only in 1933.

In March 1923, Joyce in Paris started Finnegans Wake, his second major work; glaucoma caused chronic eye troubles that he suffered at the same time. Transatlantic review of Ford Madox Ford in April 1924 carried the first segment of the novel, called part of Work in Progress. He published the final version in 1939.

Some critics considered the work a masterpiece, though many readers found it incomprehensible. After the fall of France in World War II, Joyce returned to Zürich, where he died, still disappointed with the reception of Finnegans Wake.


“He foresaw his pale body reclined in it at full, naked, in a womb of warmth, oiled by scented melting soap, softly laved. He saw his trunk and limbs riprippled over and sustained, buoyed lightly upward, lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid floating flower.”
James Joyce
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“My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.”
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“I done me best when I was let. Thinking always if I go all goes. A hundred cares, a tithe of troubles and is there one who understands me? One in a thousand of years of the nights? All me life I have been lived among them but now they are becoming lothed to me. And I am lothing their little warm tricks. And lothing their mean cosy turns. And all the greedy gushes out through their small souls. And all the lazy leaks down over their brash bodies. How small it's all! And me letting on to meself always. And lilting on all the time.”
James Joyce
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“They used to drive a stake of wood through his heart in the grave. As if it wasn’t broken already. Yet sometimes they repent too late. Ulysses”
James Joyce
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“It was hard work-a hard life-but now that she was about to leave it she did not find it a wholly undesirable life.”
James Joyce
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“I care not if I live but a day and a night, so long as my deeds live after me.”
James Joyce
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“To discover the mode of life or of art whereby my spirit could express itself in unfettered freedom.”
James Joyce
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“Thought is the thought of thought.”
James Joyce
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“What's in a name? That is what we ask ourselves in childhood when we write the name that we are told is ours.”
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“He was alone. He was unheeded, happy, and near to the wild heart of life. He was alone and young and wilful and wildhearted, alone amid a waste of wild air and brackish waters and the seaharvest of shells and tangle and veiled grey sunlight.”
James Joyce
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“he said it was sweeter and thicker than cows then he wanted to milk me into the tea...”
James Joyce
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“It was cold autumn weather, but in spite of the cold they wandered up and down the roads of the Park for nearly three hours. They agreed to break off their intercourse; every bond, he said, is a bond to sorrow.”
James Joyce
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“You could get a book then. There was a book in the library about Holland. There were lovely foreign names in it and pictures of strangelooking cities and ships. It made you feel so happy.”
James Joyce
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“He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.”
James Joyce
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“He thought that he was sick in his heart if you could be sick in that place.”
James Joyce
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“And when all was said and done the lies a fellow told about himself couldn't probably hold a proverbial candle to the wholesale whoppers other fellows coined about him.”
James Joyce
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“His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.”
James Joyce
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“Were all important in god's eyes.”
James Joyce
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“The heaventree of stars hung with humid nightblue fruit.”
James Joyce
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“Every jackass going the roads thinks he has ideas.”
James Joyce
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“It grieved him plaguily, he said, to see the nuptial couch defrauded of its dearest pledges: and to reflect upon so many agreeable females with rich jointures, a prey for the vilest bonzes, who hide their flambeau under a bushel in an uncongenial cloister or lose their womanly bloom in the embraces of some unaccountable muskin when they might multiply the inlets of happiness, sacrificing the inestimable jewel of their sex when a hundred pretty fellows were at hand to caress, this, he assured them, made his heart weep.”
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“When I die, Dublin will be written on my heart.”
James Joyce
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“My heart is quite calm now. I will go back.”
James Joyce
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“He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense.”
James Joyce
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“His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”
James Joyce
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“So. Avelaval. My leaves have drifted from me. All. But one clings still. I'll bear it on me. To remind me of. Lff! So soft this morning, ours. Yes. Carry me along, taddy, like you done through the toy fair! If I seen him bearing down on me now under whitespread wings like he'd come from Arkangels, I sink I'd die down over his feet, humbly dumbly, only to washup. Yes, tid. There's where. First. We pass through grass behush the bush to. Whish! A gull. Gulls. Far calls. Coming, far! End here. Us then. Finn, again! Take. Bussoftlhee, mememormee! Till thousendsthee. Lps. The keys to. Given! A way a lone a last a loved a long the—riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.”
