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Jeanette Winterson

Novelist Jeanette Winterson was born in Manchester, England in 1959. She was adopted and brought up in Accrington, Lancashire, in the north of England. Her strict Pentecostal Evangelist upbringing provides the background to her acclaimed first novel, Oranges Are Not the Only Fruit, published in 1985. She graduated from St Catherine's College, Oxford, and moved to London where she worked as an assistant editor at Pandora Press.

One of the most original voices in British fiction to emerge during the 1980s, Winterson was named as one of the 20 "Best of Young British Writers" in a promotion run jointly between the literary magazine Granta and the Book Marketing Council.

She adapted Oranges Are Not the Only Fruit for BBC television in 1990 and also wrote "Great Moments in Aviation," a television screenplay directed by Beeban Kidron for BBC2 in 1994. She is editor of a series of new editions of novels by Virginia Woolf published in the UK by Vintage. She is a regular contributor of reviews and articles to many newspapers and journals and has a regular column published in The Guardian. Her radio drama includes the play Text Message, broadcast by BBC Radio in November 2001.

Winterson lives in Gloucestershire and London. Her work is published in 28 countries.


“When I say 'I will be true to you' I am drawing a quiet space beyond the reach of other desires.”
Jeanette Winterson
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“She arches her body like a cat on a stretch. She nuzzles her cunt into my face like a filly at the gate. She smells of the sea. She smells of rockpools when I was a child. She keeps a starfish in there. I crouch down to taste the salt, to run my fingers around the rim. She opens and shuts like a sea anemone. She's refilled each day with fresh tides of longing.”
Jeanette Winterson
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“I looked at my palms trying to see the other life, the parallel life. The point at which my selves broke away and one married a fat man and the other stayed here.”
Jeanette Winterson
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“The body shuts down when it has too much to bear; goes its own way quietly inside, waiting for a better time, leaving you numb and half alive.”
Jeanette Winterson
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“There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name.”
Jeanette Winterson
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“I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.”
Jeanette Winterson
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“Happy Valentines Day to those who have found love, in whatever shape or form, and to those who are still hunting, don’t give up. If you feel bad, send yourself a card. You must be worth it...”
Jeanette Winterson
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“She was a committed romantic and an anarcha-feminist. This was hard for her because it meant she couldn't blow up beautiful buildings. She knew the Eiffel Tower was a hideous symbol of phallic oppression but when ordered by her commander to detonate the lift so that no-one should unthinkingly scale an erection, her mind filled with young romantics gazing over Paris and opening aerograms that said Je t'aime.”
Jeanette Winterson
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“Only a fool tries to reconstruct a bunch of grapes from a bottle of wine.”
Jeanette Winterson
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“They say that every snowflake is different. If that were true, how could the world go on? How could we ever get up off our knees? How could we ever recover from the wonder of it?”
Jeanette Winterson
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“And when I look at a history book and think of the imaginative effort it has taken to squeeze this oozing world between two boards and typeset, I am astonished. Perhaps the event has an unassailable truth. God saw it. God knows. But I am not God. And so when someone tells me what they heard or saw, I believe them, and I believe their friend who also saw, but not in the same way, and I can put these accounts together and I will not have a seamless wonder but a sandwich laced with mustard of my own.”
Jeanette Winterson
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“After loss of Identity, the most potent modern terror, is loss of sexuality, or, as Descartes didn’t say, "I fuck therefore I am".”
Jeanette Winterson
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“He wrote on a piece of paper with his pencil.Psychosis: out of touch with reality.Since then, I have been trying to find out what reality is, so that I can touch it.”
Jeanette Winterson
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“The boat was vacuum-packed with Albanians, four generations to a family: great-grandmother, air-dried like a chilli pepper, deep red skin and a hot temper; grandmother, all sun-dried tomato, tough, chewy, skin split with the heat; getting the kids to rub olive oil into her arms; mother, moist as a purple fig, open everywhere - blouse, skirt, mouth, eyes, a wide-open woman, lips licking the salt spray flying from the open boat. Then there were the kids, aged four and six, a couple of squirs, zesty as lemons.”
Jeanette Winterson
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“When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.”
Jeanette Winterson
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“You were in my arms for the first time, and you said my name, 'Tristan.'I answered you: 'Isolde.'Isolde. The world became a word.”
Jeanette Winterson
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“Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like Braille. I like to keep my body rolled up away from prying eyes, never unfold too much, or tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.”
Jeanette Winterson
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“Long looking at paintings is equivalent to being dropped into a foreign city, where gradually, out of desire and despair, a few key words, then a little syntax make a clearing in the silence. Art... is a foreign city, and we deceive ourselves when we think it familiar... We have to recognize that the language of art, all art, is not our mother-tongue.”
Jeanette Winterson
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“The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark.”
Jeanette Winterson
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“What you risk reveals what you value.”
Jeanette Winterson
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“Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it. Those who do not do it, think of it as a cousin of stamp collecting, a sister of the trophy cabinet, bastard of a sound bank account and a weak mind.”
Jeanette Winterson
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“As your lover describes you, so you are.”
Jeanette Winterson
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“The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.”
Jeanette Winterson
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