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John Steinbeck

John Ernst Steinbeck Jr. (1902-1968) was an American writer. He wrote the Pulitzer Prize-winning novel, The Grapes of Wrath, published in 1939, and the novella, Of Mice and Men, published in 1937. In all, he wrote twenty-five books, including sixteen novels, six non-fiction books and several collections of short stories.

In 1962, Steinbeck received the Nobel Prize for Literature.

Steinbeck grew up in the Salinas Valley region of California, a culturally diverse place of rich migratory and immigrant history. This upbringing imparted a regionalistic flavor to his writing, giving many of his works a distinct sense of place.

Steinbeck moved briefly to New York City, but soon returned home to California to begin his career as a writer. Most of his earlier work dealt with subjects familiar to him from his formative years. An exception was his first novel Cup of Gold which concerns the pirate Henry Morgan, whose adventures had captured Steinbeck's imagination as a child.

In his subsequent novels, Steinbeck found a more authentic voice by drawing upon direct memories of his life in California. Later, he used real historical conditions and events in the first half of 20th century America, which he had experienced first-hand as a reporter.

Steinbeck often populated his stories with struggling characters; his works examined the lives of the working class and migrant workers during the Dust Bowl and the Great Depression. His later body of work reflected his wide range of interests, including marine biology, politics, religion, history, and mythology.

One of his last published works was Travels with Charley, a travelogue of a road trip he took in 1960 to rediscover America. He died in 1968 in New York of a heart attack, and his ashes are interred in Salinas.

Seventeen of his works, including The Grapes of Wrath (1940), Cannery Row (1945), The Pearl (1947), and East of Eden (1952), went on to become Hollywood films, and Steinbeck also achieved success as a Hollywood writer, receiving an Academy Award nomination for Best Story in 1944 for Alfred Hitchcock's Lifeboat.