James Joyce
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“It is as painful perhaps to be awakened from a vision as to be born.”
James Joyce
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“Alone, what did Bloom feel?The cold of interstellar space, thousands of degrees below freezing point or the absolute zero of Fahrenheit, Centigrade or Réaumur: the incipient intimations of proximate dawn.”
James Joyce
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“i know by heart the places he likes to saale, delvan first and duvlin after, by dredgerous lands and devious delts”
James Joyce
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“God was God's name just as his name was Stephen. Dieu was the French for God and that was God's name too; and when anyone prayed to God and said Dieu then God knew at once that it was a French person that was praying. But though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages still God remained always the same God and God's real name was God.”
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“He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.”
James Joyce
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“Wipe your glasses with what you know.”
James Joyce
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“Then Mount Jerome for the protestants. Funerals all over the world everywhere every minute. Shovelling them under by the cartload doublequick. Thousands every hour. Too many in the world.”
James Joyce
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“Thanks be to God we lived so long and did so much good.”
James Joyce
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“I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.”
James Joyce
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“This is the way to the museyroom. Mind your boots goan out.”
James Joyce
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“Art is the human disposition of sensible or intelligible matter for an esthetic end.”
James Joyce
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“Have read little and understood less.”
James Joyce
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“God and religion before every thing!' Dante cried. 'God and religion before the world.' Mr Casey raised his clenched fist and brought it down on the table with a crash.'Very well then,' he shouted hoarsely, 'if it comes to that, no God for Ireland!''John! John!' cried Mr Dedalus, seizing his guest by the coat sleeve. Dante stared across the table, her cheeks shaking. Mr Casey struggled up from his chair and bent across the table towards her, scraping the air from before his eyes with one hand as though he were tearing aside a cobweb. 'No God for Ireland!' he cried, 'We have had too much God in Ireland. Away with God!”
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“Life seemed to him a gift; the statement ‘I am alive’ seemed to him to contain a satisfactory certainty and many other things, held up as indubitable, seemed to him uncertain.”
James Joyce
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“He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld. He did not know where to seek it or how, but a premonition which led him on told him that this image would, without any overt act of his, encounter him. They would meet quietly as if they had known each other and had made their tryst, perhaps at one of the gates or in some more secret place. They would be alone, surrounded by darkness and silence: and in that moment of supreme tenderness he would be transfigured.He would fade into something impalpable under her eyes and then in a moment he would be transfigured. Weakness and timidity and inexperience would fall from him in that magic moment.”
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“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”
James Joyce
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“Grace before Glutton. For what we are, gifs a gross if we are, about to believe.”
James Joyce
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“If we must have a Jesus let us have a legitimate Jesus.”
James Joyce
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“Through this image he had a glimpse of a strange dark cavern of speculation but at once turned away from it, feeling that it was not yet the hour to enter it. But the nightshade of his friend's listlessness seemed to be diffusing in the air around him a tenuous and deadly exhalation and he found himself glancing from one casual word to another on his right or left in stolid wonder that they had been so silently emptied of instantaneous sense until every mean shop legend bound his mind like the words of a spell and his soul shrivelled up, sighing with age as he walked on in a lane among heaps of dead language. His own consciousness of language was ebbing from his brain and trickling into the very words themselves which set to band and disband themselves in wayward rhythms:The ivy whines upon the wallAnd whines and twines upon the wallThe ivy whines upon the wallThe yellow ivy on the wallIvy, ivy up the wall.Did any one ever hear such drivel?”
James Joyce
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“That is horse piss and rotted straw, he thought. It is a good odour to breathe. It will calm my heart. My heart is quite calm now. I will go back.”
James Joyce
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“Read your own obituary notice; they say you live longer. Gives you second wind. New lease of life.”
James Joyce
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“They lived and laughed and loved and left.”
James Joyce
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“The end he had been born to serve yet did not see had led him to escape by an unseen path and now it beckoned to him once more and a new adventure was about to be opened to him.”
James Joyce
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“Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.”
James Joyce
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