“That man who is more then his elements knows the land that is more than its analysis. ”
John Steinbeck
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“He needs us like he needs a mud dauber's nest up his pant leg”
John Steinbeck
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“One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Hamilton was not privileged to lift a bale of hay. He felt insulted by his back, almost as he would have been if one of his children had been dishonest”
John Steinbeck
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“The discipline of the written word punishes both stupidity and dishonesty.”
John Steinbeck
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“In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try to live so that our death brings no pleasure to the world.”
John Steinbeck
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“A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.”
John Steinbeck
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“When you're huntin' somepin you're a hunter, an' you're strong. Can't nobody beat a hunter. But when you get hunted - that's different. Somepin happens to you. You ain't strong: maybe you're fierce, but you ain't strong." - Muley”
John Steinbeck
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“We don't take a trip. A trip takes us.”
John Steinbeck
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“The bank - the monster has to have profits all the time. It can't wait. It'll die. No, taxes go on. When the monster stops growing, it dies. It can't stay one size.”
John Steinbeck
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“Funny thing how it is. If a man owns a little property, that property is him, it's part of him, and it's like him. If he owns property only so he can walk on it and handle it and be sad when it isn't doing well, and feel fine when the rain falls on it, that property is him, and some way he's bigger because he owns it. Even if he isn't successful he's big with his property. That is so.''But let a man get property he doesn't see, or can't take time to get his fingers in, or can't be there to walk on it - why, then the property is the man. He can't do what he wants, he can't think what he wants. The property is the man, stronger than he is. And he is small, not big. Only his possessions are big - and he's the servant of his property. That is so, too.”
John Steinbeck
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“I think when a man finds good or bad in his children he is seeing only what he planted in them after they cleared the womb.”
John Steinbeck
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“Maybe the hardest thing in writing is simply to tell the truth about things as we see them.”
John Steinbeck
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“No gift will ever buy back a man's love when you have removed his self-love.”
John Steinbeck
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“It [the Mexican War] was a training ground for generals, so that when the sad self-murders settled on us, the leaders knew the techniques for making it properly horrible.”
John Steinbeck
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“Some men ease themselves like setting hens into the nest of death.”
John Steinbeck
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“There is no knowing how or why dread comes on a parent. Of course, many times apprehension arises when there is no reason for it at all. And it comes most often to the parents of only children, parents who have indulged in black dreams of loss. ”
John Steinbeck
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“It was quite normal in that day for a man to use up three or four wives in a normal lifetime.”
John Steinbeck
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“Time is the only critic without ambition.”
John Steinbeck
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“With all our horrors and faults, somewhere in us there is a shining.”
John Steinbeck
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“An ocean without unnamed monsters would be like sleep without dreams.”
John Steinbeck
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“Minds me of a story they tell about Willy Feeley when he was a young fella. Willy was bashful, awful bashful. Well, one day he takes a heifer over to Graves' bull. Ever'body was out but Elsie Graves, and Elsie wasn't bashful at all. Willy, he stood there turnin' red an' he couldn't even talk. Elsie says, 'I know what you come for; the bull's out in back a the barn.' Well, they took the heifer out there an' Willy an' Elsie sat on the fence to watch. Purty soon Willy got feelin' purty fly. Elsie looks over an' says, like she don't know, 'What's a matter, Willy?' Willy's so randy, he can't hardly set still. 'By God,' he says, 'by God, I wisht I was a-doin' that!' Elsie says, 'Why not, WIlly? It's your heifer.”
John Steinbeck
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“Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?"Sure," said Joad. "Less somebody stole it, like Pa stole it."Your pa stole it?"Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.”
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“Old Tom giggled, "Fooled ya, huh, Ma? We aimed to fool ya, and we done it. Jus' stood there like a hammered sheep. Wisht Grampa'd been here to see. Looked like somebody'd beat ya between the eyes with a sledge. Grampa would a whacked 'imself so hard he'd a throwed his hip out–like he done when he seen Al take a shot at that grea' big airship the army got. Tommy, it come over one day, half a mile big, an' Al gets the thirty-thirty and blazes away at her. Grampa yells, 'Don't shoot no fledglin's, Al; wait till a growed-up one goes over,' an' then he whacked 'imself an' throwed his hip out.”
John Steinbeck
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“I wonder Pa went so easy. I wonder Grampa didn' kill nobody. Nobody never tol' Grampa where to put his feet. An' Ma ain't nobody you can push aroun' neither. I seen her beat the hell out of a tin peddler with a live chicken one time 'cause he give her a argument. She had the chicken in one han', an' the ax in the other, about to cut its head off. She aimed to go for that peddler with the ax, but she forgot which hand was which, an' she takes after him with the chicken. Couldn' even eat that chicken when she got done. They wasn't nothing but a pair of legs in her han'. Grampa throwed his hip outa joint laughin'.”
John Steinbeck
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“Fella says today, 'Depression is over. I seen a jackrabbit, an' they wasn't nobody after him.' An' another fella says, 'That aint the reason. Can't afford to kill jackrabbits no more. Catch 'em and milk 'em an' turn 'em loose. One you seen prob'ly gone dry.”
John Steinbeck
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“В истината има повече красота, дори когато истината е отвратителна. Разказвачите на приказки пред градските порти изопачават живота така, че на мързеливите , глупавите и слабите да им се вижда прекрасен, а това само задълбочава техните недъзи , без да ги учи на нищо , без да ги лекува , без да извисява душите им..”
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“You're going to pass something down no matter what you do or if you do nothing. Even if you let yourself go fallow, the weeds will grow and the brambles. Something will grow.”
John Steinbeck
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“There are as many worlds as there are kinds of days, and as an opal changes its colors and its fire to match the nature of a day, so do I.”
John Steinbeck
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“Work is the only good thing.”
John Steinbeck
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“Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.”
John Steinbeck
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“...and what is truth?”
John Steinbeck
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“Someone's got to do these things,' he said sullenly. 'Or else fate would not ever get nose-thumbed and mankind would still be clinging to the top branches of a tree.”
John Steinbeck
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“We only have one story. All novels, all poetry are built on the never-ending contest in ourselves of good and evil.”
John Steinbeck
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“There ain't no sin and there ain't no virtue. There's just stuff people do.”
John Steinbeck
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“Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.”
John Steinbeck
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“It occurs to me that just as the Carthaginians hired mercenaries to do their fighting for them, we Americans being in mercenaries to do our hard and humble work. I hope we may not be overwhelmed one day by peoples not too proud or too lazy or too soft to bend to the earth and pick up the things we eat.”
John Steinbeck
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“The people say that the two seemed to be removed from human experience; that they had gone through pain and had come out on the other side.”
John Steinbeck
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“First the strangers came with argument and authority and gunpowder to back up both. And in the four hundred years Kino's people had learned only one defense - a slight slitting of the eyes and a slight tightening of the lips and a retirement. Nothing could break down this wall, and they could remain whole within the wall.”
John Steinbeck
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“If every single man and woman, child and baby, acts and conducts itself in a known pattern and breaks no walls and differs with no one and experiments in no way and is not sick and does not endanger the ease and peace of mind or steady unbroken flow of the town, then that unit can disappear and never be heard of.”
John Steinbeck
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“He did not know, and perhaps this doctor did. And he could not take the chance of pitting his certain ignorance against this man's possible knowledge. He was trapped as his people were always trapped, and would be until, as he had said, they could be sure that the things in the books ere really in the books.”
John Steinbeck
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“For it is said that humans are never satisfied, that you give them one thing and they want something more. And this is said in disparagement, whereas it is one of the greatest talents the species has and one that has made it superior to animals that are satisfied with what they have.”
John Steinbeck
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“Every man suddenly became related to Kino's pearl, and Kino's pearl went into the dreams, the speculations, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers, of everyone, and only one person stood in the way and that was Kino, so that he became curiously every man's enemy. The news stirred up something infinitely black and evil in the town; the black distillate was like the scorpion, or like hunger in the smell of food, or like loneliness when love is withheld. The poison sacs of the town began to manufacture venom, and the town swelled and puffed with the pressure of it.”
John Steinbeck
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“She had not prayed directly for the recovery of the baby - she had prayed that they might find a pearl with which to hire the doctor to cure the baby, for the minds of people are as unsubstantial as the mirage of the Gulf.”
John Steinbeck
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“Part of the far shore disappeared into a shimmer that looked like water. There was no certainty in seeing, no proof that what you saw was there or was not there. And the people of the Gulf expected all places were that way, and it was not strange to them.”
John Steinbeck
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“When Kino had finished, Juana came back to the fire and ate her breakfast. They had spoken once, but there is not need for speech if it is only a habit anyway. Kino sighed with satisfaction - and that was conversation.”
John Steinbeck
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“I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich.”
John Steinbeck
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“Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also -- either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths.”
John Steinbeck
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“She planted that terror of debt so deeply in her children that even now, in a changed economic pattern where indebtedness is a part of living, I become restless when a bill is two days overdue. Olive never accepted the time-payment plan when it became popular. A thing bought on time was a thing you did not own and for which you were in debt. She saved for things she wanted, and this meant that the neighbours had new gadgets as much as two years before we did.”
John Steinbeck
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“Courage and fear were one thing too.”
John Steinbeck
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“You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.”
John Steinbeck
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